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Life on the Deckle Edge

Happy New Haiku Year

I hope 2012 is off to a great start for you. I’m looking forward to a year of reading, writing, art and spending time with all kinds of readers, writers, and artists.

I’ll continue my haiku journey. What a thrill to learn my proposal for the 43rd Annual Children’s Literature Conference in Georgia this spring was accepted: a workshop titled, “Haiku How-to.” I look forward to sharing ways to explore haiku in the classroom with teachers, media specialists, and other lovers of children’s literature.

Also, I’m happy to celebrate some recent acceptances – my haiku will appear in the next issues of Modern Haiku, The Heron’s Nest, and A Hundred Gourds.

In the current (December) issue of Notes from the Gean, I have a lighthearted poem on p. 42:

autumn breeze
escorted to the mailbox
by an acorn


~ Notes from the Gean, December 2011

and then this one, on the same page:

same blue
as ten years ago
empty sky


~ Notes from the Gean, December 2011

I wrote that haiku on a cloudless early September day, when the depth of my sadness upon the tenth anniversary of 9/11 caught me off guard.

(Be sure to check out Diane Mayr’s wonderful haiga in this same issue on p. 47.)

Poet, friend, and Berry Blue Haiku editor Gisele LeBlanc (click here and here for recent posts featuring Gisele) has had haiku in several issues of Notes from the Gean, including these two:

in an urban sky
birds shift in unison-
drifting ice


~ Notes from the Gean, September 2010

Virgin Islands-
laughing gulls mingle
on the beach


~ Notes from the Gean, June 2011

Notes from the Gean features haiku, tanka, haiga, haibun, linked forms, and resources (interviews, essays, reviews). Published quarterly, it’s one of several great resources for enjoying and learning about haiku and related genres.

To enjoy more great poetry in a variety of forms, check out the Poetry Friday Roundup hosted today by Tara at A Teaching Life.
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Poetry Friday - "The Words Under the Words" by Naomi Shihab Nye

Happy 2012!

I've missed Poetry Friday these last couple of weeks - both Fridays found us on the road chalking up miles and memories with holiday travelling.

I'm looking forward to reading and writing lots of poetry this year. In March, I'll be presenting a workshop on haiku at the 43rd Annual Children's Literature Conference at the University of Georgia. In May, I'll head up to Boyds Mills to attend the "Poetry For All" Founders workshop.

So I'm starting the year off thinking about words, and acknowledging the need to slow down and ponder and appreciate. I came across this poem by Naomi Shihab Nye, and I'm thinking the words and hands of a wise grandmother from a different culture can help light the way, not just for poetry but for peaceful living.

The Words Under the Words

by Naomi Shihab Nye

for Sitti Khadra, north of Jerusalem

My grandmother's hands recognize grapes,
the damp shine of a goat's new skin.
When I was sick they followed me,
I woke from the long fever to find them
covering my head like cool prayers.

My grandmother's days are made of bread,
a round pat-pat and the slow baking.
She waits by the oven watching a strange car
circle the streets. Maybe it holds her son,
lost to America. More often, tourists,
who kneel and weep at mysterious shrines.
She knows how often mail arrives,
how rarely there is a letter.
When one comes, she announces it, a miracle,
listening to it read again and again
in the dim evening light.

My grandmother's voice says nothing can surprise her.
Take her the shotgun wound and the crippled baby.
She knows the spaces we travel through,
the messages we cannot send—our voices are short
and would get lost on the journey. ...


Read the rest of this poem and its powerful ending here.

And for more great poetry to lead you on your way this new year, catch the Poetry Friday Roundup rounded up by JoAnn at Teaching Authors.
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Poetry Friday is Here! A Web of Treasures…

Greetings! I’m thrilled to be hosting Poetry Friday today.

My Christmas gift this year, a really nice one, is a trip back to Honesdale, Pennsylvania, for another Highlights Founders Workshop in poetry. I’ll be attending Poetry for All in May (there are still a few spots available!) co-led by poet and friend Rebecca Kai Dotlich (click here, here and here for previous posts featuring Rebecca), David Harrison, and Eileen Spinelli.

You're looking at the picture and thinking, What does this have to do with spiders?

