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Life on the Deckle Edge

Poetry Friday: Poetry in Fiction - a Pinch or a Pound

A poetry-to-prose exercise in A PROGRESSIVE GRAMMAR OF THE ENGLISH TONGUE: BASED ON THE RESULTS OF MODERN PHILOLOGY by William Swinton, 1876,Harper & Brothers, New York.
Happy Poetry Friday!

I've been thinking of so many of our Poetry Friday regulars this week up in the mid-Atlantic and Northeast. Thoughts and prayers for all touched by the storm.

My post today is more of a link. Yesterday was my second monthly poetry column on Janice Hardy's amazing blog for writers, The Other Side of the Story. Janice is the author of The Healing Wars triology (Balzer + Bray) and other forthcoming works.

Yesterday I wrote about calling on poetry - a little or a lot - when writing fiction. The wonderful Joyce Ray gave me permission to share some of her post from last month about Arundhati Roy's 1998 novel, The God of Small Things. If you missed that one on her blog, Musings, get thee hence.

I also threw in some Harper Lee, Nancy Willard, and Janice herself. If you're interested, jump on over to my post.

I'm heading to Atlanta today to sell my artsy wares at a fall festival/art show this weekend, so will try to play catch-up upon my return. There are cornucopias of good poetry over at Donna's Mainely Write blog for Poetry Friday, where Donna invites us to ponder "plain old November."
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Poetry Friday: Thinking about Imagination and Change with a Steven Withrow poem...

On September 29, a few hundred thousand folks will celebrate the second "100 Thousand Poets for Change." Click here to get a taste of that ambitious endeavor.

According to a press release, this event "brings poets, artists and musicians (new this year) around the world together to call for environmental, social, and political change. Voices will be heard globally through concerts, readings, workshops, flash mobs and demonstrations that each focus on their specific area of concern, within the framework of peace and sustainability, such as war, ecocide, racism and censorship.

“Peace and sustainability is a major concern worldwide, and the guiding principle for this global event,” said Michael Rothenberg, Co-Founder of 100 Thousand Poets for Change. “It’s amazing to see how many people have joined in around the world to speak out for causes they believe in, and to see so much heart and creativity expressed in their diverse approaches to this event.”


While no one might agree with each and every individual issue being advocated on that day, I certainly believe in the power of poetry. I believe in the power of positive change and appreciate that the freedom of expression I so often take for granted in the U.S. comes at great risk in other parts of the world. So hats off to creative folks trying to better the planet!

In contemplating the theme of change for today, I wondered where it originates. I think it originates in the imagination. So today I'm bringing you a wonderful poem posted with permission of its author, Steven Withrow. (We had a nice chat with Steven here back in October.)

            On the Jetty

    Boy who sits upon a bridge of stones
over Plymouth Harbor shuts his eyes,
silences all seagull-circus cries,
guides the tide-lines in by thoughts alone.
    He thinks that if he hooks one where it forms,
soft, a foam of wave-wash at his feet,
angles right where rock and waters meet,
he’ll know the reeling power of a storm.
    He dreams that he’s a pilgrim on this landing,
scrawny Myles Standish, émigré,
anchorage mud deep in Plymouth Bay.
    These reveries exceed his understanding,
no soldier he, nor seeker of the new,
narrow buoy, adrift in world-wide blue.


©Steven Withrow, all rights reserved

I think the reference to Myles Standish certainly points to change - in fact, the Pilgrims must have done more than imagine a new life; they must have envisioned it. And poetry helps us envision connections we might otherwise overlook. What does this poem kindle in your imagination today?

Thanks to Steven for sharing this poem today! Be sure to visit Steven's great Poetry at Play blog, where you can also learn about Poetry Advocates for Children and Young Adults.

The amazing Sylvia Vardell is rounding up more great poetry this week at Poetry for Children. Check it out!

