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Life on the Deckle Edge

Poetry Friday: Seaside Haiku and a Haiku Blog Series, Coming Up!

photo by Morgan Black
Last weekend I had the lovely good fortune to participate in our Haiku Society of America- Southeast Region's haikufest - a weekend conference titled, "Gazing at Flowers" and celebrating the 250th anniversary of the birthdate of beloved haiku master, Issa. Actually meeting so many talented folks I previousy knew just by bylines was beyond wonderful. SOOO... please come back next Friday as I kick off a blog series featuring our fine speakers. But wait - there's more! We will also soon begin celebrating a student "poet of the month" from among Tom Painting's classes at The Paideia School in Atlanta. A group of these young people read original poems for us at the conference, and the phrase "blown away" drifted from the mouths of many seasoned haiku poets..

When life gets too crazy-busy, I find I don't write as much haiku, though of course that's the time I need to s-l-o-w down the most. We're in the midst of some major -- good, but major -- life transitions. In August we sent our youngest off to college, and now my husband and I are moving. He was offered a great job opportunity in Beaufort, SC - so we'll be packing away the winter coats needed here in the north Georgia mountains, and heading for the coast.

Beaufort was voted "The Happiest Seaside Town" by Coastal Living magazine this past spring. And it has a reputation for friendliness - we've already found that to be the case while visiting. The pace is noticeably slower, the scenery breathtaking. It feels very familiar to me, as I grew up romping under the Spanish moss in central Florida with frequent trips to the beach. The quality of light is different near the coast, more brilliant. I've already rented a space in an old historic building downtown to use as a studio for my art business. {Happy sigh.}

So, today, I offer up a couple of haiku published this fall. They were written while visiting Harbor Island, just 15 miles from downtown Beaufort. (And each happens to have a literary, as well as a seaside, reference!) Here they are:


lapping waves finding a you or a me

©Robyn Hood Black
Modern Haiku, Vol. 44.3, Fall 2013


telling it slant
a ghost crab slips into
a hole


©Robyn Hood Black
Acorn, No. 31, Fall 2013

Thanks for reading! Let the ocean tides carry you over to Lovely Linda at TeacherDance, where the catch of the day is lots of great poetry. (And, calling all haiku lovers - please plan to circle back for our end-of-the-year special series starting next week!)
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Poetry Friday: Mortimer Minute Stops Here. (Really, but I hope someone will jump in...)

Greetings, Friends!

Ever since I first heard about the Children's Poetry Blog Hop from my wonderful, talented buddy April Halprin Wayland, I've been delighted to see "The Mortimer Minute" hopping around the Poetry Friday blogosphere. I've been dodging Kind Mortimer (and invitations from fellow poetry bloggers) for weeks, however, because of a crazy travel schedule and crazy life in general this fall.

I came up for a wee bit of air last week to find a tag invite from the wonderful, talented Tricia Stohr-Hunt, whose Mortimer Minute blog post is here on her terrific Miss Rumphius Effect blog (definitely worth hopping around there). You feel bonded with a person after sharing a few moments of white-knuckled airplane-seat-gripping on a little plane taking off from Scranton, PA, following a Highlights Founders poetry workshop, into uncertain skies.... Thanks, Tricia, for thinking of me years later!

Here's how the Mortimer Minute works:

• Answer 3 questions. Pick one question from the previous Hopper. Add two of your own. Keep it short, please! This is a Blog Hop, not a Blog Long Jump. This is The Mortimer Minute—not The Mortimer Millennium!
• Invite friends. Invite 1-3 bloggers who love children’s poetry to follow you. They can be writers, teachers, librarians, or just plain old poetry lovers.
• Say thank you. In your own post, link to The Previous Hopper. Then keep The Mortimer Minute going — let us know who your Hoppers are and when they plan to post their own Mortimer Minute.


Okay, methinks, I can do that. Answer 3 questions, check. Thank you to previous Hopper, check. Invite friends.... well, that's where the hopping didn't go so well this past week. I did invite poetry blogger friends - several - but they'd all been previously Mortimer-ed and were already posting soon, or their schedules wouldn't allow them to participate, or memes in general just weren't their thing. Now, I don't particularly want Mortimer to stop at my place - really, I have a houseful of rescued animals already. (No offense, Mortimer.) They don't always play nicely with others, at least not the 16-pound somewhat demon-possessed kitty in the basement.

If you are reading this and would like a tag-after-the-fact, please by all means consider this an invitation to play along! I'll try to post a link to your site as soon as my car rolls to a stop again (traveling again this weekend and next week - author visits in schools.)

In the meantime, here's my Minute:

Mortimer: Do you have a favorite poetry book from childhood?

I can’t place my memory on one particular book, though I remember loving poems as a child, and reading was a favorite pastime in our house growing up. (I do remember thinking “Eletelephony” by Laura Richards was hilarious.)

But, spurred on by Tricia’s “well-worn and much beloved book” she shared from 1968, I dug one out of the shelves which technically belonged to my older brother, Mike, published in 1966. It is a big Western Publishing collection with photos and illustrations, My Dog, My Friend in Pictures and Rhyme. (Guess I'm continuing last week's canine theme.) Its opening poem pretty much describes the attitude both Mike and I have had since we were babes. (And congrats, Bro, on the newest doggie rescue in your house this week!)

Birthday Present
by Aileen Fisher

White?
Oh yes, a woolly white one.

Black?
Oh yes, a black-as-night one.

Tan?
I think a tan or brown one
perfect for a farm or town one.