David Harrison has this wonderful poem in his collection, Bugs – Poems about Creeping Things, illustrated by Rob Shepperson (Wordsong, 2007):

spiderwebs

by David Harrison

Webs sparkle
on the lawn
like diamond
necklaces
at dawn.

Shiny droplets –
small oases –
beckon spiders
To their places.

Silently they
look and lurk.

Time now for
spider work.


(Used with permission from the author.)

And Eileen Spinelli has this wonderful picture book, Sophie’s Masterpiece, with gentle illustrations by Jane Dyer (Simon and Schuster, 2001).

Sophie was no ordinary house spider. Sophie was an artist.

The talented heroine has a hard time finding a place to live and create, however, as she is chased away from corner to corner of Beekman’s Boardinghouse.

By this time, many spider years had passed. Sophie was older. She only had energy to spin a few small things for herself… a tiny rose-patterned case for her pillow, eight colorful socks to keep herself warm.
But mostly she slept.


Until she meets someone who appreciates her and inspires her to create a very special gift - something that takes her all and becomes a loving legacy. I won’t spoil the story, but I will say my eyes were a bit misty by the end. And then, when I read the author’s note… okay, I cried.

In cultural traditions across the world, the spider represents creativity – a keeper of ancient wisdom, and sometimes a trickster. (And now you’re thinking of E. B. White’s Charlotte , aren’t you?)

Whatever your “spider work” is today, let it be inspired by a World Wide Web-ful of poetry. Include your link in the comments, and I’ll weave them all together throughout the day.

POETRY FRIDAY ROUNDUP:

Julie at The Drift Record is waking up with a cold snap and the poem, "Icicles," by Todd Boss.

Over at The Poem Farm, Amy
shares a terrific original poem, "Umbrella Path," inspired by Alix Martin's colorful painting in the collaborative SPARK 14.

Tabatha,at The Opposite of Indifference, explores poetry holiday and gift ideas (including a really cool ornament).

Myra chimes in that at Gathering Books, Iphigene discusses another Joel M. Toledo poem, "Learning to Swim" - beautiful and thought-provoking!

Jama serves up a poignant haibun by Penny Harter, "Moon-Seeking Soup," written after the death of her husband, William J. Higginson, in 2008 (both have made immeasurable contributions to the haiku world).

Heidi's in today at My Juicy Little Universe with some delightful poetry by her kindergarteners, and a discussion of their poetry collage projects.

Ruth brings us Keats and an original poem describing how a poem idea will not leave you alone at There is No Such Thing as a God-Forsaken Town.

Need a little romance today? Maria at A Poem a Day from the George Hail Library brings us Robert and Elizabeth Barrett Browning - and in the continuing series on sonnets, one from the latter you might not have read before.

Irene is caught up in the spirit of giving. She’s got a copy of Shel Silverstein’s EVERY THING ON IT for some lucky re-tweeter.

Join Laura today here for Janet Wong’s yoga poem, “Tree,” and here for her 15-words-or-less poem, also tree-related, and a photograph you just have to see for yourself.

Diane has an original poem, “Pie Town Family – 1940” inspired by a historical photograph, at “Random Noodling.

Her Kids of the Homefront Army features a poem about one reality of war, “Certain Advantages.”

And, Kurious Kitty is asking with Aileen Fisher, “Do Rabbits Have Christmas?” featuring one of the sparkly poems from the book, published five years after Fisher’s death.

K K’s Kwotes has a quote by Truman Capote.

Linda at TeacherDance helps us to remember those for whom the holidays are a lonely time, with “The Transparent Man” by Anthony Hecht.

How about some Ogden Nash? Sally’s got you covered at The Write Sisters with “Everybody Tells Me Everything.”

At Picture Books and Pirouettes, Kerry shares Doreen Cronin’s picture book, Wiggle, sure to get you moving this morning.

Debbie takes another look at giving with the poem “Altruism” by Molly Peacock.

Feeling a little batty? Join Joyce at Musings to enjoy thoughts about Randall Jarrell’s The Bat-Poet (and a few verses from the poetry).

