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Life on the Deckle Edge

Poetry Friday: Marchuary? and some E. E. Cummings


Happy Spring!

Here’s what it said on my local page from The Weather Channel yesterday:

It's "Marchuary" in the Southeast!
Some Southeast cities have had a colder March than January.


I know we have no room to talk, what with all the blizzards you folks up north and to the west of us have endured this winter. But I must say I was thrilled to see the mercury creep up to 60 Thursday afternoon, without the cutting winds we’ve been swirling in!

Also yesterday, a dear friend sent an email with a nod to the famous spring poem by E. E. Cummings. I thought we should read it to keep luring in spring. Once a year at least we ought to ponder the word “mud-luscious,” don’t you think?

[in Just-]

by E. E. Cummings
(1894–1962)

in Just-
spring       when the world is mud-
luscious the little
lame balloonman

whistles far and wee

and eddieandbill come
running from marbles and
piracies and it's
spring



Please click here to read the poem in its entirety.

I am thrilled to be visiting a local elementary school today – sharing poetry across K through 5! I know we’ll have a great time kicking off National Poetry Month.

Speaking of which, be SURE to check out Jama Rattigan’s Alphabet Soup blog today and for the next several weeks, as she’s kindly compiled lots of great links for special Poetry Month celebrations throughout the Kidlitosphere.

Irene Latham is hosting the second annual Progressive Poem – Woo Hoo! Can’t wait to participate again. Click here for the dates to see who’s adding a line when.

Don’t forget to vote today in the FINAL FOUR round of March Madness Poetry! What a great offering of poems this year’s tournament has birthed. (And huge thanks to organizer Ed DeCaria.)

For more great poetry today, visit A Reading Year - Mary Lee always has a spring in her step.

AND, come right back here next week, where I have the privilege of rounding up the first Poetry Friday in April!
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Poetry Friday: Taking Flight with Monique Gagnon German

Top: Monique Gagnon German (Feathers from Yay Images)


We Poetry Friday regulars are used to being moved, amused, or challenged by poems we come across online. Have you ever stumbled upon a poem that takes you out of blog surfing mode, out of whatever you’re also thinking about, and steals you into itself? I’d like to share a poem that had such an effect on me, and then I’ll tell you about the poet and the PF connections that led me to it!

Down



I don’t see it until I rise, a feather
on the chair across from mine
as if a tiny ashen bird

landed while I was gone
to other landscapes in my thoughts
and stayed just long enough

to leave evidence of his visit,
a small memento of flight
before lifting back into sky,

the tiniest quill
which might write
so many notes to you now,

each one fluttering down
confetti-style, beneath this sturdy
layer of cloud to ask you how

you are in such minuscule script
you might mistakenly think each slip
of paper is just a blank

prompting you further
to think of stories unwritten,
novels unread or the way

even the newest words
can dissipate
on the jet streams

of surrounding phrases and refrains
but maybe, by some fluke
of free association, you’ll think

of the lightness of paper instead,
how it carries its freight of words
as medium, impartial

to both statement
and intent, as if the words,
were a mere flock of birds

that caw, crow, peep,
whistle, chirp, and sing
but always end the performance

the same way: a ruffle of feathers,
a preening beak, the whisk of purpose,
the air of flapping wings.


Copyright ©2012 Monique Gagnon German

Maybe now you’ve fallen in love with it, too! How did I find it? The ever-amazing Tabatha Yeatts sent an email to Linda Baie, and myself, remembering that we had each posted about St. Francis before. (This was a couple days before the world had a new Pope by that name, by the way!) Tabatha gave us a link to a lovely post about the Peace Prayer of St. Francis of Assisi,, including a beautiful musical portrayal sung by Sarah McLachlan. As I was clicking some other links she provided, I came across this issue of a wonderful journal, Assisi, an “An Online Journal of Arts & Letters” published by St. Francis College, Brooklyn, NY. That’s where I found Monique’s poem! In thanking Tabatha for the link, she told me she had learned of the journal from our own Matt Forest Esenwine, whose poetry has appeared in the journal as well.