Sleek?
Oh yes, a sleek and trim one.

Shaggy?
Any her or him one.
Tousled, frowzled,
big or small,
I’d like any kind at all –
just so it’s a dog.


Please scroll up one post for a picture of the book. And don’t miss Renée LaTulippe’s ongoing series with the incomparable Lee Bennett Hopkins on NCTE Poetry Award winners – click here for the video posted this month featuring Lee’s interview about Aileen Fisher.

Mortimer: Do you write several drafts of a poem or dash off publishable gems the first time around?

I find most writing, especially poetry, needs to "cure" - at least overnight, usually many overnights, and sometimes over a month or year or more. That is just part of the process. It would be rare that something needing fixin' doesn't jump out upon a second or twentieth reading.

Mortimer: Do you have a favorite poetic genre?

Many kinds of poetry make me swoon. Blake (1757–1827) wrote, in the opening lines of "Auguries of Innocence":

To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour....


Click here for more.

Good poetry allows me that magic. The way poetry crystallizes a moment, an experience - that's probably why I'm so drawn to haiku. Speaking of which, I need to go pack. I'm participating in a Haiku Society of America regional "haikufest" this weekend in Atlanta.

So if you'll excuse me, and if any Poetry Friday bloggers want to take Mortimer...

Now, jump on over to see the wonderful, talented Irene at Live Your Poem , where she's hosting this week's Roundup AND celebrating her 1000th post. Woo-hoooo! That's enough to make you want to twitch your whiskers.
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Poetry Friday - A Few Lines of Rumi for Rumination


Next Saturday, Oct. 12, I’ll start the day presenting a workshop called “Poetry Tips for Prose Writers” at one of my favorite places – our SCBWI Southern Breeze Fall Conference in Birmingham, Alabama. We’ll look at ways poetic language can enliven our fiction and nonfiction writing.

I offered a little sneak preview as my column returned from vacation to Janice Hardy’s The Other Side of the Story blog this week. In that post, I shared a few excerpts from Khaled Hosseini’s powerful first novel, The Kite Runner, now celebrating 10 years in print. What piqued my curiosity about Hosseini’s writing was a recent television interview about his newest novel (And the Mountains Echoed), in which he described growing up in Kabul with poetry all around - a natural part of daily life. As a child, he kept close company with Rumi, Hafiz and Omar Khayyám. (Hosseini mentions ghazals too - a poetic form explored by some of our Poetry Friday keepers. [See Margaret’s post at Reflections on the Teche from April here.]

So, today – something sweet to chew on from Rumi (translated by Coleman Barks):


What Was Told, That

by Jalal al-Din Rumi
translated by Coleman Barks

What was said to the rose that made it open was said
to me here in my chest.

What was told the cypress that made it strong
and straight, what was

whispered the jasmine so it is what it is, whatever made
sugarcane sweet, whatever …



Please click here for the rest of the poem.

Wishing you a Poetry Friday “filled with gratitude.” For today’s Roundup, go share some sweet tea with one of my favorite Southern Breezers, Doraine, at Dori Reads. Doraine is presenting a "Nuts and Bolts" workshop at our conference, too!
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Poetry Friday: Taking Flight with Monique Gagnon German

Top: Monique Gagnon German (Feathers from Yay Images)


We Poetry Friday regulars are used to being moved, amused, or challenged by poems we come across online. Have you ever stumbled upon a poem that takes you out of blog surfing mode, out of whatever you’re also thinking about, and steals you into itself? I’d like to share a poem that had such an effect on me, and then I’ll tell you about the poet and the PF connections that led me to it!

Down



I don’t see it until I rise, a feather
on the chair across from mine
as if a tiny ashen bird

landed while I was gone
to other landscapes in my thoughts
and stayed just long enough

to leave evidence of his visit,
a small memento of flight
before lifting back into sky,

the tiniest quill
which might write
so many notes to you now,

each one fluttering down
confetti-style, beneath this sturdy
layer of cloud to ask you how

you are in such minuscule script
you might mistakenly think each slip
of paper is just a blank

prompting you further
to think of stories unwritten,
novels unread or the way

even the newest words
can dissipate
on the jet streams

of surrounding phrases and refrains
but maybe, by some fluke
of free association, you’ll think

of the lightness of paper instead,
how it carries its freight of words
as medium, impartial

to both statement
and intent, as if the words,
were a mere flock of birds

that caw, crow, peep,
whistle, chirp, and sing
but always end the performance

the same way: a ruffle of feathers,
a preening beak, the whisk of purpose,
the air of flapping wings.


Copyright ©2012 Monique Gagnon German

Maybe now you’ve fallen in love with it, too! How did I find it? The ever-amazing Tabatha Yeatts sent an email to Linda Baie, and myself, remembering that we had each posted about St. Francis before. (This was a couple days before the world had a new Pope by that name, by the way!) Tabatha gave us a link to a lovely post about the Peace Prayer of St. Francis of Assisi,, including a beautiful musical portrayal sung by Sarah McLachlan. As I was clicking some other links she provided, I came across this issue of a wonderful journal, Assisi, an “An Online Journal of Arts & Letters” published by St. Francis College, Brooklyn, NY. That’s where I found Monique’s poem! In thanking Tabatha for the link, she told me she had learned of the journal from our own Matt Forest Esenwine, whose poetry has appeared in the journal as well.

