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Life on the Deckle Edge

Poetry Friday: Haiku Student Poet of the Month Madeline Budd Pearson

Madeline Budd Pearson

Greetings after a couple of weeks away! The school year is winding down, and we traveled to celebrate my daughter Morgan's graduation (magna cum laude!) from Furman University.

Not all schools are out yet, of course, and I'm delighted to present our final Haiku Student Poet of the Month for 2013-14 from The Paideia School in Atlanta, Georgia.




Madeline Budd Pearson lives in Atlanta, Georgia. She is 14 years old and in the 8th grade. In her spare time, Madeline likes to play soccer and read. She has three siblings. She was taught how to write haiku in 2013 by her writing teacher, Tom Painting.


Madeline kindly shares some of her thoughts about haiku:



Haiku can be a way to express yourself, like other poetry. Taking simple ideas, and words and transforming them. It's a way of poetry different from any other. Yes, it is shorter, but with the right word play it can have more meaning. One subject or idea can be a hundred different haiku, and once you write what you think is a good haiku, you want to write another.



(I totally agree!)



Many thanks to Madeline for sharing these observations, and the following fine poems:


Halloween
the hollow silence
after the knock on the door


slumber party
dusty sleeping bags
arrive from the attic


mother’s boss for dinner
the unused china
comes down


quietly quilting
the whisper
of patchwork stories


supermarket
the child follows
her mother’s perfume



All poems ©Madeline Budd Pearson. All rights reserved.

I think you'll agree we're ending this year's series strong! Madeline's poems linger, like that perfume in the grocery store... And, no worries - we plan to continue our monthly poet series featuring Tom Painting's students when school convenes again in the fall.

In cased you’ve missed any of our previous Student Poets, here are the links: Emma Jones (Dec.), Stuart Duffield (Jan.) , Abby Shannon (Feb.), Marissa Schwartz (Mar.), and Liana Klin (April.).

To linger over more great poetry, please go catch the Roundup with Elizabeth Steinglass - Liz is a fine (& published) haiku poet herself, among other things!
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Poetry Friday: Workshopping a Haiku... (from HSA Meeting)

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Greetings, Dear Poetry Friends!

Talk about inspiration overload lately. Today I'm back in Atlanta for our Illustrator Day and Springmingle conference this weekend. Last weekend, I was in a different Atlanta hotel with another creative tribe for the quarterly Haiku Society of America national conference/meeting.

March has been good to my creative soul.

I thought I might offer a peek into "workshopping" a haiku poem from that meeting. (Curtis Dunlap and I facilitated an informal process much like this at our Southeast regional conference back in October.)

Every workshop last weekend was stellar, thanks to conference planners HSA President David G. Lanoue, Terri L. French, and Tom Painting. Our second session was a haiku-writing workshop called "The New Traditional Haiku" led by Lee Gurga, award-winning poet and former HSA president. He is currently editor of Modern Haiku Press.

I'm not going to give away Lee's talk - join HSA and come to a fabulous meeting! - but I'll share a taste. After considering a variety of examples of and approaches to contemporary haiku, we were given handouts with three poems (not haiku) by well-known poets (19th and 20th centuries). We also received blank index cards. Lee invited us to borrow images from these poems, or be inspired by them, and craft some new haiku, keeping our discussion in mind.

While I usually take my time to develop poems and create them from some direct personal experience, it's fun in these settings to just turn loose the Muse and understand that everyone's efforts are first drafts. We each turned in our cards with our anonymous poems, and Lee selected a few for us to take a look at. I was delighted when one of mine came up for discussion. My original scribble on the index card went like so:

spider
her light escape into the dark


(The three words, "her light escape," were from Dickinson and grabbed me. Though referring to Summer in the original poem, I already had a spider image in my mind from another of the handout poems, and I've written a few haiku about spiders. I love playing with opposing forces in a haiku, so "into the dark" just wrote itself.)

Terri was our scribe to pen these haiku on a large pad, and it's interesting that she wrote the second line as, "her light escape into dark" without the "the". (Terri is a sharp, fine poet.) She quickly amended it to reflect what was on the card, but we all agreed the poem certainly didn't need the "the". (I also hear the voice of Lee Bennett Hopkins in my ear when I've let an unnecessary article or other little word slip through, and as soon as I saw the phrase written out, I thought, Did I put that "the" in there?! I hope I would have struck it on a second draft!)

Our workshop talk then turned to lines and construction. Should the poem be set up more traditionally, as:

spider
her light escape
into dark


or one line:

spider her light escape into dark

Well, I like either of these options better than what I originally put down.

