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Life on the Deckle Edge

Poetry Friday: WE HAIKU HERE welcomes Tom Painting

Welcome back, Poetry Friday Friends! Our haiku series continues today. In late October, The Southeast Chapter of The Haiku Society of America met in Atlanta for the 2nd Annual Ginko Haikufest: “gazing at flowers” in celebration of Koboyashi Issa’s 250th birthday. (We’ll revisit Issa in a later post with HSA President and Issa scholar David G. Lanoue.) I’m shining a spotlight on our speakers here, week by week.

Last week, we kicked off the series with North Carolina poet Curtis Dunlap, who kindly provided some thoughts on haiku and several fine poems. This week, I’m thrilled to introduce Tom Painting. (If you already hang in the haiku world, Tom needs no introduction.)

One of the highlights of our recent weekend was welcoming Tom’s current and former students from The Paideia School in Atlanta, where Tom teaches junior high. (He taught my niece Olivia in fact, and she has penned some award-winning haiku, which I’ve featured here the last two years.)

These eighth and ninth graders each shared a few thoughts on haiku and then some of their own poems. I cannot adequately describe how articulate, thoughtful and talented each student was – or the tangible impact they had on us grown-up listeners! There were many moist eyes in the room during the readings. Beyond impressive.

Since 2000, Tom’s junior high and high school students have had winning haiku in the Nicholas Virgilio Memorial Haiku Contest. His students have also been recognized in the United Nations International School Haiku Competition.Tom is obviously an amazing teacher, and he is eager to share his students’ work.

For today, I convinced him to let us meet him first! This teacher, husband and father is one of our best haiku poets writing today.

In addition to regular inclusion in the top haiku journals,Tom’s haiku have appeared annually since 1998 in The Red Moon Anthology of English Language Haiku, published by Red Moon Press. He was the 2012 winner of the Haiku Society of America haibun contest. One of his poems is included in Haiku in English: The First Hundred Years recently published by W.W. Norton and Company (see last week’s post for my aside raves).

Here are some examples of his work:



crickets
the pulse in a hollow
of her neck


Acorn #10, 2004



spring plowing
a flock of blackbirds
turns inside out


Frogpond XXV:2



detour
she returns my hand
to the wheel


Frogpond XXVI:3



year's end
the weight of pennies
in the mason jar


Modern Haiku 39:2



Indian summer
bison graze the shadow
of the Bitterroots


Modern Haiku 43:1



summer stars
my children ask me
to name a favorite


The Heron’s Nest, June 2011


All poems ©Tom Painting. All rights reserved.


Now, to the question, “Why Haiku?” – Tom’s insightful answers runneth over. In fact, I’ll feature just a few of his helpful thoughts about haiku here today and try to work in more in future posts.

“In haiku circles you’ll often hear reference to the haiku moment,” Tom explains. “In so short a form as haiku the poet must get right to the point and show the particular thing that captures her or his attention- the one among the many, the close-up in the general scene, the last, the first, the opposite.

"Haiku work with the ordinary facts of life. One of the great surprises of this form of poetry is that in the ordinary, the every day, one can find the sublime. Haiku poets write in present tense to help the reader feel as if the haiku moment were happening now. Simple, uncomplicated images, common language, objective presentation and musical sensitivity to language are additional hallmarks of a successful haiku."


Told you he was a teacher. As to why he teaches haiku:

“I teach haiku because I love it. I teach haiku because kids of all ages generally like it and some love it. I teach haiku because I feel it provides a cornerstone to literacy.”

Tom even makes his students a promise: “ If you commit yourself to the practice, you’ll learn more about the world, about writing and especially about yourself.”

If you scan the 7th through 12th grade winning entries in the Nicholas A. Virgilio Memorial Haiku Contest at the Haiku Society of America website, you’ll see how Tom has inspired many of the winners.

But wait! There’s more! I will be featuring one of Tom’s students each month beginning one month from today! That’s right, a student haiku poet of the month. You will be blown away, I guarantee it.