I contacted Monique to seek permission to share her poem. She kindly obliged. In addition to writing delicious poetry, she’s a busy mom of two young children and married to a Marine who is also a writer. Her poetry has appeared in the anthology, "e, the Emily Dickinson Award Anthology Best Poems of 2001," and in journals such as Ellipsis, California Quarterly, Kalliope, The Pinehurst Review, The Bear Deluxe, High Grade, Borderlands: Texas Poetry Review, Calyx, The Ledge, Rosebud, Assissi, The Sierra Nevada Review, Xenith, The Innisfree Poetry Journal and Atticus Review . This year, her poems are forthcoming in Canary and Tampa Review.

Monique has a B.A. in English Literature from Northeastern University and an M.A. in English from Northern Arizona University. She’s lived all over the US and worked in technical publications for many years. You can learn more about Monique and read more of her poetry at her website.

Another fun find? She’s a copy editor for Ragazine, “The On-Line Magazine of Art, Information & Entertainment” – You’ll want to check it out, too!

Speaking of fun, don’t forget to check in on March Madness Poetry 2013 at Think Kid, Think . I had the pleasure of sparring with the aforementioned Matt in Round One, and I was bested by the talented Gotta Book has the Roundup! (At time of posting, this link is being persnickity. Google Greg Pincus if it's not cooperating!)
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Poetry Friday - Julie Hedlund and A TROOP IS A GROUP OF MONKEYS

As you're enjoying the frenzy of March Madness Poetry 2013
(and do head over and vote for your favorite poems!) I offer you a different and very special treat today. I met Julie Hedlund last year at the “Poetry for All” Highlights Founders workshop , and I’m happy to share a peek into her brand new rhyming storybook app, A TROOP IS A GROUP OF MONKEYS. It’s illustrated by Pamela Baron and offered by Little Bahalia Publishing for the iPad. (I don’t have an iPad, but my in-laws were happy to purchase it on theirs for me – and for the grandchildren!)

A TROOP IS A GROUP OF MONKEYS is a romp through the collective nouns of animals, written in rhyme. It offers a fun way to explore the habits and habitats of a variety of animals (as well as subject-verb agreement!).

A pride of lions licks monster-size paws

A float of crocodiles snaps mighty jaws.


My favorite line is:

A quiver of cobras hisses and shakes.

And my favorite illustration accompanies

a leap of leopards lounges in trees,

in which one of the leopards napping on a tree limb opens one eye and twitches an ear.

The animals on each page exhibit the behavior described in the verse, and kids will have fun touching the screen to make the colorful subjects spring to life.

Now, you almost have to sneak up on Julie, safari-like, to grab her for just a few minutes – what with her popular 12 X 12 Picture Book Challenge and her sold-out Writers Renaissance Retreat in Italy coming up in April. Let’s find out more about Julie and her work before she’s off on her next adventure.

Welcome, Julie!

Oh, where to start?! Let’s begin with writing, and we’ll explore other endeavors in a minute. When did you discover a love of writing, and how have you developed your craft?


I've ALWAYS loved writing. It's how I understand myself and the world. The first word I ever wrote was "HOT," and for a year or so it was how I signed all of my cards to grandparents, etc. I think it's gone uphill from there. :-)

With respect to craft, I've cultivated it by doing a lot of writing and a lot of listening. By listening, I mean attending conferences, workshops and retreats where I could learn from experts and then work on incorporating those lessons into my own work. What amazes me is how the more you learn, the more you realize you still have yet to learn. There's never a dull day in the writing life!


How did you come up with the idea for A TROOP IS A GROUP OF MONKEYS?

I came across a list of collective nouns for animals and was surprised to find how few of them I knew. I was delighted by the fact that the names for the animal groups reflected something about the animal's behavior, habitat, appearance, etc. I figured if I had that much fun learning the names, surely others would too - especially kids, who almost always love animals.

Did any verses come straight from the Muses, and were there others you had to hunt down?

"A kaleidoscope of butterflies flutters through daisies" was one of the only lines that survived intact from my first draft. Otherwise, the verses required a lot of work. I did a great deal of research on each animal so I had several options for the line pertaining to that animal. Then I had to match animals up with each other in such a way to create compelling rhyming couplets.

Let’s talk about apps. First, what’s your definition of a storybook app?

A storybook app is an illustrated book for children that contains interactions on each screen, some of which may be required in order for the story to proceed. The interactivity can be sound-based, touch-based or device-based (such as tilting or shaking the device). Ideally, the interactivity is designed to enhance rather than detract from the story and to increase comprehension.

How is composing text for an interactive app similar to writing for print? How is it different?

What's similar is that the story (or in this case poem) must be excellent. No amount of technical bells and whistles can elevate a sub-par story. What is different is that in addition to thinking about text and illustration, now you need to consider sound, movement, animation. You have to think about your story on a screen instead of a page, which changes the function of "page turns." Although you still move from screen to screen, tension and drama can come from sound and animation as well as text and illustration. There's also no set number of pages for apps, so the onus is on the author to determine how many screens are required to tell the best story.

How much input do you as the writer have in terms of the interactive elements – choosing what might be animated, layout/design, that sort of thing? Or are all visual decisions left to the illustrator and designers?

The answer to this question depends on how you are publishing the app. If you hire a developer to create your app or use an app creation tool, all of those decisions are your own. In my case, I sold my manuscript to an e-publisher, so the publisher made most of the decisions about the animation and design. However, I did submit a storyboard containing my "vision" for the animation, and many of those ideas were incorporated into the app. I'm fortunate because Stacey Williams-Ng, the founder of Little Bahalia, has a huge amount of experience both illustrating, designing and producing apps. Because of her expertise and passion, the finished product is far better than I could have imagined had I done it on my own.