I contacted Monique to seek permission to share her poem. She kindly obliged. In addition to writing delicious poetry, she’s a busy mom of two young children and married to a Marine who is also a writer. Her poetry has appeared in the anthology, "e, the Emily Dickinson Award Anthology Best Poems of 2001," and in journals such as Ellipsis, California Quarterly, Kalliope, The Pinehurst Review, The Bear Deluxe, High Grade, Borderlands: Texas Poetry Review, Calyx, The Ledge, Rosebud, Assissi, The Sierra Nevada Review, Xenith, The Innisfree Poetry Journal and Atticus Review . This year, her poems are forthcoming in Canary and Tampa Review.

Monique has a B.A. in English Literature from Northeastern University and an M.A. in English from Northern Arizona University. She’s lived all over the US and worked in technical publications for many years. You can learn more about Monique and read more of her poetry at her website.

Another fun find? She’s a copy editor for Ragazine, “The On-Line Magazine of Art, Information & Entertainment” – You’ll want to check it out, too!

Speaking of fun, don’t forget to check in on March Madness Poetry 2013 at Think Kid, Think . I had the pleasure of sparring with the aforementioned Matt in Round One, and I was bested by the talented Gotta Book has the Roundup! (At time of posting, this link is being persnickity. Google Greg Pincus if it's not cooperating!)
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Poetry Friday - Julie Hedlund and A TROOP IS A GROUP OF MONKEYS

As you're enjoying the frenzy of March Madness Poetry 2013
(and do head over and vote for your favorite poems!) I offer you a different and very special treat today. I met Julie Hedlund last year at the “Poetry for All” Highlights Founders workshop , and I’m happy to share a peek into her brand new rhyming storybook app, A TROOP IS A GROUP OF MONKEYS. It’s illustrated by Pamela Baron and offered by Little Bahalia Publishing for the iPad. (I don’t have an iPad, but my in-laws were happy to purchase it on theirs for me – and for the grandchildren!)

A TROOP IS A GROUP OF MONKEYS is a romp through the collective nouns of animals, written in rhyme. It offers a fun way to explore the habits and habitats of a variety of animals (as well as subject-verb agreement!).

A pride of lions licks monster-size paws

A float of crocodiles snaps mighty jaws.


My favorite line is:

A quiver of cobras hisses and shakes.

And my favorite illustration accompanies

a leap of leopards lounges in trees,

in which one of the leopards napping on a tree limb opens one eye and twitches an ear.

The animals on each page exhibit the behavior described in the verse, and kids will have fun touching the screen to make the colorful subjects spring to life.

Now, you almost have to sneak up on Julie, safari-like, to grab her for just a few minutes – what with her popular 12 X 12 Picture Book Challenge and her sold-out Writers Renaissance Retreat in Italy coming up in April. Let’s find out more about Julie and her work before she’s off on her next adventure.

Welcome, Julie!

Oh, where to start?! Let’s begin with writing, and we’ll explore other endeavors in a minute. When did you discover a love of writing, and how have you developed your craft?


I've ALWAYS loved writing. It's how I understand myself and the world. The first word I ever wrote was "HOT," and for a year or so it was how I signed all of my cards to grandparents, etc. I think it's gone uphill from there. :-)

With respect to craft, I've cultivated it by doing a lot of writing and a lot of listening. By listening, I mean attending conferences, workshops and retreats where I could learn from experts and then work on incorporating those lessons into my own work. What amazes me is how the more you learn, the more you realize you still have yet to learn. There's never a dull day in the writing life!


How did you come up with the idea for A TROOP IS A GROUP OF MONKEYS?

I came across a list of collective nouns for animals and was surprised to find how few of them I knew. I was delighted by the fact that the names for the animal groups reflected something about the animal's behavior, habitat, appearance, etc. I figured if I had that much fun learning the names, surely others would too - especially kids, who almost always love animals.

Did any verses come straight from the Muses, and were there others you had to hunt down?

"A kaleidoscope of butterflies flutters through daisies" was one of the only lines that survived intact from my first draft. Otherwise, the verses required a lot of work. I did a great deal of research on each animal so I had several options for the line pertaining to that animal. Then I had to match animals up with each other in such a way to create compelling rhyming couplets.