The accolades of placing in a contest are all well and good, but beyond that - when a young writer is able to engage in the world in an authentic way and express his or her experience in just a few profound words… I told you you’d be blown away, right? So stay tuned in coming weeks for more haiku from our featured speakers, and then keep circling back for our bright and shining student of the month.

As for today’s Round Up, please go see what the ever-surprising and insightful Jama is cooking up over at Alphabet Soup . It’s always Mmm-mmm good.
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Poetry Friday: WE HAIKU HERE series kicks off with Curtis Dunlap

Curtis Dunlap leads a critique panel at the 2013 HSA SE Ginko Haikufest in Atlanta
photo by Raymond French
Welcome, Poetry Friday Friends! I’m excited to kick off a series today which will feature several notable haiku poets – the speakers from a recent regional celebration of haiku. In late October, The Southeast Chapter of The Haiku Society of America met in Atlanta for the 2nd Annual Ginko Haikufest: “gazing at flowers” in celebration of Koboyashi Issa’s 250th birthday. (We’ll revisit Issa in a later post with HSA President and Issa scholar David G. Lanoue.)

The event was organized by our amazing and talented regional coordinator, Terri L. French. (More on her later, too.) This region includes Alabama, Florida, Georgia, Puerto Rico, South Carolina, and the United States Virgin Islands. Our wonderful weekend included a handful of terrific poets from North Carolina as well. As you can imagine, I’m thrilled I’ll stay in this region after moving from Georgia to South Carolina!

At our conference, I had the good fortune to be on a panel with Curtis Dunlap. We read anonymously submitted haiku and then discussed/critiqued them as a large group. I was struck by 1.) the level of excellence of the drafts and 2.) the very insightful comments and suggestions from all in attendance. It was a great learning experience all around.

I asked Curtis if he would be willing to lead off with this end-of-the-year series, and he kindly obliged.



Curtis Dunlap lives near the confluence of the Mayo and Dan rivers in Mayodan, North Carolina. His poems have been published in a variety of journals and anthologies including The Christian Science Monitor, The Dead Mule School of Southern Literature, Frogpond, Haiku in English: The First Hundred Years, Magnapoets, Modern Haiku, Rusty Truck, and The Wild Goose Poetry Review. He was awarded the Museum of Haiku Literature Award in 2008. Click here for his tobaccoroadpoet.com website.

[Note from RHB: Haiku in English: The First Hundred Years came out in August from W.W. Norton & Company. Edited by Jim Kacian, it features an introduction by Billy Collins and more than 800 poems guiding the reader through the form’s development in English. I bought a copy and am enjoying it tremendously.]

Here is a sampling of Curtis’s fine haiku:



after the burial . . .
my father’s smile
on so many faces


The Heron's Nest, Volume VIII:4 - 12, 2006



tobacco market
the auctioneer pauses
to catch his breath


Chasing the Sun: selected haiku from Haiku North America 2007



a rusty still
by the dry creek bed –
blood moon rising


The Heron's Nest, Volume X:1 - 3, 2008



school closings —
the snowmen arrive
flake by flake


The Heron's Nest, Volume XII, Number 2: June, 2010



robbing the bees
she speaks of
lip balm


The Heron's Nest, Volume XII, Number 4: December, 2010



afternoon lull...
a mercy bullet
for the rabid dog


The Heron's Nest, Volume XV, Number 2: June 2013

All poems ©Curtis Dunlap. All rights reserved.


To the question, Why Haiku? – Curtis responds:

To preserve, share, and savor snapshot moments that are as fleeting as the small poems used to convey the experience to the reader. Time goes by at an incredible pace, especially now that I've passed the half century mark. To me, writing haiku is akin to taking the finger off of life's fast forward button, slowing the pace down, and revisiting events that struck a chord with my artistic soul. …

You can follow the rest of this discussion here at Curtis’s blog. While there, please peruse the “Three Questions” interviews with links in the right-hand column– a treasure-trove of interviews in recent years with contemporary haiku poets. Some of these poets, including William J. Higginson and Peggy Lyles, are no longer with us; it’s a privilege to read their thoughts from just a few years ago.