You’ve got terrific resources on your blog about the publishing industry as well as tips for creating apps. What’s the first thing you tell someone who asks you about creating digital content?

Go for it! It's the future. BUT, don't do it as a shortcut to traditional publishing. Make sure your story is the best it can be. Don't skimp on editing, illustration, design, etc. Also, evaluate whether your story makes sense in digital form. The story should drive the format, and not the other way around.

What do you think about the co-existence of traditionally published books, apps, and e-books in the marketplace – is there room for all, or do you think digital content will take over for the youngest readers?

I certainly hope there is room for all, as I still want to traditionally publish a print book! In fact, I want to publish any way I can that both makes sense for my stories and gets my work into the hands of more children. I see no reason why different types of books can't co-exist. As for the farther-off future, I do think digital content will become predominant in all forms of publishing, but I can't envision print going away entirely, especially for board books and picture books.

As a world-traveling, horse-riding, nature-loving gal from Colorado, you strike me as someone always up for an adventure. Were there any challenges during the process of creating this app that surprised you?

The challenge all came BEFORE the actual creation of the app. The biggest hardship I faced was learning about all the options available to publish the app, which direction I wanted to take, and then how to submit my idea, especially since I am an author-only and came without illustrations. What surprised me was how few answers I found to my questions. I guess that's why, after I developed my own proposal, I decided to turn it into a template for other authors and illustrators to use - to avoid the pain and suffering I endured - LOL.

You participate in “Gratitude Sunday” by posting things you are grateful for each week. How does an attitude of thankfulness inform your creative life? (And life in general?)

My gratitude practice, over time, has helped me understand that there is good in all situations, even if that doesn't seem to be the case on the surface. Spending time each week reflecting on what I am grateful for grounds me, and sometimes requires me to "dig deep" into my feelings and experiences. Rather than serving to oversimplify situations, my gratitude practice makes me realize the complexity that's inherent in people, our actions, our emotions. This serves me by enriching my writing, but it's also made me a great deal less judgmental and far less inclined toward knee-jerk reactions.

How do you balance your own creative work with the demands of nurturing not only your family, but the online network of inspiration and support you’ve created for other writers?

I'm not sure I do, but I keep trying!! Lately I've been taking things one day at a time, focusing on the most pressing things that need to get done work-wise. I'm also getting far better about "letting it all go" when I'm with my kids. Our work is of the kind that is never "finished." There is always something more that could be done. But there's no point in worrying about all of that when I'm with the kids. It's taken me a while to come to this realization, but I'm far better off spending quality time with them and coming back to my work refreshed from the break. Next on the list of "creating more balance" in my life is figuring out how to take time for me, as I've been slack on my exercising and pursuit of other hobbies lately.

Finally, any sneak peeks into projects on the horizon that you’re at liberty to share?

I'm not sure I'm at liberty to share the title yet, but my next app in the "animal groups" trilogy will be released in May, and it features animals leaving in or near the ocean. I am excited about this one because many of these collective nouns will be brand new to most people and they are SO fun.

A third app featuring insects, reptiles and amphibians will be coming in October, and before that, a print book that combines the "best" of all three apps. So it's a very exciting year!


Exciting indeed! Congratulations all around, and thank you for visiting with us today.

Thank you so much for hosting me today Robyn. I think digital publishing is going to be a very exciting avenue for poets of all stripes, and I hope my experience gets the creative gears turning for your Poetry Friday compatriots.

Told you she was fascinating! And if you visit her list of 100 random things, you'll learn Julie used to drink pickle juice straight from the jar, and that she has an MA in International Political Economy from the University of Warwick in England.

No telling what you'll learn making the Poetry Friday rounds today, but please go see the wonderful and talented Jone at Check it Out and enjoy!

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Poetry Friday: Joyce Sidman and some verse novelists, too!

Happy New Year!

So maybe I haven’t put away the Christmas decorations yet, but I’ve started off the New Year with a couple of poetry posts on other blogs.

First, I was thrilled to be able to interview our most recent recipient of the NCTE Award for Excellence in Poetry for Children, Joyce Sidman, for the PACYA (Poetry Advocates for Children and Young Adults) blog.

I’ve admired Joyce’s work for a long time, and she kindly agreed to let me share a poem here today, too.

From one of my favorite books, the Newbery Honor-winning DARK EMPEROR & OTHER POEMS OF THE NIGHT, illustrated by printmaker Rick Allen (Houghton Mifflin, 2010), here is the opening poem:

Welcome to the Night

To all of you who crawl and creep,
who buzz and chirp and hoot and peep,
who wake at dusk and throw off sleep:
Welcome to the night.

To you who make the forest sing,
who dip and dodge on silent wing,
who flutter, hover, clasp, and cling:
Welcome to the night!

Come feel the cool and shadowed breeze,
come smell your way among the trees,
come touch rough bark and leathered leaves:
Welcome to the night.

The night’s a sea of dappled dark,
the night’s a feast of sound and spark,
the night’s a wild, enchanted park.
Welcome to the night!


©Joyce Sidman. All rights reserved.

To read the PACYA interview, click here, and to peruse Joyce’s wonderful website brimming with resources for readers, writers, and teachers, click here.