Let’s talk about apps. First, what’s your definition of a storybook app?

A storybook app is an illustrated book for children that contains interactions on each screen, some of which may be required in order for the story to proceed. The interactivity can be sound-based, touch-based or device-based (such as tilting or shaking the device). Ideally, the interactivity is designed to enhance rather than detract from the story and to increase comprehension.

How is composing text for an interactive app similar to writing for print? How is it different?

What's similar is that the story (or in this case poem) must be excellent. No amount of technical bells and whistles can elevate a sub-par story. What is different is that in addition to thinking about text and illustration, now you need to consider sound, movement, animation. You have to think about your story on a screen instead of a page, which changes the function of "page turns." Although you still move from screen to screen, tension and drama can come from sound and animation as well as text and illustration. There's also no set number of pages for apps, so the onus is on the author to determine how many screens are required to tell the best story.

How much input do you as the writer have in terms of the interactive elements – choosing what might be animated, layout/design, that sort of thing? Or are all visual decisions left to the illustrator and designers?

The answer to this question depends on how you are publishing the app. If you hire a developer to create your app or use an app creation tool, all of those decisions are your own. In my case, I sold my manuscript to an e-publisher, so the publisher made most of the decisions about the animation and design. However, I did submit a storyboard containing my "vision" for the animation, and many of those ideas were incorporated into the app. I'm fortunate because Stacey Williams-Ng, the founder of Little Bahalia, has a huge amount of experience both illustrating, designing and producing apps. Because of her expertise and passion, the finished product is far better than I could have imagined had I done it on my own.

You’ve got terrific resources on your blog about the publishing industry as well as tips for creating apps. What’s the first thing you tell someone who asks you about creating digital content?

Go for it! It's the future. BUT, don't do it as a shortcut to traditional publishing. Make sure your story is the best it can be. Don't skimp on editing, illustration, design, etc. Also, evaluate whether your story makes sense in digital form. The story should drive the format, and not the other way around.

What do you think about the co-existence of traditionally published books, apps, and e-books in the marketplace – is there room for all, or do you think digital content will take over for the youngest readers?

I certainly hope there is room for all, as I still want to traditionally publish a print book! In fact, I want to publish any way I can that both makes sense for my stories and gets my work into the hands of more children. I see no reason why different types of books can't co-exist. As for the farther-off future, I do think digital content will become predominant in all forms of publishing, but I can't envision print going away entirely, especially for board books and picture books.

As a world-traveling, horse-riding, nature-loving gal from Colorado, you strike me as someone always up for an adventure. Were there any challenges during the process of creating this app that surprised you?

The challenge all came BEFORE the actual creation of the app. The biggest hardship I faced was learning about all the options available to publish the app, which direction I wanted to take, and then how to submit my idea, especially since I am an author-only and came without illustrations. What surprised me was how few answers I found to my questions. I guess that's why, after I developed my own proposal, I decided to turn it into a template for other authors and illustrators to use - to avoid the pain and suffering I endured - LOL.

You participate in “Gratitude Sunday” by posting things you are grateful for each week. How does an attitude of thankfulness inform your creative life? (And life in general?)

My gratitude practice, over time, has helped me understand that there is good in all situations, even if that doesn't seem to be the case on the surface. Spending time each week reflecting on what I am grateful for grounds me, and sometimes requires me to "dig deep" into my feelings and experiences. Rather than serving to oversimplify situations, my gratitude practice makes me realize the complexity that's inherent in people, our actions, our emotions. This serves me by enriching my writing, but it's also made me a great deal less judgmental and far less inclined toward knee-jerk reactions.

How do you balance your own creative work with the demands of nurturing not only your family, but the online network of inspiration and support you’ve created for other writers?

I'm not sure I do, but I keep trying!! Lately I've been taking things one day at a time, focusing on the most pressing things that need to get done work-wise. I'm also getting far better about "letting it all go" when I'm with my kids. Our work is of the kind that is never "finished." There is always something more that could be done. But there's no point in worrying about all of that when I'm with the kids. It's taken me a while to come to this realization, but I'm far better off spending quality time with them and coming back to my work refreshed from the break. Next on the list of "creating more balance" in my life is figuring out how to take time for me, as I've been slack on my exercising and pursuit of other hobbies lately.