Many thanks to Curtis Dunlap for joining us today! Stay tuned – we’ll enjoy a different poet from the HSA SE Haikufest speaker’s circle each week through the end of the year.

Now, I think it only appropriate that today’s Poetry Friday host is also an accomplished (and prolific!) haiku poet, among many other things. Please go see the amazing Diane at Random Noodling. (Oh, and let me know if you catch her napping. My theory is she doesn’t sleep.)
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Poetry Friday: Seaside Haiku and a Haiku Blog Series, Coming Up!

photo by Morgan Black
Last weekend I had the lovely good fortune to participate in our Haiku Society of America- Southeast Region's haikufest - a weekend conference titled, "Gazing at Flowers" and celebrating the 250th anniversary of the birthdate of beloved haiku master, Issa. Actually meeting so many talented folks I previousy knew just by bylines was beyond wonderful. SOOO... please come back next Friday as I kick off a blog series featuring our fine speakers. But wait - there's more! We will also soon begin celebrating a student "poet of the month" from among Tom Painting's classes at The Paideia School in Atlanta. A group of these young people read original poems for us at the conference, and the phrase "blown away" drifted from the mouths of many seasoned haiku poets..

When life gets too crazy-busy, I find I don't write as much haiku, though of course that's the time I need to s-l-o-w down the most. We're in the midst of some major -- good, but major -- life transitions. In August we sent our youngest off to college, and now my husband and I are moving. He was offered a great job opportunity in Beaufort, SC - so we'll be packing away the winter coats needed here in the north Georgia mountains, and heading for the coast.

Beaufort was voted "The Happiest Seaside Town" by Coastal Living magazine this past spring. And it has a reputation for friendliness - we've already found that to be the case while visiting. The pace is noticeably slower, the scenery breathtaking. It feels very familiar to me, as I grew up romping under the Spanish moss in central Florida with frequent trips to the beach. The quality of light is different near the coast, more brilliant. I've already rented a space in an old historic building downtown to use as a studio for my art business. {Happy sigh.}

So, today, I offer up a couple of haiku published this fall. They were written while visiting Harbor Island, just 15 miles from downtown Beaufort. (And each happens to have a literary, as well as a seaside, reference!) Here they are:


lapping waves finding a you or a me

©Robyn Hood Black
Modern Haiku, Vol. 44.3, Fall 2013


telling it slant
a ghost crab slips into
a hole


©Robyn Hood Black
Acorn, No. 31, Fall 2013

Thanks for reading! Let the ocean tides carry you over to Lovely Linda at TeacherDance, where the catch of the day is lots of great poetry. (And, calling all haiku lovers - please plan to circle back for our end-of-the-year special series starting next week!)
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Poetry Friday: September

YAY Images

I caught it - just for a hint of a moment, just through my fingers and teasing my face - walking at dusk last night. Have you caught it? That wispy slight chill in the air wafting over the scent of grass - the promise of fall?

Fall has always been my favorite season. As a little girl, when that chill in the air and the smell of fresh grass meant I was running around my grandparents' back yard in Tennessee, I loved the start of a new school year. Growing up in Florida, I didn't move to where the leaves change color until college. I am still at a loss each year when the canopy transforms into a yellow golden scarlet aubergine cathedral, shedding stained glass leaves into a carpet. Fall is a time to breathe deeply, to both contemplate and start new things.

On my side of the family, the first great-grandchild for my folks was born Wednesday night to my lovely niece. New life makes everyone pause and feel hopeful. We also discovered that there's a baby due on my husband's side of the family - the first great-grandchild for his folks, so fall will be full of promise. New babies always make me think of Lee Bennett Hopkins's collection AMAZING FACES, with exquisite illustrations by Chris Soentpiet (Lee & Low, 2010). Rebecca Kai Dotlich's opening poem begins:

Amazing Face

Amazing, your face.
Amazing.