Second, my monthly poetry column on Janice Hardy’s terrific blog for fiction writers, THE OTHER SIDE OF THE STORY, has moved to the first Wednesday of the month this year. (Though it won’t appear in Feb.) This week we’re exploring verse novels, and I have some amazing book excerpts and insights from three wonderful, award-winning authors: Eileen Spinelli, April Halprin Wayland, and
Susan Taylor Brown.

I’m so thankful to each of these poets – Joyce, Eileen, April, and Susan – for sharing their gifts and their thoughts in this bright New Year.

For more great poetry, go visit the multipl-y gifted Matt at Radio, Rhythm & Rhyme for today’s Poetry Friday Roundup.
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Poetry Friday is HERE!

Image ©Hyewon Yum; text ©Carus Publishing.

Happy Poetry Friday, and Happy Holidays!

I’ll be rounding up throughout the day, so come on in and have a cup of hot chocolate or tea and enjoy all the great poetry posted today. Please leave your link and a short description in the comments.

Today, I’m celebrating that one of my poems appears in the current issue of LADYBUG . Several years ago, when we lived on a small farm, I encountered a beautiful fox where our yard met our woods. Weather-wise, it was probably much like today – chilly, with one season was making way for the next. I remember the fox and myself suspended in a moment of stillness just looking at each other – a fleeting moment that was gone as quickly as it came.

I wrote this poem from that experience and was delighted when it was accepted for publication at Carus. It was originally accepted by SPIDER, but they ended up not publishing it, and in the meantime the LADYBUG editor had expressed interest. Suffice it to say that after a few years of waiting, I’m thrilled it has found a home in the Nov./Dec. 2012 issue.

Even more thrilled that it is so beautifully illustrated by the talented Hyewon Yum , who kindly shared the original art above with us today. It's a linoleum cut print - isn't it perfect? Yum is an acclaimed author/illustrator of many books including: MOM, IT’S MY FIRST DAY OF KINDERGARTEN (2012), THE TWINS’ BLANKET (2011), THERE ARE NO SCARY WOLVES (2010), and LAST NIGHT (2008) all from Farrar, Straus and Giroux. More books are soon to hit the shelves, which she either illustrated or wrote and illustrated.

Many thanks to Hyewon for sharing her artwork, and to The LADYBUG/Carus folks for granting permission to post my poem for you today. Here it is:

GRAY FOX

by Robyn Hood Black

At the edge of winter,
at the edge of the wood,
at the edge of the brush,
a gray fox stood.

I took a small step,
I took a breath in –
then nothing was there
where the gray fox had been.


© 2012 by Carus Publishing

Click here for a link to the LADYBUG Teacher’s Guide. (It says October, but scroll halfway down and you’ll come to a couple of suggestions/questions re. “Gray Fox.”)

Thanks so much for coming by today, and here’s to appreciating moments and poems! (Remember to leave your link with your comments if you want to be rounded up.)

Oh – and if you’re a fiction writer, you might enjoy my column from yesterday over at Janice Hardy’s blog, The Other Side of the Story, in which I talk about writing mask poems as a way to get inside your character’s head. (Thanks to the lovely Amy Ludwig VanDerwater for loaning a poem for the post!) In 2013, my column at Janice's will move from the first Thursday of each month to the first Wednesday of each month (except Feb.).

Carry on!

HERE'S THE ROUND-UP:

Jeff at NC Teacher Stuff has delightful feline fare today: JRR Tolkien's "Cat."

At Gathering Books, this month's water tales theme continues with Mary Oliver's "Blackwater Pond," presented by the lovely Myra in a visual setting befitting the words.

Father Goose is here today with "The Christmas Box" (from his CHRISTMAS IS COMING!) with a homemade gift idea that would thrill any parent.

Violet has a fun and yummy original ABC poem called "Appetite Affair." If you haven't yet had breakfast, this will make your stomach rumble....

At Poetry for Kids Joy, Joy brings us her original poem, "The Elf." I like that this elf is female! :0)

Jama at Alphabet Soup serves up another stunning haibun by Penny Harter, the title work from ONE BOWL.

After reading Jeff's cat post above, you must head over to Carol's Corner, where Carol is featuring Rose Fyleman's classic "Mice" with Lois Ehlert's magnificent collage illustration.

Tara at A Teaching Life has Mark Strand's moving "Lines for Winter" (and a gorgeous photograph to go with it).

At Teacher Dance, Linda shares an original poem about a weather phenomenon she noticed while at school - I won't spoil the fun, but I'm happy to say she was quick with her camera as well as her pen!

Matt Goodfellow at Poems and things! is in with a triple play of original poems today: "Yew Tree", "Different Eyes" and "Ghost Bike."

(Off to make coffee - back in a short bit....)

Wondering how to start writing your next poem or creating your next piece of art? Susan Taylor Brown has a wonderful poem by David Whyte today, "Start Close In" - food for the creative soul!

At The Poem Farm, Amy offers an original poem from her SPARK 18 project to accompany Amy Souza's gorgeous collage. (If you had a grandmother like mine, "Quilt Map" will fill your heart.)

Join Tabatha for some touching low-tech communication celebrated in two delightful poems: "Father's Story" by Elizabeth Madox Roberts and "The Telephone" by Robert Frost.

Visit Heidi at My Juicy Little Universe for a new take on "Squandering" - an original poem inspired by a kindergarten teacher's comment during a challenging day.

Speaking of the classroom, over at A Year of Reading, Mary Lee has a simple and powerful original poem about teaching.

Take a moment to s-l-o-w down with a very clever original poem, "The Snail's Lament," penned by Liz at Growing Wild. She also offers a discussion of how she revised this poem - great to share with students (or others!) expecting to write a perfect draft the first time.