Finally, any sneak peeks into projects on the horizon that you’re at liberty to share?

I'm not sure I'm at liberty to share the title yet, but my next app in the "animal groups" trilogy will be released in May, and it features animals leaving in or near the ocean. I am excited about this one because many of these collective nouns will be brand new to most people and they are SO fun.

A third app featuring insects, reptiles and amphibians will be coming in October, and before that, a print book that combines the "best" of all three apps. So it's a very exciting year!


Exciting indeed! Congratulations all around, and thank you for visiting with us today.

Thank you so much for hosting me today Robyn. I think digital publishing is going to be a very exciting avenue for poets of all stripes, and I hope my experience gets the creative gears turning for your Poetry Friday compatriots.

Told you she was fascinating! And if you visit her list of 100 random things, you'll learn Julie used to drink pickle juice straight from the jar, and that she has an MA in International Political Economy from the University of Warwick in England.

No telling what you'll learn making the Poetry Friday rounds today, but please go see the wonderful and talented Jone at Check it Out and enjoy!

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A New Look...

You've landed in the same place, but with a new look! (And a new blog name.)

Figured after a recent milestone birthday, it might be fun to redecorate. Plus so much of my own artwork leans toward black and vintage, this theme seems to fit. I was thinking this would be a New Year's refreshing, but it didn't quite happen last month. Oh well - as my sharp sister-in-law observed, "February is the new January."

Thanks for coming by. I'll be at our SCBWI Southern Breeze Springmingle conference this weekend, then back in the saddle for Poetry Friday next week. Hope you are having a refreshing February yourself!  Read More 
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Poetry Friday: Time for Tea!

When we welcomed the New Year over here, we welcomed a new (old) tradition. My husband Jeff and I have been sitting down each late afternoon for tea! I’m not exactly sure how and why we started this as a daily practice, but it’s been refreshing.

He’s been working from home the past several months, and since I do as well, it became a possibility. (Jama approves, of course!) So far, it’s been just on weekdays, but you never know if it might spill over into the weekend. And, I should note, it’s the hubby who’s done the primary tea-making and scone-baking.

Our youngest (17) was interrupted in his studies at the kitchen table the first day we tried it.

“I didn’t know you were going to have tea!” he said, appropriately annoyed that we crashed his quiet homework on Pride and Prejudice (at which he was also annoyed, until I later made him watch the film, which he admitted was better than he’d expected it to be… .) Funny how he’s ended up pulling up a chair, though, several times, especially after grueling days at tennis practice!

Our oldest (just turned 21) and I exchanged these exact text messages when we first started:

(Mom –with pic of table) Week 2 of new tradition – tea! :0)

(Deprived Daughter) Since when do y’all have tea? :0(

(Mom) Since last Monday. I figured since we would be empty nesters this year, we should practice having conversations.

(Daughter) Hahahahaha

Last month, I caught a few moments of an interview on NPR about proper English tea. Seems the Brits are most fond of Earl Gray or Darjeeling, and they always take their tea with milk. One of my fondest memories of our little trip to England in 1994 was taking part in that custom each afternoon. Time to slow down, relax, and partake of the most wonderful scones along with that cup of hot tea – mmmm…..

So today I offer you a cup of your favorite leafy brew, and a couple of tea-time poems. The first I wrote a million years ago. I was recalling those adorable miniature china tea sets I had as a child, and probably still have remnants of around here somewhere.


Tiny Tea Time


My teeny tiny tea set

is lots of fun for me.

I have to pinch the tiny cup

to take a sip of tea.


A little speck of sugar,

a teensy drop of cream -

I close my eyes and drink it up –

delicious as a dream!



©Robyn Hood Black. All rights reserved.


The second is more grown-up, and makes me smile:


Green Tea


by Dale Ritterbusch


There is this tea

I have sometimes,

Pan Long Ying Hao,

so tightly curled

it looks like tiny roots

gnarled, a greenish-gray.