A suggestion was also made to play with spacing, maybe drawing out the moment:

spider    her light escape      into     dark

or some such.

Looking at all of these suggestions, I might pick the three-line construction as my favorite for this poem, even though it's the most traditional. One, the "spider" and "her light escape" are not jammed awkwardly together if separated by the line space, and, Two, that short pause as the reader goes from the second to the third line gives our little arachnid just enough time to make a surprise exit!

Hopefully this brief romp has offered a hint at the myriad decisions and options available in writing a "one-breath poem." It was an honor and treat to meet some of the genre's best practitioners and advocates, and to get to know a few I've met before a little better!

The Poetry Friday Roundup today is hosted by none other than our wonderful Mary Lee at A Year of Reading. Quick - make your escape over there for lots of great poetry!
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Poetry Friday: Student Haiku Poet of the Month Marisa Schwartz

Marisa Schwartz



Happy Spring! If Spring did not arrive with the calendar this week where you are, I send you coastal sunshine (& pollen!) and wishes for warmth soon. What better way to welcome a new season than with haiku?


This Poetry Friday finds me traveling to Atlanta for the quarterly Haiku Society of America national conference/meeting, where some of Tom Painting’s haiku students will again share their thoughts and poems. I hope you are enjoying our blog series featuring a Student Haiku Poet of the Month as much as I’m enjoying sharing these talented and generous young people.



Ringing in Spring today is Marisa Schwartz. Marisa was raised in Decatur, Georgia (but is a New Yorker at heart) and has attended The Paideia School since third grade. She has always enjoyed writing ever since she could hold a pencil and started writing haiku in seventh grade, when creative writing teacher Tom Painting introduced it to the class. Marisa is also an accomplished piano player and plays the flute for her high school. She loves to play ultimate Frisbee and is a voracious reader. She lives with her parents, sister, and beloved cats.



(The kinship with kitties is enough for many of us, right?)





About haiku, Marisa says:


I love how haiku can capture such small and sometimes seemingly insignificant moments in life. Such small poems - only three lines - can have such a huge impact and I love how beautifully imagery can be conveyed in this way.

Here is a selection of Marisa’s poetry:


funeral home
a potted plant
in the window


midnight
lying in bed
I daydream


autumn night
a swing
in the wind


a dusty Steinway
the pedals
still warm


playing soccer
with a ping-pong ball
the kitten


lovers’ lane
everyone
on cell phones


9/11 memorial
running my fingers
over his name



All poems ©Marisa Schwartz. All rights reserved.

Many thanks to Marisa for sharing her fine work! Several poems to admire here – I was particularly taken by those warm Steinway pedals myself. What speaks to you?

In cased you’ve missed any of our previous Student Poets, here are the links: Emma Jones (Dec.), Stuart Duffield (Jan.) , and Abby Shannon (Feb.).

Thanks as well to the also talented and generous Julie at The Drift Record for hosting our Poetry Friday Roundup today! Lots of great poetry awaits there, perfect for spring or any season!
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Poetry Friday - Haiku Student Poet of the Month Abby Shannon

Abby Shannon


Hellooooooo from the South Carolina Lowcountry (madly waving palm fronds)! I've missed you all. Last Friday ended up being moving day (rescheduled from the snow-and ice-laden middle of the week), and I'm still navigating mazes of boxes.



I'm delighted to have gotten the computer up and going yesterday to bring you, finally, February's featured Haiku Student Poet! You'll see she's worth the wait.


Abby Shannon is the third in our series spotlighting a Haiku Student Poet of the Month from among Tom Painting’s students at The Paideia School in Atlanta. (You can read more about this award-winning poet and teacher here and meet our first featured student poet, Emma Jones, here, and our second student poet, Stuart Duffield, here.)



Abby is in the ninth grade and goes to The Paideia School in Atlanta. Abby’s favorite subjects in school are literature, history, and science. In her free time she loves to read books, and spend time with her friends.


Here are some of Abby's thoughts about haiku:



Haiku is universal. The thoughts of people scattered on paper, then carefully rearranged, to make a poem. Haiku is everywhere from the space under my bed to the dog-eared page in a favorite book to the first fallen leaf of autumn. Haiku is life, and life is Haiku. Any person can relate to a well-written haiku, because they are all from the observations of other humans. Which is what makes Haiku so incredibly special.