It shows there will be trails to follow,
porches to wave from, wonder from,
play on. ...


©Rebecca Kai Dotlich. All rights reserved.

Please click here to read the rest.

There's something about the bittersweet nature of fall that captivates me, too. All that glorious color and fresh air harbors the reality that stark winter is next on the wheel. We are fragile, after all - strong, but impermanent. This sensibility accompanies the best haiku, one reason I'm so drawn to the form.

Somewhat related, the imagist poets often call to me, too. This poem in particular seemed perfect for today, and even relevant with our current concerns around the globe.

September, 1918

by Amy Lowell (1874–1925)

This afternoon was the colour of water falling through sunlight;
The trees glittered with the tumbling of leaves;
The sidewalks shone like alleys of dropped maple leaves,
And the houses ran along them laughing out of square, open windows.
Under a tree in the park,
Two little boys, lying flat on their faces,
Were carefully gathering red berries
To put in a pasteboard box.
Some day there will be no war,
Then I shall take out this afternoon
And turn it in my fingers,
And remark the sweet taste of it upon my palate,
And note the crisp variety of its flights of leaves.
To-day I can only gather it
And put it into my lunch-box,
For I have time for nothing
But the endeavour to balance myself
Upon a broken world.


Click here to see the poem at The Poetry Foundation; you can click on Lowell's biography on that page and read more about her extraordinary career.

Finally, let the autumn winds blow you over to Author Amok, where the lovely and talented Laura has thoughts on friendship, more classic poetry, and a terrific Round-Up this week!
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Poetry Friday: Haiku and a Deja Vu

©Robyn Hood Black. All rights reserved.

I've missed you this month!

You've missed me, too, right?

I'm waving on my way to the Decatur Book Festival this weekend (where I'll have my artsyletters booth). But I wanted to share some treats before I go. Last year about this time, I featured a couple of haiku from myself and my niece, Olivia, which were in the same issue of Frogpond. Olivia had been one of the winners in the Nicholas Virgilio Haiku Contest for students. Well, guess what? We share bylines in the same issue again! One of Olivia's poems appears in this year's small collection of wonderful winning entries.


autumn wind
the spool
feeding the thread



©Olivia Babuka Black. All rights reserved.

The judges offer thoughtful commentary on each winning poem, adding that Olivia's has "a kind of lonely beauty."

Hers was, again, not the only winning entry from The Paideia School in Atlanta. No surprise - their teacher is award-winning and widely published haiku poet Tom Painting. I look forward to meeting Tom in person at our upcoming "Ginko Haiku Fest" in Atlanta October 25-27.

In the meantime, he graciously agreed to let me post my favorite of his poems in this same Frogpond issue:


damp earth by turn some understanding


©Tom Painting. All rights reserved.

Such richness and depth in those few words, don't you think?


And, okay, here's my poem in the current issue:


temple gift shop
no one minds
the register



©©Robyn Hood Black. All rights reserved.

Finally... Drumrolllll, pleeeease.... our own Elizabeth Steinglass (Liz to me) makes her haiku publishing debut with this fine poem, ALSO in this issue of Frogpond:


after lunch...
the slight smile
of the hammock



©©Elizabeth Steinglass. All rights reserved.


Congratulations, Liz! And that's just the beginning for her. More of her poems are in the pipelines of respected haiku journals.

(Also, a shout-out to Jone Rush MacCulloch, who has made her haiku journal debut this year as well, I believe.)

One more thing. I'm looking forward to presenting a workshop on "Poetry for Prose Writers" at our SCBWI Southern Breeze fall conference, Writing and Illustrating for Kids, on October 12. Our region features presenters in a "blog tour," and I had the good fortune to be a guest on the blog of my author friend Donny Bailey Seagraves this week. Donny lists the schedule for all of the wik Southern Breeze Wik blog tour participants.

In the mood for some more poetry to fuel your day? Ever-talented Tara has our Roundup today (and a William Blake offering) at A Teaching Life. Enjoy!