When it steeps, it opens ….



Read the rest of this poem here. (And a very brief commentary/introduction by Ted Kooser here.)

I found a blog, Garden Party Teas, with a section of tea-related quotes, including this one:

Better to be deprived of food for three days, than tea for one.
Ancient Chinese Proverb

(Okay, but by the second day, I’d be clamoring for some scones…!)

I’ll send you on your way with this quote from C. S. Lewis. (I could not authenticate with an original source. - Maybe someone knows it? It’s on a variety of places online, so I hope I’m passing it along correctly.)

You can never get a cup of tea large enough or a book long enough to suit me.
C. S. Lewis

Indeed! Now sit back with your comforting cup of tea and peruse all the great poetry waiting for you for Poetry Friday, rounded up by the tea-rrific Tara at A Teaching Life.
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Poetry Friday: Irish Doors and Metaphors

Print: Handcoloured Print No. 270, A Little House, picture by E. C. Yeats, words by W. M. Letts. © The Cuala Press Limited, Dublin, Ireland; Collage: © Robyn Hood Black

Happy Poetry Friday, and Happy February! If you caught my artsyletters post this week, you discovered I’ve become rather obsessed with doors. In that post, I shared new art I’ve started making (and will offer soon in my Etsy shop) - collages with altered vintage books-as-doors, and a literary surprise inside each one (Emily Dickinson is featured in this first one.) This door obsession grew out of a year pondering some doors closing and others opening, not just for me but for family members.


Sharing all this with my husband, Jeff, he mentioned hearing something on NPR this week about how, when we walk from one room to the next and can’t remember what we were looking for, it’s because of the DOOR. Such a powerful metaphor, a door. (I searched in vain for the NPR piece but discovered articles online about the 2011 study at Notre Dame which prompted this idea of “the doorway effect.”)


The collage pictured here and on my art blog this week was made with a 100-year-old book embellished with some fun vintage finds. The doorway image surrounding it is a relief print. I carved a simplified version of those wonderful Georgian doorways one finds all over Dublin. (It was fun pulling out the photo album from a family trip there in 1996.)


Speaking of family, I’ve been doing some freelance writing for another family member. Our current project has involved research into faerie lore, and for that I turned to our esteemed Mr. Yeats, who chronicled much Irish folklore. (Click here and here for William Butler’s biographical info.) Deciding to post something else door-related here today, I remembered the framed print that we bought on that trip to Dublin – Morgan, age 4 at the time, picked it out.

The information sheet accompanying the art explains some history. It’s a hand-colored print from Cuala Press, originally Dun Emer Press, founded by Elizabeth Corbet Yeats (William Butler’s sister) in 1903 . W. B. Yeats served as editorial advisor to the press until his death (1939), and many notable writers including Ezra Pound saw their work first published by it.


The sheet continues, W. B. Yeats in the original 1903 prospectus wrote that all the things made at the press are beautiful in the sense that they are instinct with individual feeling and have cost thought and care. ... (I love that phrase, “cost thought and care.”)




The illustrated poem, written by W. M. Letts,
shows both:

If I had a little house
      A white house on a hill,
With lavender and rosemary
      Beneath the window sill,
The door should stand wide open
      To people of good will.



To close with one last door reference and an eye to Valentine’s Day, I’ll leave you with a stanza near the end of Yeats’s poem, “The Cap and Bells,” which sprang from a dream Yeats experienced and describes a jester’s love for a queen.


She opened her door and her window,
And the heart and the soul came through,
To her right hand came the red one,
To her left hand came the blue.


To read what leads up to this stanza and the ending, click here.

And, would you believe it? The ever-talented and generous April is rounding up Poetry Friday and has a poem about… DOORS! Head over to Teaching Authors and enjoy.
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Poetry Friday: robin’s egg blue haiku

If you read haiku journals, you’ll notice that sometimes more than one poem might share a line (typically the first line), especially a seasonal reference such as “autumn dusk” or “winter chill,” etc. This fall I was surprised to discover that the poems I had accepted to a couple of journals shared the same first line. Not that I’d forgotten the line, of course, but that out of the 10 or so poems sent to each publication, the editors at each chose the one poem in each batch that started with “robin’s egg blue.”
Here are the poems, and then I’ll add some thoughts.