Laura, our resident Author Amok, shares the history of the haunting Coventry Carol, including a video of the Westminster Choir singing it. This thoughtful post literally gave me chills. (As Laura kindly points out, if you've recently suffered miscarriage or the loss of an infant, you might want to skip for now and come back at a later date.)

Our other Laura is in with a poem from David Harrison's newest book, COWBOYS. She's sharing "Stampede." (Does anyone else think she might be partial to that title?) ;0)

Also, Laura's got quite the lively party going on at 15 Words or Less Poems. Check out today's larger-than-life picture prompt and join the fun.

Margaret at Reflections on the Teche shares the most wonderful poems in a "Preposition Parade" today - her own poem and then several samples from students. (The kids came up with 50 prepositions as part of this exercise - can you??)

Another terrific teacher in our pack of poets, Betsy, takes a look back at warmer days with an original poem, "Summer Dandilion," over at Teaching Young Writers.

At Charlotte's Library, Charlotte shares her son's first sestina. (Note: Link is working now.)

Steve is in today with a "thoughtful-wondering poem about chance events and parents getting older" at Inside the Dog. This is one of the sharpest poems I've read today - exemplifying this repeating theme of observing a moment. (Beautifully wrought, it has great prepositions we've been discussing, too!)

At Random Noodling, Diane offers up a few humorous poems from a 1937 anthology. Kurious Kitty
has a gorgeous poem by Rumi accompanied by a perfect photo , and, Kurious K's Kwotes' Poetry Friday quote is by Rumi, too.

At There is No Such Thing as a Godforsaken Town, Ruth ponders the winners of the Academy of American Poets "best poems of the year" and shares a fun poetic look at love poems from Rafael Campo.

David's in with celebratory voyage of poetic nonsense (very cleverly crafted) at fomagrams. Happy Birthday, David! (I would like to note that my birthday is coming up next month and I am younger than David, though not by much, but I'm younger.) ;0)

Speaking of birthdays, Karen is celebrating Willa Cather's birthday today with the poem, "L'Envoi," which Cather wrote for Fr. Scott.

Lovely Sylvia has two offerings today: a list of more than a dozen books featuring poetry for Hanukkah (which begins this weekend) at Poetry for Children, and Constance Levy's fun "penny" poem with accompanying activites at The Poetry Friday Anthology blog.

At Paper Tigers, Marjorie offers a look at anonymous seventeenth-century English nonsense/puzzle poem, "I Saw a Peacock With A Fiery Tail," and a lovely discussion about Gond artist Ramsingh Urveti's stunning illustrations of it in a recent version published by Tara Books. Warning: I read this post and immediately ordered the book online. Yes, I did.

JoAnn Early Macken is here! She's a guest today at Teaching Authors with a student poem from WRITE A POEM STEP BY STEP, her new book which shares tips for teaching poetry gleaned from years of experience. AND, she's giving a copy away... so go sign up like I just did.

Little Willow at Bildungsroman has a gorgeous poem by Siegfried Sassoon, "Butterflies."

At The Small Nouns, Ben is also featuring Willa Cather's "L'Envoi" poem, and a discussion about careful planning versus shooting from the hip. Which way do you approach a task?

MotherReader has a glowing review of J. Patrick Lewis's new anthology, NATIONAL GEOGRAPHIC'S BOOK OF ANIMAL POETRY, with a taste of Robert Frost for you to sample. She dares you to click the "Look Inside" feature on Amazon and not end up buying this book. (I dare you, too.)

Lunch break! Afternoon posters, add your links in your comments and I'll circle back around.

Break out the footy pajamas! Bridget has an original poem paying homage to the ultimate winter comfort wear at wee words for wee ones.

Remember all the madness this past March at Think, Kid, Think? Well, Ed has just unveiled "The Thinkier", a celebration in bronze to commemorate each year's poetic champion.

Matt is getting us in the holiday spirit with a poem celebrating Christmas trees from his winter collection of poetry, AND he has a lovely give-away offer. Of what? You'll have to click over to find out.

Any bugs knocking on your door for winter housing? Check out Jone's look at two bug poetry books at Check It Out for some fun with lots of legs, and some great classroom tie-ins to boot.

A hearty welcome to children's author Dia Calhoun, who ventures into Poetry Friday for the first time with a lovely original poem, "A Room With No View."

And in the Fashionably-Late-to-the-Party-and-Always-Welcome-Dept., we have:

The Write Sisters with (one of my personal favorites!) a wild Carl Sandburg poem, and an equally cool photo.

Donna at Mainely Write has been finding inspiration in lost gloves this week. Click the blog link for today's succinct and clever offering, and, if you want more, that poem's pink predecessor was posted on Tuesday. ("They have jobs to do while they wait," says Donna.)

Here's some more humor to transition into the weekend: Janet at All About the Books offers a taste of Douglas Florian's LAUGH-ETERIA. (You can't even get through this plug without smiling, can you?)

If, like Irene, you are searching for the perfect breakfast casserole recipe for this weekend, try this poetic little treasure she found in the back of a cookbook. Wishing you heaping servings.

An evening surprise:

Carlie at Twinkling Along shares a lovely cinquain about cherry blossoms in December. Yes, cherry blossoms!

Weekend Update:

At On Point, Lorie Ann has an original haiku this week - and you must see the accompanying photograph!