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Poetry Friday - Island Time?

Jamaica from plane - photo by Morgan Black

I've never been to Jamaica. But Jeff and Morgan went there on a mission trip back in 2008, and I sometimes think of their description of "Island Time," which Jeff has also encountered on trips to Central and South America. It goes something like this: Busses get there when they get there. "Don't worry." The pace can be different from our hectic, sometimes over-scheduled days in the states.

I feel like I've inadvertently slipped into "Island Time" this week - probably because of the hectic, over-scheduled bit. My "Art Break Wednesday" post this week on my artsyletters blog got put up late yesterday (Thursday). Here it is well into Poetry Friday, and I'm tapping away this morning.

At this stage of our lives, with this being the last summer to have both kids at home (Morgan will be launched into an apartment and masters in teaching program this time next year), I'm thinking a lot about time and change. We've been adapting to a big change for a little more than a year now, after my husband went through an unexpected and extremely trying job change in the spring of 2012. A haiku I wrote during that period appears in the current issue of Modern Haiku:

spring winds
a shift
of circumstance


Modern Haiku
Vol. 44.2, Summer 2013

I'll leave you with some thoughts from current U.S. Poet Laureate Natasha Trethewey (just appointed to a second term). This poem was written in 2007, about the Gulf Coast. (That, I'm much more familiar with!)

Theories of Time and Space

by Natasha Trethaway

You can get there from here, though
there’s no going home.

Everywhere you go will be somewhere
you’ve never been. Try this:

head south on Mississippi 49, one-
by-one mile markers ticking off

another minute of your life. Follow this
to its natural conclusion—dead end

at the coast, the pier at Gulfport where
riggings of shrimp boats are loose stitches ...


Please click here to read the rest.

From there, mosey on over the The Poem Farm, where the Amazing Amy has our Roundup this week. Take your time.
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Poetry Friday - Check It Out!

HAPPY POETRY FRIDAY!

I am tooling around in beautiful Beaufort, South Carolina today. So instead of a post here, I'll just direct you to the wonderful Jone MacCulloch with many thanks that she's featured me this week on her Check It Out blog. Today she's scheduled to feature a few of my recent haiku. On Wednesday, she posted a Q and A interview with me.

Thanks so much, Jone, and wishing everyone some poetry and sunshine this weekend.
Thanks also to Anastasia Suen, who has the roundup today at http://www.asuen.com/poetry/ . Read More 
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Poetry Friday: Terri L. French visits with Haiku and Atlanta Haikufest Info

Haiku Poet, HSA Regional Coordinator, and Prune Juice editor Terri L. French

Smack dab in the middle of National Poetry Month is National Haiku Poetry Day – on Wednesday the 17th this week. Let’s continue the celebration with a spotlight on a terrific poet/volunteer from my neck of the woods, and the amazing haiku weekend she’s cooking up for October in Atlanta.

When I started my own haiku journey nearly three years ago, I got in touch with a couple of folks listed as Haiku Society of America members in my region. They were very kind, but there didn’t seem to be an active group at the time.

Then lo and behold, in swoops Terri L. French from Alabama to reach out and rev up the Southeast Region. Before you could catch a falling cherry blossom, she’d arranged the first annual Ginko (haiku walk) Haikufest last fall in Alabama! I was out of town and unable to make it that weekend, so I was thrilled to learn she was putting together another one for this coming fall. More about that in a minute. First, meet Terri!

BIO: Terri L. French lives in Huntsville, Alabama. She is a Licensed Massage Therapist and has been writing haiku and various related forms seriously for the last seven years. In 2012, she placed third and received an honorable mention in The Haiku Society of America's (HSA) Gerald Brady Memorial Award senryu contest and third place in the HSA haibun contest. Terri currently serves as the HSA's southeast regional coordinator and edits the senryu and kyoka journal, Prune Juice .