And now, a few of her wonderful poems:



barren trees
she hangs
upside down


breast cancer parade
the little boy reaches
for his balloon


morning wind
the blossoms
tangle with her hair


late morning
the icy moon hangs
on a bright blue sky


public library
the shy boy
wipes dust off a book


white blossoms
softened
by the rain



All poems ©Abby Shannon. All rights reserved.

Well, I can't quite pick a favorite (though I'm partial to the white blossoms). Can you? Many thanks to Abby for sharing her poetry with us this month!

For more inspiring poetry, curl, ice dance, or slalom on over to see the wonderful Karen at her blog with the shockingly clever title, for this week's Roundup!
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Poetry Friday -Student Haiku Poet of the Month, Stuart Duffield

Stuart Duffield


This new year brings a continuing treat – the second in our series featuring a Haiku Student Poet of the Month from among Tom Painting’s students at The Paideia School in Atlanta. (You can read more about this award-winning poet and teacher here and meet our first featured student poet, Emma Jones, here.)


Today’s featured poet wowed the adult attendees at our recent Haiku Society of America Southeast Region ginko haikufest in Atlanta in October. Please welcome Stuart Duffield.

Stuart was born in Charlottesville, Virginia, and was raised in
Atlanta Georgia, where he currently attends The Paideia School. He was
first introduced to haiku by his 7th and 8th grade literature teacher,Tom
Painting, and has loved it ever since. Stuart’s other hobbies and
interests include general fitness, swimming, hiking, computer hardware,
and fashion.


Stuart shares a few of his thoughts about the genre:


It is often the most ordinary and common moments in my life that
haiku captures with its full breadth. These moments, many times ignored in
my fast paced life, are often most worthy of my attention, not because of
the immediate satisfaction of capturing the intricacies of nature in a
single breath, but rather the comfort it provides when I am most removed
from the things I love. Through this perspective, beauty is no longer
bound by the spindling webs of social structures and culture, but freed by
the feel of warm, moist sand underneath your feet, the warm breath blown
over the tip of your nose, the winds whipping at your cheeks and the
syncopated beats of crickets at dusk.





Now, please enjoy some of Stuart’s poems:



desert road
a javelina hides
behind a prickly pear



lazy afternoon
the cat
watches the bird feeder



desert sunrise
a cactus wren calls
from the ocotillo



sunlight through the garage window
the first chords
kick up dust



train whistle
ravens burden
a leafless tree



All poems ©Stuart Duffield. All rights reserved.

Many thanks to Stuart for sharing his fine work here this week!

Thanks as well to the Delightful Donna, hosting the Poetry Friday Roundup today at Mainely Write.
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Poetry Friday - WE HAIKU HERE winds up with Terri French

HSA President David G. Lanoue and Regional Coordinator Terri L. French at the 2013 HSA SE Ginko Haikufest in Atlanta
photo by Curtis Dunlap


Thanks to everyone who's been tagging along for the adventure in our WE HAIKU HERE series, featuring speakers from our recent Haiku Society of America (HSA) Southeast Region's"ginko haikufest" in Atlanta. Today I'm thrilled to introduce Terri L. French, our hard-working, organized, and oh-so-talented regional coordinator.

Shortly after I stumbled into the HSA, and started looking around for a tribe in my area, magical emails appeared from this go-getter poet in Alabama. Terri had volunteered to take the reins in this part of the country with a history of terrific poets. She coordinated a regional meeting/weekend retreat in the Alabama mountains in 2012 (I couldn't make that one), and another this year in Atlanta (I did make this one!). What a special treat to meet people in person whom I'd only known by their bylines in journals, and a few by email. We are all grateful for Terri's vision and follow-through!

First, let's meet Terri:

Terri L. French referred to herself as a Massage Therapist who writes, but she has come to realize that she is truly a Writer who does massage therapy. Terri’s degree in journalism helps her to appreciate the short, concise elements in haiku and other haikai forms.

Her work has appeared in various journals, such as Frogpond, Modern Haiku, Daily Haiku, Contemporary Haibun Online, A Hundred Gourds and Moonbathing. She serves as the Southeast Coordinator of the Haiku Society of America and is editor of the online senryu and kyoka journal, Prune Juice. Terri and her husband, Ray, have four grown children and reside in Huntsville, Alabama.