-----------------------------------------------------------

robin's egg blue an empty shell

Modern Haiku
43:3, Autumn 2012

-----------------------------------------------------------

robin's egg blue
how my father would have loved
my son


Acorn
No. 29, Fall 2012

-----------------------------------------------------------

Now, if you like the way one or both poems speak to you and you’d rather not hear any backstory, please – you may be excused! (Head on over to Linda at Teacherdance.)

If you’re still reading, I’ll tell you how these haiku came to be. I often get ideas as I’m walking in my neighborhood, or even just around the house outside. I did not write these two poems at the same time. We’ve had a lot of lively robins this year!

For the one-line haiku, I came across an empty robin’s shell on a walk. I was feeling a little “blue” about circumstances beyond my control, and I guess somewhat empty that day as well. (The journal editor, in some brief correspondence about the poem, suggested my name was probably working subconsciously, too. I’m sure that’s the case!)

For the three-line haiku, I saw another empty robin’s shell about a month later on the side of the road a half-mile from my house. Who knows what triggers usually hidden feelings? As any parent of a high school senior understands, the year brings mixed emotions which lurk like shadowy stalkers. I guess the broken egg symbolized young leaving the nest, for sure – but I probably had the previous poem in my mind somewhere as well.

And as I was thinking about how proud I was of my son (you’ve heard me brag on my daughter before, but we are doubly blessed), I had a tug of wishing my dad could have known him. Dad got to meet Morgan when she was a toddler, but he died two and a half months before Seth was born. Dad would not have won any Father of the Year awards. He wasn’t what you’d call reliable. And yet, I loved him. I know he would have appreciated so many things about his grandson.

Not the least of which might be Seth’s love of music. He’s been playing guitar since he could hold one and leading the youth band at church for a long while. He had years of guitar lessons (though not a whole lot of theory) and a few voice lessons, but primarily he sings and plays by ear. My husband’s family thinks Seth’s musical ability flows from that side (and understandably – there are rivers of musical talent there).

But they never heard my dad sing and play his guitar, or attack a piano with improvised bluesy-jazz. They weren’t awakened at 3 a.m. to shake hands with Willie Nelson in their living room, or lulled to sleep by jam sessions through the wall. Perhaps they didn’t catch that Dad’s eyes were blue. We all have someone we miss in unexpected moments.

For some unexpected and creative poetry today, please do go visit the lovely Linda at Teacherdance.
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Poetry Friday - St. Francis and a link to my new poetry column

Page featuring a detail of Giotto’s SERMON TO THE BIRDS (1297-1300)


At my house, we’re an ecumenical bunch. My oldest was dedicated in a Baptist church, baptized in a Presbyterian church, and confirmed in a Methodist church. My husband got a degree from a Baptist seminary before going to med school, and his brother recently became an Episcopal priest. One brother-in-law is a Baptist youth minister. Our in-laws started their own now non-denominational church, my folks are still Baptist, and we’re Methodist – at least in this decade. My son is even looking toward a future in ministry; we’ll see! (I’m getting to poetry, promise.)

As a kid, I was raised in the Baptist church but was always a bit of a closet Catholic. I knew nothing of theological differences; the art and even the ritual called to me. The closest I usually came was an occasional peek into the Episcopal church nearby – dark carved wood and glorious stained glass windows. That’s what I think I remember, anyway. And one of my prized possessions, you can see I still have it, drawn out of an old wooden box for this photo – is this little plastic framed picture, with its oval portraits of Jesus and Mary. (Familiar Anglo-Saxon versions, so perhaps not accurate if indeed still lovely.) I think it might have come from my Arkansas grandmother's treasures bought and sold at local sales. (Oh yeah, she was Church of Christ.) Of course, I also ran wild in the woods communing with God and every creature which crossed my path, with no need of an intercessor, so I was pretty inclusive even back then.