Sally at Paper Tigers brings us Oh, Grow Up: Poems to Help You Survive Parents, Chores, School and Other Afflictions by Florence Parry Heide and daughter Roxanne Heide Pierce.

Check out The Stenhouse Blog for a reverse poem, “Framing My Future,” written by Rebecca, one of Kelly Gallagher’s students.

Mary Lee at A Year of Reading encourages us to “Have a _________ Day.” (You have to click to find out!)

At Dori Reads, Doraine shares a Tennyson poem that still perfectly captures difficult emotions.

Over at Wild Rose Reader, Elaine keeps the spirit of giving going with another terrific e-book from Sylvia Vardell and Janet Wong, Gift Tag, and a fun, original poem to fit the theme.

Brace yourself to face the animal life in a hoarder's home with Mandy's original poem at Write on the World.

David E. has a thought-provoking original poem, "how great?" - which he describes as "a found poem, a cross-out poem, a little bit of random poem." Check it out!

Lorie Ann at readergirlz also features the Gift Tag e-collection from Sylvia Vardell and Janet Wong, and shares her poem in it, "Tucked Between Branches." If you enjoyed/enjoy those little pudgy trolls as much as I did/do, you'll love it!

At All About the Books, Janet is all about Douglas Florian's wonderful volume, mammalabilia.

Shelley at Dust Bowl Poetry shares many different poems about families facing hard times.

Tara is celebrating libraries today with a couple of terrific poems and pictures. Go join the party at A Teaching Life.

Like a little moonshine with your Chicken Spaghetti? Susan has an original found poem and a review of Bootleg: Murder, Moonshine, and the Lawless Years of Prohibition by Karen Blumenthal.

Over at A Wrung Sponge, Andromeda (Andi) has a very clever idea for combining nature and learning to read! And, after my own heart, a haiku written on rocks. Really!

Mmmm... Smell cookies baking? Follow your nose to Twinkling Along and enjoy an original poem cooked up by Carlie. And some very cute pictures.

The talented Liz over at Liz in Ink is thankful for the change of seasons (brrr!) and offers "Relearning Winter" by Mark Svenvold.

If you're hosting family for a holiday meal, do check out Kelly's original "Holiday Dinner To-Do List" at Writing and Ruminating What would Martha Stewart make of it?

Joy has lots of fun holiday poems and prompts at her blog. Grab a mug of hot chocolate and head over!

Just in time for supper, Jone has a review of Katherine B. Hauth's What's For Dinner? over at Check It Out.

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Poetry Friday - Thinking Snow...

© Robyn Hood Black, all rights reservedDuring some snow days last year, my hubby and son had a little fun making a Snow Buddha.
December!

Okay, it’s well above freezing and sunny today here in the north Georgia mountains, but there were a few flurries afoot just a few days ago. We usually eke out a handful of snow days in the season. Before you Northerners scoff at our weather wimpy-ness, remember – no one around here has chains for tires, and the cities don’t have a lot of heavy equipment. Plus, we’ll take a heavy dusting of snow or ice as an excuse to sit by the fire and drink hot chocolate. And read, read, read!
Since winter’s on its way, I thought we’d ring it in with Ralph Waldo Emerson (1803-1882):

The Snow-Storm


Announced by all the trumpets of the sky,

Arrives the snow, and, driving o'er the fields,

Seems nowhere to alight: the whited air

Hides hills and woods, the river, and the heaven,

And veils the farm-house at the garden's end.

The sled and traveller stopped, the courier's feet

Delayed, all friends shut out, the housemates sit

Around the radiant fireplace, enclosed

In a tumultuous privacy of storm.

....


Don’t you love that “tumultuous privacy of storm”? You can read the rest of the poem here, and cozy up to some more great poetry with Carol at Carol’s Corner for the Poetry Friday Roundup. [Which, by the way, will be HERE next week! :0) ] Read More 
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Poetry Friday - Flat Tires and a poem by Tess Taylor

Twice in the last couple of weeks, I’ve spent hours waiting on tires to be replaced. First was with my car, not long after we realized that the red plastic top my husband stopped to pick up on the road in front of our house was part of someone’s dislodged tool box, and nails were scattered all over the street.