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Poetry Friday: Longfellow, Luscious Art, and Lovely Writer Friends

The Poems of Henry Wadsworth Longfellow, illustrated by Boyd Hanna (The Heritage Press, NY, 1943)

If you've peeked in over at my other blog on artsyletters, you know I'm a sucker for vintage treasures. (I'm becoming one myself, you see.) So imagine my delight when, for my friend's birthday outing yesterday, I took her to a lunch spot she chose (Vietnamese - yummy!) and she took me to a couple of her favorite antique haunts in her part of Atlanta.

Imagine my further delight when she presented me with a surprise gift she'd found and been keeping for me - a beautiful 1943 copy of THE POEMS OF HENRY WADSWORTH LONGFELLOW (The Heritage Press, NY), with the most delicious wood engravings by Boyd Hanna (1907-1987).

This friend is well-versed in writing AND vintage, with a keen eye for art - Kim Siegelson, whose many award winning books for young people include the Coretta Scott King Award winner, IN THE TIME OF THE DRUMS. Kim has also been an invaluable guide on my new Etsy adventure, as she runs a busy and delightful shop, Perfect Patina. She's always keeping an eye out for vintage wonders, and I'm lucky that she spied this poetry book and thought of me. (It came with a lovely, inspiring note from her, too - now happily presiding above my computer shining down sparkly warm beams of encouragement.)

Kim thought I would enjoy the gorgeous wood engraving illustrations, printed in browns and greens, especially the one above featuring the bold bird in winter. She's right, of course! And since it's been dipping into the 30s here this week in north Georgia, I thought sharing the Longfellow poem it illustrates would be appropriate:

Woods in Winter

by Henry Wadsworth Longfellow
(1807-1882)

When winter winds are piercing chill,
And through the hawthorn blows the gale,
With solemn feet I tread the hill,
That overbrows the lonely vale.

O'er the bare upland, and away
Through the long reach of desert woods,
The embracing sunbeams chastely play,
And gladden these deep solitudes.

Where, twisted round the barren oak,
The summer vine in beauty clung,
And summer winds the stillness broke,
The crystal icicle is hung.

Where, from their frozen urns, mute springs
Pour out the river's gradual tide,
Shrilly the skater's iron rings,
And voices fill the woodland side.

Alas! how changed from the fair scene,
When birds sang out their mellow lay,
And winds were soft, and woods were green,
And the song ceased not with the day!

But still wild music is abroad,
Pale, desert woods! within your crowd;
And gathering winds, in hoarse accord,
Amid the vocal reeds pipe loud.

Chill airs and wintry winds! my ear
Has grown familiar with your song;
I hear it in the opening year,
I listen, and it cheers me long.


Remind me to come back to this post around February! And I hope if winter winds are already blowing where you are, you'll hear a bit of "wild music" with them. I also hope you'll come back here next week, when I have the honor of hosting the Poetry Friday Round Up. Today, it's over at The Poem Farm, lassoed by the ever-talented Amy.
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Poetry Friday: Poetry and Photographs from Susan Taylor Brown

© Susan Taylor Brown. All rights reserved.


I am humming with joy this morning – award-winning author, poet, and artist Susan Taylor Brown is here! Well, some of her work is here, and now there are more options for you to own some yourself.

Perhaps you know Susan primarily through the writing side of her life – dozens of books for children for the trade and educational markets, hundreds of stories and articles in newspapers and magazines, and a speaking schedule that has included SCBWI conferences, Highlights workshops, and artist in residence experiences in which she’s taught poetry to at-risk and incarcerated youth. Or perhaps you’ve visited her blog and website for spot-on writing advice shared with wisdom and plenty of heart and personal experience. If, like me, you might have missed the incredible interview posted by Jone in June over at Check It Out, you will definitely want to, well, check it out!

Perhaps as a faithful Poetry Friday-er, you’ve popped over to Susan’s website or seen her pictures on Facebook. Has your jaw dropped and have your eyes popped at her glorious photographs of the wildlife she’s invited into her California back yard? Thought so. Did you mourn a few months ago after following the daily activities of Lily, the lovely hummingbird who graced Susan’s yard with a nest and then lost her precious eggs just before they were to hatch? Yes, me too.

Lots of folks were moved by Susan's photographs. It wasn’t long before Susan’s friends clamored for her to offer her incredible nature pictures for sale.

She made a page for her greeting cards with the delightful name, “Poppiness.” And just this month, she opened her own Etsy shop! As a new Etsy shop owner myself, I was thrilled to catch this bit of news and track her down. Oh, and order some gorgeous cards.

I asked Susan if she might share some of her hummingbird photographs and poems with us. The poems appeared on other blogs this year (terrific Poetry Friday ones!), but they bear re-sharing.

In My Backyard

iridescent wings dip, dive
between branches
of the scraggly Toyon bush
not yet six feet tall

pointed beak
weaves bits of moss
with spider webs
tucks in a single strand of grass
a dainty dandelion seed
then flies away

cat quiet, I creep
peek
stare
compare
tiny nest cradles
tiny eggs, two
no bigger than my thumb

whirling wings
hum hello
now go
she settles, spreads
herself atop the eggs
watches me
watching her

the wind blows, blustering
never flustering her
she sways a branch dance
keeping safe
tiny nest
tiny eggs
where rainbows wait to hatch


© Susan Taylor Brown. All rights reserved.

Previously here:
http://gottabook.blogspot.com/2012/04/susan-taylor-brown-in-my-backyard.html
on Greg's great blog.