A year or so ago I picked up this lovely chunky little tome at a used bookstore: Saints – A Year in Faith and Art (Rosa Giorgi, Abrams, 2006). I’ve come across all kinds of folks and stories I’d never heard of before. And lots of liturgical art across the centuries. Well, yesterday's honored saint was the beloved Saint Francis of Assisi, 1181-1226. Tell me, after all these centuries, isn’t his Canticle of the Sun still moving and beautiful?

The Canticle of Brother Sun
(excerpt)
By St. Francis

Be praised, my Lord, through all your creatures,
especially through my lord Brother Sun,
who brings the day; and you give light through him.
And he is beautiful and radiant in all his splendor!
Of you, Most High, he bears the likeness.
Praise be You, my Lord, through Sister Moon
and the stars, in heaven you formed them
clear and precious and beautiful.
Praised be You, my Lord, through Brother Wind,
and through the air, cloudy and serene,
and every kind of weather through which
You give sustenance to Your creatures.
Praised be You, my Lord, through Sister Water,
which is very useful and humble and precious and chaste.
Praised be You, my Lord, through Brother Fire,
through whom you light the night and he is beautiful
and playful and robust and strong.
Praised be You, my Lord, through Sister Mother Earth,
who sustains us and governs us and who produces
varied fruits with colored flowers and herbs.
….


Visit this website of The friars of the Third Order Regular of Saint Francis for the rest of this translation.

If you’re in the mood for haiku, yesterday I began a monthly poetry column on my friend and YA author Janice Hardy’s terrific blog for writers, THE OTHER SIDE OF THE STORY. Actually, the post is about submissing haiku, rejection, and keepting track of it all. Here’s the link. I’ll be over there the first Thursday of each month exploring some aspect of poetry and writing. (Thanks, Janice!)

For more great poetry today, go see what the talented and ever generous Laura has rounded up at Writing the World for Kids.

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My New Art Blog at artsyletters

Just a reminder that I have a brand new blog for artists over at artsyletters.com.

Art Break Wednesday features something new each week. Last Wednesday I shared how I make altered page art from vintage books and fun old finds, and this week I'm talking "Notan" (the Japanese concept of light-dark). Bring your dark side and come along! Also, there's still time to enter a comment under last week's post and be entered to win Pam Carriker's book, ART AT THE SPEED OF LIFE. (Contest ends Monday night.)

See you there!
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Poetry Friday - Hello to Fall with a few lines from Longfellow

Image from Yay Images

When the season officially turned from summer to fall this past week, we enjoyed a tease of cool days here in Georgia. [Where are my socks, anyway…?]

A warm front barreled on through the last couple of days, but the acorns are falling and the leaves of the sassafras tree out front have begun to turn. Isn’t sassafras one of the most delicious words ever?

Fall is my favorite season. The excitement of a new school year has always infused me, not just the couple of years I taught, but every year. The cool, crisp air rejuvenates the spirit after sultry summers. And it seems the perfect time to begin new things – like the art business I mentioned last week, and the new monthly poetry post I’ll begin on Janice Hardy’s blog for writers, THE OTHER SIDE OF THE STORY , this coming Thursday.

On the home front, we have high school homecoming and my daughter’s Family Weekend at college. Much to remember and celebrate. So my offering today is simply some timeless lines honoring the season. They’re from a poem whose origin is a rather sentimental story in Boccaccio’s 14th Century Decameron (which I won’t pretend to know much about). But they’re fitting for the season.

Excerpt from “The Falcon of Ser Federigo”

by Henry Wadsworth Longfellow

The morrow was a bright September morn;
The earth was beautiful as if new-born;
There was that nameless splendor everywhere,
The wild exhileration in the air,
Which makes the passers in the city street
Congratulate each other as they meet.


Sending congratulations to all! Remember, it's good luck to catch a falling leaf. :0)May Autumn bring you harvests of inspiring words.

Also remember, tomorrow is the world-wide celebration of 100 Thousand Poets for Change.

The wonderful Marjorie at Paper Tigers has our Poetry Friday Roundup today. Go enjoy!
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