Now, please enjoy some of Terri's poetry:



waiting room—
a fly climbs the stairs
on an Escher print


3rd Prize 2012 HSA Gerald C. Brady Memorial Contest




first freeze—
brushing frost
from the pansies' faces


Feb. 18, 2011 DailyHaiku




evening meditation
on the tao of the next wave
everything rests


haiga online, Issue 12-2, 2011




he brings flowers
the same shade—
bruises


Frogpond 34:3 and
2011 The Haiku Foundation Touchstone Award




distant thunder
the sound of an ellipsis


commendation The Haiku Foundation HaikuNow! Contest, 2013



smothered in face cream
grandmother reads
A Wrinkle in Time


A Hundred Gourds, 2:4, September, 2013



catching tadpoles
this summer he wades

d

e

e

p

e

r



from Terri's book, A Ladybug on My Words, available on Amazon. [Bought and recommended by yours truly!]

All poems ©Terri L. French. All rights reserved.



Finally, I asked Terri, "Why haiku?"

I tend to be a planner and often find my thoughts centered on the future. Haiku, much like my yoga practice, or performing massage, helps me to stay focused and to pay attention to what is happening in my current environment.

Thank you, Terri, for joining us today, and for all you do to promote haikai arts. And thank you for sharing your fine work here this week!

For more wonderful poetry, visit the wonderful Buffy at Buffy's Blog for this week's Roundup.

Wishing everyone a Merry Christmas! Next week I'll be sharing my special treasures received, poetic and otherwise, during the Winter Poem Swap.
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Poetry Friday: Haiku Continues with Student Poet of the Month, Emma Jones

Emma Jones


Greetings, Poetry Friends! Thank you for joining me lately to meet haiku poets from my neck of the woods – speakers from our recent Haiku Society of America (HSA) Southeast Region ginko haikufest in Atlanta, Georgia. Next week we’ll wind up our “We Haiku Here” series with HSE SE regional coordinator, poet, and editor Terri L. French. Remember meeting award-winning poet and teacher Tom Painting last month?

Several of Tom’s students wowed us at the conference with readings of their work, and with their statements about haiku. Since 2000, Tom’s junior high and high school students have had winning haiku in the Nicholas Virgilio Memorial Haiku Contest. His students have also been recognized in the United Nations International School Haiku Competition.Tom currently teaches at The Paideia School in Atlanta.

Friday the 13th is a lucky day for us today, because with Tom’s help, I’m kicking off a monthly feature spotlighting the work of these talented students. Today I’m delighted to introduce you to Emma Jones, an 8th grade student at Paideia.

In addition to writing haiku, Emma enjoys dance and soccer. She is an avid reader. Emma lives with her mom, dad, and older sister, Camille.

Emma shares these thoughts about haiku:

I like watching a haiku form. The original idea may change throughout the revision process. After chipping away unnecessary words and switching around the lines I often find myself with a new version that may or may not look how I originally intended it to be. Since haiku are written with so few words it has made me think about each word in all of my writing. Sometimes haiku is written about the smallest and seemingly unimportant moments in life. Writing and reading haiku has made me seek out these moments and grasp their importance and elegance, to write about or just appreciate.


Emma has also kindly agreed to share some of her poems. Enjoy!



kneading my thigh
in an easy chair
the old grey cat


lazy afternoon
a soft spring breeze
combs the grass


summer drizzle
the sidewalk slowly
colors-in


city lights steal the stars


dead bird
the cat’s eyes sparkle
a confession


family breakfast
grape jelly sliding
down the jar


Nam Memorial
no need
for quiet signs



All poems ©Emma Jones. All rights reserved.


Hearty thanks to Emma for joining us today!

If Emma’s exceptional writing has whet your appetite for more great poetry, please go visit the ever creative, ever thoughtful Tabatha at The Opposite of Indifference for this week’s Poetry Friday Roundup.
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Poetry Friday is HERE with Haiku Society of America President David G. Lanoue

David G. Lanoue shares some of his favorite poems by Issa at the 2013 HSA SE Ginko Haikufest in Atlanta
photo by Raymond French


Greetings, Poetry Friday Friends! I'm hosting today from my soon-to-be home of Beaufort, SC, where we're slated for sunshine and highs in the 70s today. I send this freely to those of you whose windows are caked in ice and snow.

It's my great honor to continue our "We Haiku Here" series today with Haiku Society of America (HSA) president David G. Lanoue. He delivered a reading of Issa's work at our recent HSA Southeast Region's"ginko haikufest" in Atlanta. I've been featuring our speakers and their poetry the last few weeks. We'll welcome a special student guest next week, and then regional coordinator Terri L. French will round out the series.

Our gathering was called "gazing at flowers," in honor of haiku master Issa's 250th birthday, and it was a special treat to have our HSA president participate!