******************************************

13 Ways of Looking at a Hummingbird

1
wings whirl
in place
my face
smiles
swivels
tiny dancer
chirps
cheeps
chitters
hello

2
greengold glitters glides
lands atop the waterfalls
shimmy shakes
a water dance

3
spider silk
blades of grass
lichen
moss
one gray hair
two red threads
building blocks
a mini mansion

4
picture pose
turn left
now right
chin up
hold still
I'll keep my distance

5
in out
out in
tall wall
soft floor
ready wait
wait some more
egg one
egg two
soon
each morning
each evening
I check
just in case

6
the plum tree a
perfect preening place
ruffled nest feathers
bugs picked flicked
feathers smoothed
stretch once
stretch again
bask in the sun
before babies come

7
stormy days
stormy nights
quivery
shivery
forgetting generations
that came before
I worry
flashlight in hand

8
she disappears deep
within the overgrown honeysuckle
seeking bugs
protein power
for motherhood
alone
I measure
one nest
one half a walnut shell
one egg
one jellybean
one miracle
waiting to happen

9
my days equal
part
inspection
observation
research
photographs
my days equal
bliss

10
camera ready
I await her homecoming
hidden only slightly behind the fence
fifteen minutes
two hundred photographs
my mini model
is a star

11
morning comes
empty
no mama snug atop her nest
no tiny eggs safe and sound
no babies waiting
to say hello world
sometime between
the darkness and dawn
disaster

12
overcast and gray
rain soon
but I am stubborn
searching beneath the bushes
until I find evidence
until I find a tiny white shell
until it hits me
miracles don't always come true

13
crying
crying
crying
camera clicks
shot after shot after shot
most will be out of focus
unable to capture the pain I feel
at all the days that should have been ahead
suddenly suspended beside me
close enough to almost touch
no chirp
no cheep
no chitter
she hovers there
ten seconds maybe more
just long enough
to say goodbye


© Susan Taylor Brown. All rights reserved.

Previously here:
http://maclibrary.wordpress.com/2012/06/14/poetry-friday-5/
on Jone’s wonderful blog.

I asked Susan: What is it about hummingbirds that compels you to write about and photograph them? Take it away, Susan!

I am a perpetually nervous person often filled with worry about things I can't change or control. I was spending so much time worrying about what did happen and what I could have done differently and what might happen and how I could avoid it that I was forgetting to live my life in the here and now. I had a wonderful life and I was missing out on it. All around me friends were going to yoga, beginning to meditate, and learning how to be here, now, living in the present moment. I couldn't seem to get the handle of yoga or meditating but I did spend a lot of time in my native garden. Usually it was because my dog Cassie was pestering me to step away from the computer and go outside. In my typical hurry-up fashion I wanted her to hurry-up and take care of business so I could hurry-up and get back to work worrying about whatever the day's worry might be.

Cassie had other ideas. She meandered around the yard, each visit outside taking a similar path, dipping a head into the sage to sniff at bees, pausing under the maple tree to wait for squirrels, stopping at the elderberry to watch the birds flit from branch to branch. I got tired of standing and waiting for her so I sat down. And when I sat down, the critters in the yard got used to me and turned brave, coming closer to feed at the bushes close to me and play in the bird pond. My fingers itched for my camera. The more I sat and watched, the more I saw. I had found a meditation that worked for me. I had learned to see more by being still and I had discovered how to live in the present moment.

What does that have to do with photographing hummingbirds?

Hummingbirds are so fast that one would think you need to be fast in order to get a photo of them in flight. But really the opposite is true. You need to be slow. You need to be patient. You need to learn to be still. Because when you do that you will be forced to watch, hundreds of times, the way the hummingbirds around you act when they are coming in to feed. You learn their dipping, diving behavior. You begin to understand their dance. I spent hours just watching the birds in my garden and other gardens before I tried to pick up the camera. And even then I shot thousands of blurry photos or photos of plants where the birds USED to be, before I snapped the shutter. But with practice, I found it easier to get into the dance and sometimes I get lucky and capture just the photo I had hoped to capture.

So I guess the easy answer is that I feel compelled to photograph hummingbirds, as well as the other wildlife in my garden, because it continually reminds me to be here, now, in the moment and to give thanks for the opportunity to witness these gifts of nature.


Click here for a link to a published slideshow Susan did for Bay Nature Magazine on photographing hummingbirds.

And now let me leave you with some lovely news you can use. Susan has gorgeous photographs available in her Etsy shop – hummingbirds, flowers, other stunning flora and fauna. And, she and I have decided that we’d like to offer a Poetry Friday discount for holiday shopping. From now through Dec. 31, just visit either of our shops – Poppiness or artsyletters – and type in the Coupon Code: PF2012 for a 10 percent discount! (You can look each of us up on Twitter, too, @poppiness and @artsyletters.)

Thanks, and many thanks to Susan for sharing her work here today.

Also, much appreication to Julie Hedland for featuring me on her terrific blog on Wednesday, and to Renée LaTulippe for welcoming me to No Water River today! Such an honor, ladies - thank you.

For more poetic treasures, hop over to Booktalking, where the amazing Anastasia is rounding up Poetry Friday.
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On Julie Foster Hedlund's blog today... :0) and a give-away at artstyletters

Greetings! Happy to share that my writer friend and blogger extraordinaire Julie Foster Hedlund kindly shared a post about me on her wonderful blog today.

And, for Art Break Wednesday over at artsyletters, I'm giving away a fun mini Ott flip light.

Enjoy!
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