The fallout didn’t happen for us until the next day, hours away in Nashville, and needing to get the youngest child to a college preview day. (Many thanks to the nice and wise hotel shuttle driver, who said, “Don’t let that flat tire ruin your day!”)

Yesterday aforementioned son called on the way to school and said, “My tire light is on.” Just the sudden changes in weather, I thought, but I switched cars at his school and took the car in for a quick oil change and a check. Five and a half hours later, I was finally leaving – the nail in his tire couldn’t be plugged and the dealer didn’t have the same tire in stock, so we had to wait on one to be delivered….

Well, I met some nice folks in the waiting rooms, because that’s how we do things in the South. I hope Gabriel’s first birthday party went well last night (what an excited young dad), and that the man whose grown daughter with Down’s Syndrome lives in Florida can settle down soon in a house he wants here in Georgia.

What does any of this have to do with elk? Well, nothing – except that in my search for a poem about a flat tire I stumbled on this one, in May’s POETRY which I have but confess must not have read, because this poet and poem were new to me. Somehow it spoke to me today, on the heels of All Souls Day and The Day of the Dead and all, and I found it quite moving:

This is from the last part of

Elk at Tomales Bay
by Tess Taylor
(excerpt)

All bare now except
that fur the red-brown color


of a young boy’s head and also
of wild iris stalks in winter


still clung to the drying scalp.
Below the eye’s rim sagged


       flat as a bicycle tire.


The form was sinking away
The skin loosened, becoming other,


shedding the mask that hides
but must also reveal a creature.


Off amid cliffs and hills
some unfleshed force roamed free. ….



Click here to read the complete poem.

And for more great poetry, visit Tabatha at The Opposite of Indifference for the Poetry Friday Roundup!
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Poetry Friday: G. R. LeBlanc to Offer Haiku Critique Service

There’s definitely a change in the air as we transition from fall to right-around-the-corner winter – does it inspire you to write a haiku or two? Today I’m welcoming back poet and editor Gisele LeBlanc (who writes as G. R. LeBlanc), to share some news (click here for our earlier interview). She lives in Atlantic Canada with her husband, son, and canine companion. When not writing, she enjoys simple pleasures: reading, bird watching, and spending quiet evenings at home.

BREAKING NEWS - Friday, 11-11-11 - Gisele's entry into the First POLISH INTERNATIONAL HAIKU COMPETITION received a COMMENDATION today! This was from more than 300 entrants from 41 countries (myself included, but I'm thrilled for her) and the judge was Jane Reichhold. Click here to read her poem. WOO-HOO - OK, back to regularly scheduled programming....

Her fiction, nonfiction, and poetry have appeared or are forthcoming in children’s publications as well as in haiku journals such as The Heron's Nest, frogpond, Haiku Presence, Notes from the Gean, A Hundred Gourds, Haiku Pix Review, Ambrosia: Journal of Fine Haiku, Prune Juice: Journal of Senryu and Kyoka, A Handful of Stones, and Modern Haiku.

First, let’s enjoy some of Gisele’s haiku:


after the squall
the tinkling concerto
of sailboats


**Notes from the Gean, December 2010



wild rhubarb
that sudden yearning
for something more


**frogpond, Fall 2011



coastal map
the sand etched
by snails


**Notes from the Gean, June 2011



over stones
the ripple of water
birdsong


**Haiku Pix Review, Summer 2011


Poems ©G. R. LeBlanc
All rights reserved.

More of her haiku can be found here.

As editor of the online blog journal, Berry Blue Haiku, she’s extending a hand to those new to the field.

“I love discussing haiku and I look forward to helping other poets gain a deeper understanding of this wonderful form,” she says. “I hope that the knowledge and experience I have learned thus far can offer guidance to others who are just embarking on the haiku journey.”

Since I’m happily on the Berry Blue Haiku team, I always learn something from Gisele’s comments. If you write haiku, remember we’re open to submissions! We appreciate each one, even those we turn down as not the right fit. I can tell you that the privilege of reading submissions and the privilege of Gisele’s insights have made me a stronger poet.

Here are the details and guidelines about Gisele’s new service:

I am pleased to announce that I am now offering critiques for poets new to haiku. These critiques, which will be conducted through email, should be viewed as an educational opportunity and will aim to offer basic guidance and tips on writing haiku. Also included will be a list of resources, links, and markets.