David G. Lanoue is a professor of English at Xavier University of Louisiana. He is a co-founder of the New Orleans Haiku Society, an associate member of the Haiku Foundation, and the president of the Haiku Society of America. His books include Pure Land Haiku: The Art of Priest Issa, Haiku Guy, Laughing Buddha, Haiku Wars, Frog Poet, Dewdrop World and Issa’s Best: A Translator’s Selection of Master Haiku. He maintains The Haiku of Kobayashi Issa website, for which he has translated 10,000 of Issa’s haiku.


I asked David to please tell us a little bit about Issa and share a few of his favorite Issa haiku.

Issa, which literally means "One Tea," is one of the great haiku poets of Japanese tradition. He lived from 1763 to 1828 (even though most sources still make the mistake of assigning 1827 as his death year). He was brilliantly prolific, writing over 20,000 haiku in his lifetime. Down to earth, human, sympathetic to all life--from noble horses down to tiny fleas; Issa is loved by readers all over the world. Despite many hardships--losing his mother when he was a child, enduring the abuse of a hateful stepmother, having to go into exile at a young age, and, later in life, mourning the deaths of four children and his first wife--Issa remarkably retained his sense of humor and love for life throughout his poetry. As for sharing some of my favorite Issa haiku, I've culled 1,210 of them from my online archive of 10,000 and put them into a book (Issa's Best—available from Amazon as a paperback and as e-books for Kindle and Nook, hint, hint), so it’s terribly hard for me to narrow it down further. So, I’ll just flip through the book and pick five random ones that catch my eye. Enjoy...

chin-deep
in the fallen blossoms . . .
a frog

on the high priest’s
head . . .
flies making love

lightning flash –
no way to hide
the wrinkles

blooming
with butterflies
the dead tree

resting
on the big dog’s head
dragonfly


I also asked David to share a few of his own...

Translating Issa for 26 years inspired me to try my hand at writing original haiku. Here’s a sampling of five:

the old priest dines
his wine
just wine

a "Lost Dog" sign
nailed deep
into the oak

one star
over the airport
another Beatle has died

pizza parlor
after the murders
help wanted

when he reaches the square
the beggar
becomes lame


Poems ©David G. Lanoue. All rights reserved.

The above were first published in Modern Haiku 30.1 (1999); Frogpond27.2 (2004); Frogpond 31.1(2008); Haiku Wars(2009); and Senryu Therapy: American-Romanian Anthology(2012).

Of course, I asked David my "Why haiku?" question:

Here's something I wrote recently for the Haiku Foundation blog about where my haiku come from:

My haiku always begin with some sort of stimulus—a glimpse, a scent, a memory—about which I suddenly have a strong feeling that “There’s a haiku in this.” I’m curious to find out what I will say about this “this.” When I take out pen and paper, or more recently, the iPhone, I’m trying to catch the momentum of an impulse to discover. The first image is always easy; it’s the spark that ignited the curiosity. The second image or, perhaps, thought, will be the discovery which, if I’m lucky, will make the quick journey from part A to part B a haiku. For this step I rely on everything I know and have felt, my deep intuitions, my lifelong love affair with the English language, and, trusting in all this, nine out of ten times the second part comes even as I am writing it down—and I have a haiku. Whether or not it’s a good haiku is a matter to be decided later, but for the time being I’m content to add it to the computer file titled “MyKu” that contains over 3,000 similar bursts of discovery, from 1983 to yesterday.



AND, I asked David who should join the HSA...

Who should join the HSA ? Anyone who'd like to cultivate an interest in haiku, as a reader of it, a writer of it, or both. The HSA provides a great opportunity for the English-speaking haiku community in North America to stay in touch and share their love of haiku. Workshops, conferences, an annual members' anthology, a subscription to our journal Frogpond (published three times a year) and one-on-one mentoring opportunties are all available to HSA members. I've been a member since forever, and I've always felt that I've gotten more out of the HSA than the annual membership fee ($35 these days for US citizens) could ever pay for. In fact, as I write this note I'm reminded that I haven't rejoined for 2014, so I'll do so today!

To learn more about David or Issa, please visit his Haiku Guy website. You can even sign up in Yahoo groups for an Issa poem to be sent to you each day! Also, this week I blogged about Haiku Guy, the first in David's series of haiku novels, at Janice Hardy's writer blog, The Other Side of the Story.

Now, what are you offering up today? Please leave your link in the comments, and I'll round them all up between sunshine breaks.

Good Poetry Friday Morning!