(Note - I'll be at the SCBWI Southern Breeze Illustrators' Day all day today and will check back later.) Read More 
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VOICE LESSONS with Irene Latham


Poetry buffs who frequent this blog know about Poetry Friday regular Irene Latham – her COLOR OF LOST ROOMS (2010) was a National Indie Excellence finalist and winner of the 19th Annual Writer's Digest Self-Published Book Award. She just sold her first collection of children's poems, DEAR WANDERING WILDEBEEST, set at an African watering hole, to Millbrook Press/Lerner. Look for it in the fall of 2014! Irene has been poetry editor of the Alabama Arts Journal since 2003.

She’s also an accomplished novelist. LEAVING GEE’S BEND (Putnam, 2010) won the Alabama Library Association 2011 Children's Book Award and was a SIBA Book Award finalist. Her new novel, DON’T FEED THE BOY (Roaring Brook, Oct. 2012), is soon to be let loose!

At the SCBWI Southern Breeze fall conference in Birmingham in October, Irene is presenting a workshop on that elusive, crucial, desired-by-any-editor element of a story: voice. She was kind enough to drop by today and give us a sneak peek.

Take it away, Irene!

Confession: when I sold LEAVING GEE’S BEND, I thought “editing” meant someone somewhere sending my words through some fancydancy spell-check program. I really had no idea how to revise.

Guess what I learned?

The best and quickest way to educate oneself about editing and revision is to actually DO it. And what I’ve found in the years since is that for me, revising is most successful if taken in stages. By which I mean, I read over the manuscript multiple times, addressing one specific issue during each pass.

I generally start with plot, because that’s easiest (for me). Then I move to character arc – one pass for each major player, then another pass for supporting characters. Then, eventually, I move to voice. It’s during this pass that the magic happens: ordinary words take on flavor and personality. Dialogue quirks emerge. Similes and metaphors become consistent with the character. Gone are the modern words in a historical piece, while invented words manifest themselves in a fantasy piece.

One of the best ways I have found to teach about voice is to show examples of writing without voice. Take, for instance, the first line from a household favorite book FEED by M. T. Anderson.

line STRIPPED of voice, by me:

“We went to the moon to have fun, but the moon was boring.”

actual line, written by M.T. Anderson:

“We went to the moon to have fun, but the moon turned out to completely suck.”

That, fellow readers and writers, is VOICE.

Want to learn more? Come to the SCBWI Southern Breeze region annual Writing and Illustrating for Kids conference in Birmingham, Oct. 20. (There’s an optional novel intensive Oct. 19.) Here’s the official description for my workshop:

Voice Lessons: Revising for Voice

Got a book with great plot, characters, but no distinctive voice? This workshop provides revision techniques and advice on how to create a voice that’s authentic and memorable. *Attendees should bring at least one page up to an entire chapter of a work-in-progress to revise.

Handout includes a list of strategies, a voice-revision checklist and three before/after excerpts to illustrate effectiveness of the suggested techniques.


Sounds terrific, Irene! Thanks for the preview.

To learn more about Irene and her books, check out her website and blog.

And to register for the Writing and Illustrating for Kids (wik) fall conference in Birmingham , click here.

Hope to see you there! Read More 
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Poetry Friday: Hospitality Through the Centuries

with Claudia, who even loaned me a hat!, and fabulous Hostess with the Mostest Joan. The bottom photo is from 1994 - at Penshurst with the Harrises.


At last month’s Poetry for All Highlights Founders Workshop, Eileen Spinelli told us that a writer needs time to meander. So please bear with me – I’m meandering today!

Last weekend, I had the terrific good fortune to attend the SCBWI Southern Breeze summer retreat, “Show Don't Tell: How Acting Techniques Improve Writing” led by Hester Bass. At first I thought I’d find a poem celebrating acting for today, and then I wanted to celebrate hospitality – shown by Hester in her leadership, shown by Joan Broerman, our region’s founder, who along with hubby Neal welcomed all of us into their home for sessions and meals, and shown by co-RA Claudia Pearson, who graciously offered me her gorgeous guest room to bunk in for the weekend.