Here’s Terri’s take on why she became so involved:

The southeast region of the Haiku Society of America has been a little inactive for the last few years. Geographically we are quite spread out. The region includes Alabama, Florida, Georgia, Mississippi, South Carolina, Puerto Rico and the U.S. Virgin Islands! Our first annual Ginko Haikufest was held last year in Guntersville, Alabama. This year the conference will be in Atlanta, Georgia. My hopes are that by moving the conference around the region we can garner more interest and become a more cohesive group.

This year's conference "gazing at flowers," celebrating the 250th birthday of Japanese haiku poet Kobayashi Issa, will be even bigger and better than last year's. We will have a special presentation by HSA's president, David Lanoue; an introductory workshop and "blind" critique; a sumi-e Japanese brush painting class; a performance by a taiko drum troupe; a ginko bird walk; and much, much, more.


I am thrilled to be participating and helping out for this event. Here’s the conference info in a nutshell – mark your calendar!

The 2113, SE Haiku Society of America, 2nd Annual Ginko Haikufest, "gazing at flowers," will be Friday October 25 - Sunday, October 27, at the Artmore Hotel in Atlanta, Georgia. Contact Terri French at terri.l.french for registration information and see our events page and the Facebook Haikufest page.

Now, to whet your appetite, two original haiku graciously shared by Terri:

a spot of blood
on the unfinished quilt -
harvest moon


Sketchbook, Vol. 4, issue 5, Sept/Oct, 2009

reflecting pool
trying to see past
what she's not


Frogpond, 34:3, 2011

Poems ©Terri L. French. All rights reserved.

Many thanks for joining us today, Terri!

For a thoughtful haiku in response to the tragic events in Boston this week, see Daine Mayr’s poem at Random Noodling.

*** a couple of different notes:

1.) Guess What? The Authors Guild Folks - evidently also known as “Knights of the Internet” - recovered all my lost comments from Poetry Friday two weeks ago! The Roundup itself was lost, but you can find all the links here in the post just under this one (dated 4/18/2013). The content of my original post for that day is here.

2.) How about this for fun? April Halprin Wayland, Irene Latham, and yours truly made the Children’s edition of Publisher’s Weekly yesterday, with a picture of our “Take Five – Create Fun with the Poetry Friday Anthology” workshop at the Fay B. Kaigler Children’s Book Festival in Hattiesburg last week. Click here (and scroll down) to see. Woo hoo!

Speaking of lovely Irene, go see what she’s rounding up for Poetry Friday today at
Live Your Poem.
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HAPPY NATIONAL HAIKU POETRY DAY!!!

Today, April 17, is National Haiku Poetry Day!

Go get lost in the links at The Haiku Foundation!

Here's a recent one of mine:

my small insights
a hummingbird
at the trumpet flower

Modern Haiku, Winter-Spring 2013

Friend and poet Elizabeth Steinglass posted some great thoughts for Poetry Friday last week on "Why Haiku?"

And there's always thoughtful haiku love over at poet/librarian Diane Mayr's Random Noodling, where you'll find her "Haiku Sticky" poems and "Happy Haiga Day" offerings, along with links to her other great blogs.

Enjoy!
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Poetry Friday: New Look for Frogpond

If you follow haiku journals, you might have noticed a new look for Frogpond, the journal of The Haiku Society of America, with its most recent issue (Volume 35:3, Autumn 2012).

It's a heftier volume and features a new masthead on the cover designed by Christopher Patchel. He also contributed a new look for the title page - very classy!

Frogpond is edited by Francine Banwarth, and Michele Root-Bernstein serves as Associate Editor.

You can enjoy some "Online Splashes" of the current issue with the journal link above, including sample haiku and senryu. Frogpond also regularly features haibun, rengay and renku (short and long sequences), essays, and book reviews.

I'm honored to have two haiku in this issue:

**************************


gathering dusk
the unanswered call
of a dove


tornado watch
something to talk about
at the viewing


©Robyn Hood Black. All rights reserved.

***************************

The lovely Violet is rounding up Poetry Friday at Violet Nesdoly Poems, where you can splash around in all kinds of poetry today!
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