If you have a pulse and an inbox, you will relate to Michelle’s hilarious original “Cyber Seduction” poem about ringing in the online holiday spending season over at Today’s Little Ditty

At Bald Ego, Charles combines two of my personal favorites: Van Gogh and the villanelle! He also has Couplets for Picasso if that’s your couplet of tea. (Wonderful art by son Chip, too.)

Laura brings us another of Joyce Sidman’s poems from WHAT THE HEART KNOWS – “Song of Bravery” at
Writing the World for Kids. (This one seems especially appropriate today, as the world mourns the loss of Nelson Mandela.)

Along the theme of world leaders, Linda at Teacher Dance marks the recent 50th anniversary of the assassination of John F. Kennedy with a post about Robert Frost and Kennedy – how Frost wrote the first presidential inauguration poem yet read another at the ceremony, and links to more about all that.

Catherine at Reading to the Core has a poem by Minnesota Poet Laureate Joyce Sutphen, “What the Heart Cannot Forget” – made me sigh out loud.

Who wants pie? Get over to Gottabook and have an original slice with Greg! It’s pre-fib pie. (You’ll have to click to see what I mean.)

If your hunger is of a more serious vein, be sure to read Myra’s offering at Gathering Books - a striking poem called “Hunger” by Nerisa Guevara (& check out previous posts featuring her work, too).

Dear Tabatha at The Opposite of Indifference brings us a terzanelle by Lewis Turco, and an ornament made by yours truly. (I didn’t pay her, I promise!) Don’t you just love the word, “terzanelle?”? And in the featured poem, don’t you just love the word, “hourdust”?

At Carol’s Corner, Carol features a powerful new poetry picture book by Daniel Beaty, KNOCK KNOCK, illustrated by Bryan Collier. (I couldn’t make it dry-eyed through the video either, Carol.) Carol comments that she has shared the picture book about Issa, COOL MELONS TURN TO FROGS (on my shelf too, of course!) for years. “In some sense,” Carol writes, “Beaty and Issa have a lot in common--both men have had really difficult lives and have used poetry to create meaning.”

Mary Lee at A Year of Reading is in with an ode to – her big toe?! (Please do check out the bandage art. And, heal fast, Mary Lee!)

**ALSO** – Mary Lee is issuing a call for Poetry Friday Roundup hosts for Jan. – June , so get thee hence and claim a date! (I’m off to go do that right now. Back in a minute….)

At The Drift Record, Julie has William Ernest Henley’s (1849–1903) poem, “Invictus,” honoring the man who will always be associated with it, Nelson Mandela.

Greg had pie, Laura has cookies… Go visit Author Amok for Myra Cohn Livingston’s “Christmas Cookies,” PLUS directions on how to make “Paintbrush Cookies” (now that’s right up my artist’s alley) PLUS other poetically tasty links.

Do you hear some jingling? Well, then you must be near Betsy’s I Think in Poems blog, where she shares some “Jingling Chatter” today. Drop in with one of Laura’s cookies.

Tara at A Teaching Life honors Nelson Mandela today with two poems, “Invictus” by William Ernest Henley and John Matshikiza’s 1974 poem, “And I Watch it in Mandela.”

Caw! Caw! Maragret at Reflections on the Teche shares her poetic observances of a murder of crows which came to play at their school playground this week.

If tiny mice are more your thing, skitter – rather, sail – on over to Alphabet Soup, where Jama’s serving them up. Well, she’s not REALLY serving up REAL mice – Jama would never do that – but she has Janis Ian's adorable new picture book, THE TINY MOUSE, delightfully illustrated by Ingrid and Dieter Schubert. And, of course, there’s food.

Thanks to Becky for the warm SC welcome! Becky’s ringing in St. Nicholas Day today at Tapestry of Words with “A Song for St. Nicholas” by Mary Mapes Dodge (1831-1905).

Katya is trying to make the best of a frigid situation with Emily Dickinson’s “Snow flakes” atWrite, Sketch, Repeat. (And I’m hoping Mary Lee’s toes will soon be up to this kind of jig.)

Collette brings us former US Poet Laureate Robert Pinsky and “The Favorite Poem Project,” along with a powerful video – a 20-year-old student’s reading of Gwendolyn Brooks’s “We Real Cool” at Used Books in Class.

At Enjoy and Embrace Learning, Mandy offers some words of encouragement for Mary Lee and her poor toe.

Diane (one of David’s “Daily Issa” subscribers, BTW) brings her usual Triple Threat of poetic goodness:

At Random Noodling, she offers an original ekphrastic poem, “Interior.”