A search for poems on “hospitality” led to Ben Jonson’s 1616 poem, “To Penshurst.” Well, this poem led me to an old photo album. Jeff, myself and Morgan, age two at the time in 1994, made a trip to England for our 10th anniversary. We were covered up with hospitality and wonderful day trips by friends of Jeff’s family – John and Pauline Harris, and their son Chris. Their home was in Sevenoaks, Kent, not far from the Penshurst estate, and off we went. John and Pauline are both gone now, but I will always remember their warmth and enthusiasm.

I’ll also always remember that trip to Penshurst – the medieval banquet hall and its chestnut beams and long, long tables transported us back to the fourteenth century! According to my notes, we stopped for a decadent cream tea in the Tea Room on the way out, where we were bid goodbye with double rainbows outside.

I figured since the poem was written by Ben Jonson, dramatist and contemporary of Shakespeare, it qualified as both acting-related and hospitality-related. It’s an “estate poem” which looks at nature, culture and social relationships. Here’s a taste with the beginning and a bit from later on:

To Penshurst

by Ben Jonson
(excerpt)

Thou art not, Penshurst, built to envious show,
Of touch or marble; nor canst boast a row
Of polished pillars, or a roof of gold;
Thou hast no lantern, whereof tales are told,
Or stair, or courts; but stand’st an ancient pile,
And, these grudged at, art reverenced the while.
Thou joy’st in better marks, of soil, of air,
Of wood, of water; therein thou art fair.


But all come in, the farmer and the clown,
And no one empty-handed, to salute
Thy lord and lady, though they have no suit.
Some bring a capon, some a rural cake,
Some nuts, some apples; some that think they make
The better cheeses bring them, or else send
By their ripe daughters, whom they would commend
This way to husbands, and whose baskets bear
An emblem of themselves in plum or pear.
But what can this (more than express their love)
Add to thy free provisions, far above
The need of such? whose liberal board doth flow
With all that hospitality doth know;
Where comes no guest but is allowed to eat,
Without his fear, and of thy lord’s own meat …


For the entire poem, click here.

Oh – and did you know Ben Jonson is the only person buried in an upright position in Westminster Abbey? (Click here for more. Told you I was meandering.)

Thanks for visiting, and meander on over to Mary Lee’s A Year of Reading for the Poetry Friday roundup!
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Poetry Friday: Poetry for All Workshop, and Jean Craighead George

Top: Eileen Spinelli, Rebecca Kai Dotlich, Rebecca Davis, Melanie Hall, David L. Harrisonmiddle: cabin, and having fun with Rebecca S.,Rebecca K. D., Bill, and Jacqueline (and Cindi taking pix)with Marjorie Maddox; Joy Acey and Davidbottom: happily in the middle of a Spinelli Sandwich

What a week! I was blessed and thrilled to spend the last several days in Pennsylvania up at beautiful Boyds Mills with a few fellow Poetry Friday folks (Heidi! Joy! Liz! Julie!), and some wonderful new friends, and our fearless leaders of the Highlights Founders "Poetry for All" workshop: Rebecca Kai Dotlich, David L. Harrison, and Eileen Spinelli, along with special guests editor Rebecca Davis, illustrator Melanie Hall, and poet Marjorie Maddox. Whew!

We had serious literary discussions and explorations of craft, and some rather silly times, too, and of course amazing food from gourmet chef Marcia and her wonderful staff. And wine every afternoon!

Relishing the natural beauty up there, I managed to get in a couple of walks, though we had lots of rain. I even had a family of robins nesting up in the corner of my cabin's porch.

It was wonderful dropping in on the Highlights and Boyds Mills folks Wednesday (Hi, Joëlle! Hi, Larry!), and on the way back from that trip to Honesdale, the driver of my car, Pam, slowed down for a bear crossing the road! A beautiful, agile young creature which bounded off into the woods.

For a taste of the amazing wit, wisdom, and experience shared with us, I'll offer just one quote (from my notes) from each of our speakers:

David: "I had 67 rejections for writing stories for kids. Friends magazine bought the 68th...."

Rebecca: "Brainstorm - noodle and doodle in sketchbooks. Visualize details."

Eileen: "The deeper we go into our hearts, the richer our lives become."

also,

Melanie: "We have to try to pull something new out of ourselves. That's the task for the creative person."