St. Nicholas Day gets some more love at Kurious Kitty, with “The Festival of St. Nicholas” by Mary Mapes Dodge from Hans Brinker, or, the Silver Skates.

And a quote for creatives by Mollie Hunter is yours for the pondering at KK’s Kwotes.

At The Blog with the Shockingly Clever Title, Karen shares Mark Jarman’s “Prayer for our Daughters” (touching to me as I’m waiting on my college daughter to come visit this afternoon!). She also added links to haiku-related posts on her blog.

Donna’s in with a poem for the “musicfully inclined” over at Mainely Write. Dare you to read it without tapping your toes.

Lovely Cathy brings us a timely poem and post today with “A Wish is a Start” at Merely Day by Day (Our second post featuring coins – good luck, I’m thinking. No, wishing….)

Jone checks in from Check it Out with a Mary Oliver poem, “In Blackwater Woods” – and some lovely thoughts about how poetry can help heal in times of loss.

Garrison Keillor fans? (Raises hand wildly…) Keri is giving away a signed copy of his latest book, O, WHAT A LUXURY – VERSES LYRICAL, VULGAR, PATHETIC and PROFOUND at Keri Recommends. (Hmmm… Maybe I’ll leave TWO comments over there….)

Violet takes up Laurie Purdie Salas’s great 15-words-or-less challenge this week with an original response, “Katniss’s Dilemma,” at Violet Nesdoly Poems. (There – you "hunger" to know more, I can tell – my work here is done.)

(Must take a wee break - back in just a bit.)


I'm back!...


Anastasia sparkles with the magic of icicles today at a Poet! Poet!

Little Willow chimes in at Bildungsroman with “The Singer” by Anna Wickham. (To me, it seems an especially appropriate choice for today in light of Mandela’s passing.)

Janet lightens things up for us with I’VE LOST MY HIPPOPOTAMUS: MORE THAN 100 POEMS by Jack Prelutsky, illustrated by Jackie Urbanovic, at
All About the Books. (Now, that looks like fun.)

JoAnn over at Teaching Authors serves up some terrific book recommendations, and links to others, that should go straight to your gift list (or maybe on your own letter to Santa?) She also shares a most delicious love poem from Joyce Sidman’s new WHAT THE HEART KNOWS: CHANTS, CHARMS & BLESSINGS.

MM Socks opensThe Drawer to share an original poem, “Nobody Wants to Hold My Hand.” (Well, I'm sure after folks visit his blog he'll get some offers... ;0) )

Ruth also has an original poem this week, “Sounds from this House,” at There is no Such Thing as a Godforsaken Town. It was published in their school’s brand-new online literary journal and will transport you immediately to life in Haiti. (That last stanza is gorgeous, gorgeous.)

Okay – you’ve been working hard all day. Now it’s time to play! Amy has just the thing at The Poem Farm, with a poem inspired by a young teacher-in-training and her dolls and stuffed animals – and from Amy’s own memories, as well.

Joy lives up her name today with an acrostic poem she wrote for Kwanzaa at Poetry for Kids Joy. Terrific sentiment! She invites us to check out her haiku from earlier this week, too.

Well, the sun is setting here, and we're about to head out for a little while. Hope you can cozy up with some of this great poetry, and I'll check back in later.
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Poetry Friday: WE HAIKU HERE with Dave Russo

Dave Russo speaks at the 2013 HSA SE Ginko Haikufest in Atlanta
photo by Raymond French


Happy Thanksgiving weekend! I hope you're settling into some time for reflection after the big day - or at least moments of noticing between all the Black Friday sales.



In our WE HAIKU HERE series, speakers from our recent HSA (Haiku Society of America) Southeast Regional “Ginko Haikufest” in Atlanta have graced my blog. We've gotten to know poets Curtis Dunlap, Tom Painting and Laurence Stacey.



Today's guest hails from North Carolina, and if you've enjoyed the great resources on The Haiku Foundation website, you have him to thank.



At our weekend gathering, Dave and Bob Moyer led a fun and lively interactive session on "Haiku from Scratch."



Dave Russo’s haiku have appeared in Frogpond, Modern Haiku, Acorn, and other journals. He is included in the New Resonance 5 anthology from Red
Moon Press. Dave organizes events for the North Carolina Haiku Society and is the web administrator for the NCHS and The Haiku Foundation.




Now, I know you saved some room for haiku. Please enjoy these examples of Dave's poetry. (Those haiku poets among you might appreciate the progression from the "5-7-5" structure of his earliest published poems to the shorter, more condensed recent works.)



All through the meeting,
your calm face by the window.
Bright, darkening trees


Frogpond, xx:2 1997



It's late, the office
almost empty. Your bare feet
whisper by my door


Modern Haiku, xxvii:3, 1997



ice melting the shape of the branch it fell from

The Heron’s Nest, June 2013



    olive blossoms . . .
the sound of a hive
    in the abbey wall


Snapshot Press Haiku Calendar for 2013, Runner Up for August


All poems ©Dave Russo. All rights reserved.


In response to the question, "Why haiku?" - Dave's words are likewise concise and meaningful:

"Because haiku can express a depth of feeling with an economy of means that is not often found elsewhere."

Amen! Many thanks, Dave, for joining us today and sharing your work.

Next week the Poetry Friday Round Up is HERE with poet, author, Issa scholar and Haiku Society of America president David Lanoue.

For today's poetic feast, please take your plate over to Carol's Corner.
[AND (blatant commercial warning): should you want to do any Black Friday/Small Business Saturday/Cyber Monday shopping between poetry stops, feel free to use Coupon Code PFPEEPS13 in my artsyletters Etsy shop for 15 percent off now through Monday! Poet Gift Packs, notecards, altered vintage books, typewriter key jewelry, bookmarks, and more!] :0)
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Poetry Friday: WE HAIKU HERE - Class in Session with Laurence Stacey

Top: Laurence delivers a talk at our recent HSA SE regional haikufest. Below: I appreciated a nice long walk and talk with Laurence; we discussed poetry, animal rights, and education – among other things!
photos by Raymond French




Welcome back! I’m glad so many folks are enjoying our end-of-the-year haiku journey, led by some of the speakers at our recent HSA (Haiku Society of America) Southeast Regional “haikufest” in Atlanta.

Have you missed the introduction to the series, or any of the fun so far? Please click here to get to know poet Curtis Dunlap and click here to meet Tom Painting, poet and teacher extraordinaire.


Today we have a special treat. And, continuing along an educational theme, we have a poet who is also a teacher.


Laurence Stacey lives in Marietta, Georgia, and is an English Instructor and tutor at Reinhardt University. In his spare time, Laurence enjoys hiking and is an avid student of the martial arts. His educational background includes an MA in Professional Writing, with an emphasis on poetry. He is interested in incorporating haikai into the high school and university curriculum. (RHB note – “haikai” generally refers to haiku and related arts, including senryu, haiga, and haibun.)


Laurence’s poetry has been featured in Prune Juice, Simply Haiku, Tinywords, The Heron’s Nest, and several other journals. He is also the coeditor of Haiku News, a journal dedicated to engaging sociopolitical events through haiku, tanka, and senryu poetry.


Please visit Haiku News at http://www.wayfarergallery.net/haikunews/
. (another RHB note: Poetry Friday regulars, you can find several poems by Diane Mayr in the Haiku News archives.)


At our weekend conference, which celebrated the 250th birthday of haiku master Issa, Laurence delivered a lecture that was enthusiastically received Saturday morning. His talk, “Issa and the African American Perspective in Haiku,” invited us to explore poetry by African American writers as well as to think about ecology , and to consider these subjects in the context of haiku. An enlightening and inspiring morning!


I look forward to more of Laurence’s work on these themes in the future.
In the meantime, let’s enjoy some of his poetry, shall we?




deep in debt…
I answer the phone
as my son


Tinywords, issue 13.2, August 2013



election day
choosing the devil
I know


Haiku News, Vol 1 No. 22



her illness
beyond our care
winter birds


The Heron’s Nest, September 2011, Vol XIII



spreading my cards
the gypsy covers
a yawn


Simply Haiku, Autumn 2009, Vol 7 No 3



AM jazz
the phone line rocking
with crows


3Lights, Winter 2010

All poems ©Laurence Stacey. All rights reserved.


In response to “Why haiku?”, Laurence shares the following:

My reasons for studying and writing haikai (haiku, senryu, and tanka) continue to evolve as I learn more about the art. However, the reason that most quickly comes to my mind is joy. For me, haikai is a way of connecting to the people around me and recording the stories that make us unique. In addition, haikai encourages what I believe is a true respect for the natural world and the creatures that live in it.

What more could you ask for as a reason to pursue a discipline? We are very grateful to have Laurence in our region, and I’m grateful he took the time to visit us here today! Thanks, Laurence.

And hearty thanks to hearty Katya, hosting our Roundup for Poetry Friday this week. Go unpack all the great poetry over at Write. Sketch. Repeat.

(And be sure to return here next week, as our series continues...!)
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