Rebecca Davis: "I love it when a poetry collection can be greater than the sum of its parts."

Marjorie: "As poets, we're witnesses of the world."

(We also had a special treat of a dinner visit and a few comments from Boyds Mills Press Executive Editor Liz Van Doren!)

If you've been to a Highlights workshop, you know why several of our 21 attendees had been before. If you've never been, try to get to one someday - your Muse will thank you!

Speaking of inspiration, I was saddened to learn, when I got home late Thursday night and reconnected a little with the world, that Jean Craighead George had passed away on Tuesday (just one week after we lost Maurice Sendak). I'd like to close today's post with the last few lines of her picture book, THE WOLVES ARE BACK (illustrated by Wendell Minor; Dutton, 2008). This is a picture book rather than poetry, but the words are lovely and rich.

The grasses grew tall; the riverbank stopped eroding. Willow and aspen trees flourished. Beavers built ponds. Birds sang. Flowers bloomed.

The wilderness is in balance again.

The wolves are back.


Thank you, Jean Craighead George.

(For more, see the author's website, The New York Times, and Publisher's Weekly, inlcluding a tribute from
Wendell Minor.)

And thanks to everyone for making the poetry workshop a resounding success. For more great poetry and for thoughts about living in the moment, stop in to see Katya at Write. Sketch. Repeat. for today's Roundup.
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Happy Haiku Day! and Playing Laser Tag over at Cathy C. Hall's blog


Howdy. Happy National Haiku Poetry Day!

I'm thrilled to be a guest on the blog of the fabulous, funny, fellow Georgia peach Cathy C. Hall today! Click here for the post, where we offer a taste of haiku humor in the form of a couple of senryu I've just had published in Prune Juice, and also for a behind-the-scenes look at my other (slightly weird) poem in THE ARROW FINDS ITS MARK, "Battling Beams." Some days you have to multi-task.

Thanks for inviting me to come play on your blog, Cathy!
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Poetry Friday: A Touch of Ireland with an Eavan Boland poem

Wicklow Mountains, Ireland - from a family trip in 1996

Wishing everyone good luck in the MADNESS Poetry Tournament over at Think, Kid, Think. Thanks to Ed DeCaria for putting this together - it's been a lot of fun and it's only the beginning!

I had to come up with a poem containing the word "unnatural," pitted against Darren Sardelli's poem using the word "thawed." Voting for our match-up continues until about 11 p.m. tonight, by the way, HERE.


So my thoughts turn to Ireland this St. Patrick's Day weekend, and the wonderful contemporary Irish poet Eavan Boland, whose work I've shared before. The poem below, which is new to me, is one a reader can revisit and glean something new each time. Boland's writing is so very evocative.

Irish Interior
by Eavan Boland
(excerpt)

The woman sits and spins. She makes no sound.
The man behind her stands by the door.
There is always this: a background, a foreground.

This much we know. They do not want to be here.
The year is 1890. Before the inks are dry
Parnell will fall and orchards burn where the two
Captains - Moonlight, Boycott - have had their way.

She has a spinning wheel. He has a loom.
She has a shawl. He stands beside a landscape -
maybe a river, maybe hills, maybe even a farm ... .


Please click here to read the rest of the poem.

And try your luck with more great poetry at Gotta Book, where Greg has the Poetry Friday Roundup!  Read More 
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Poetry Friday: Happy Haiku-ing

I’ve been happily immersed in haiku, as I’m thrilled to be presenting a "Haiku How-To" workshop at the 43rd Annual Children's Literature Conference at The University of Georgia in a couple of weeks.

Also, the spring issues of several haiku journals are out, and I’m honored to have my work in a few of them. In addition to the Modern Haiku link I shared week before last, I’ve got a poem each in The Heron's Nest, and A Hundred Gourds. (Click to read.)

The work of my terrifically talented friend and Berry Blue Haiku editor Gisele LeBlanc is featured in these issues as well. Unbeknownst to each other, we both just received acceptances for the April issues of Acorn as well as for Prune Juice.

Gisele’s work also appears in Shamrock this month, and I just received an acceptance from Chrysanthemum for the April issue.

I’m humbled and thrilled about all of these. One thing I love about the English-language haiku journals is that they are published in so many different countries and the works of poets from all over the world can appear on the same page.

If you don’t have time to click and enjoy the haiku on the pages above, I’ll leave you with Gisele’s and my poems from the new issue of The Heron’s Nest:


the big dipper
my dog keeps searching
for the right spot


G.R. LeBlanc


cicada song
Spanish moss dipped
in sunlight


Robyn Hood Black


My haiku formed itself as I walked in my folks’ Orlando neighborhood last year during a trip to my hometown. While I love the beauty of the north Georgia mountains, there’s something so singular about the nature of light in Florida that always seizes me when I visit. I grew up there and didn’t really notice this difference in the quality of the sky, the brightness of those tropical colors, until I moved away. The landscapes here near the Appalachians are lovely, but the colors are generally more subtle, the light less intense. And unless you head to southern and coastal parts of Georgia, we don’t have all that dramatic Spanish moss dripping from the trees.

For lots of great poetry to light up your day, visit the Poetry Friday Roundup hosted by the delightful and insightful Myra at Gathering Books . Be sure to wish her Happy Birthday!
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Springmingling!

In SCBWI Southern Breeze, we love us some Kirby Larson!
Our 20th Anniversary SCBWI Southern Breeze Springmingle in Atlanta was a blast this past weekend! I'm still playing catch up. We enjoyed hosting editor Kristin Daly Rens (Balzer+Bray/HarperCollins), editor and art director Greg Ferguson (Egmont), agent Mary Kole (Andrea Brown Literary) and our wonderful keynote speaker, Kirby Larson, who not only inspired us through the weekend but who kicked things off with an all-day novel-writing intensive on Friday. Also, Andy Runton was our special guest Saturday for a workshop on comics and sequential art.

Whew! My writer's toolbox was much heavier when I left on Sunday than when I arrived Thursday night. We had a magical mix of great advice and warm camaraderie the entire weekend. Thanks to all the volunteers, some I didn't even get to thank personally, for all your hard work. Special thanks to our conference bookstore, FoxTale Book Shoppe, led by some of the foxiest bookstore ladies around, and to the wonderful staff at the Century Center Marriott.

Now, onto planning 2013... ! :0)  Read More 
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Write2Ignite Conference

I'm in the home stretch of all the crazy details going into planning our upcoming SCBWI Southern Breeze Springmingle Conference (Feb. 24-26 in Atlanta), and I'm happy to shine the light on another conference that might interest those who write for young people - the Write2Ignite Conference in South Carolina, March 16-17, 2012. I haven't attended this conference, but I always hear a postive buzz about it. (One of the featured speakers this year is someone whose historical fiction books I've read and admired - Joyce Hostetter, award-winning author of BLUE, COMFORT, and other titles.)

I asked the lovely Jean Matthew Hall, writer and conference organizer, to tell us about the weekend. Take it away, Jean!

Our mission at Write2Ignite! is to equip, encourage and inspire people who write for children and young adults from a Christian worldview whether they seek publication in the general market or Christian market.

I’m thrilled this year that we can present outstanding and generous speakers and workshop leaders. Carol Baldwin, Kristi Butler and Mitzi Smith will inspire us with Keynote speeches. I’m thrilled that familiar names like Carol Crane and Joyce Hostetter are part of our line-up. Our Write2Ignite! Team is excited that several editors and agents who represent children’s writers are joining us, and making themselves available for individual consultations. And we have ten scholarships available for registrees. I could go on and on!

One of our distinctives is that we offer a special Teen Track all day Saturday for middle school and high school students who write. Vonda Skelton is leading that track.

We are looking forward to Write2Ignite! 2012, as a great opportunity to Bring Hope to children’s writers and, by extension, to their readers.


Thanks, Jean!

For more information and to register, see www.write2ignite.com or contact Jean at write2ignite@jeanmatthewhall.com. Read More 
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