I would like to offer these critiques to the first four participants free of charge. Once the free critique is completed, participants will need to answer a few basic questions and offer feedback or suggestions on the service.
After these four free critiques have been given, the cost of this service will be 15.00 US or CAD (for 5 haiku), payable through PayPal.

If you are interested in the free critique, or have any questions, please email me at berrybluehaiku(at)gmail(dot)com

**Please note that critiqued haiku will not be eligible for publication consideration for the Berry Blue Haiku Journal; however, participants are welcome to submit other haiku.

Critique Guidelines:

1. Include your name as well as a contact email.

2. Send 5 haiku, pasted in the body of the email to berrybluehaiku(at)gmail(dot)com Also indicate whether your haiku are intended for adults or children.

3. Put HAIKU CRITIQUE REQUEST in your subject field.

**4. Feel free to include any questions you may have regarding haiku, as well as a brief paragraph on how you came to discover the form. (**optional)

5. Please allow up to 2 weeks for completed critiques.
Thank you, and I look forward to reading your work.
Gisele LeBlanc


Click here for a direct link to the critique service page.

And for more great poetry, click here to visit April at Teaching Authors for the Poetry Friday Roundup.
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Poetry Friday - Lunar Legacies

© Robyn Hood Black, all rights reserved
Last night was the last of the “Master Naturalist” classes I took this fall at Elachee Nature Science Center, with astronomy on the menu. Wouldn’t you know it – the only rain we’ve had all week fell last night. We couldn’t use the telescopes, but astronomer Robert Webb didn’t let that stop him from presenting a terrific program (including a squeeze of adults inside the small, inflatable star lab dome in the museum!)

So I’m feeling rather lunar, appreciating the spectacular orb that’s 1/48th the size of our earth, 238,855 miles away, and which travels at a couple thousand miles per hour. If you stop to think about what an amazing feat it was to get the lunar module landed safely up there in 1969, well – it’s mind-boggling. Those folks had guts. And smarts.

Here are some moon-related morsels:

First, some 13th-Century praise from St. Francis of Assissi’s Canticle to the Sun (Note: Katherine Paterson and Pamela Dalton’s book from this summer is on my “to-buy” list!)

Be praised, my Lord, through all your creatures, especially through my lord Brother Sun, who brings the day; and you give light through him. And he is beautiful and radiant in all his splendor! Of you, Most High, he bears the likeness.

Be praised, my Lord, through Sister Moon and the stars; in the heavens you have made them, precious and beautiful.


Click here for the entire song.

Now, let’s jump ahead 600 years to see a different view with a fragment from Percy Bysshe Shelley’s

To The Moon
[excerpt]

Art thou pale for weariness
Of climbing Heaven, and gazing on the earth,
Wandering companionless
Among the stars that have a different birth,--
And ever changing, like a joyless eye
That finds no object worth its constancy?


(It’s here.)

Later in the 19th Century, we’re back to celebrating – I can’t ever resist these closing lines from Edward Lear’s
The Owl and the Pussy-Cat
[excerpt]

They dined on mince and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.


And don’t you just love that runcible spoon? The full poem can be found here.

Finally, jump ahead to just 42 years ago. Not that long ago in the space/time continuum! Here are a few lines from current Children’s Poet Laureate J. Patrick Lewis’s 2001 poem,

First Men on the Moon
[excerpt]

That afternoon in mid-July,
Two pilgrims watched from distant space
The moon ballooning in the sky.
They rose to meet it face-to-face.
Their spidery spaceship, Eagle, dropped
Down gently on the lunar sand.
And when the module's engines stopped,
Rapt silence fell across the land. …


Click here for the rest of that poetic account of an event that changed our lives and changed history.

The next full moon is just a week away! Plan now to go outside and then write a “moon viewing” haiku or other poem, or read more celestial offerings. For more down-to-earth poetry, check out today's Poetry Friday Roundup hosted by Laura at Writing the World for Kids.
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Welcome, Irene Latham!

Irene Latham - poetic tricks and treats!
Irene is here! I’m very happy to share talented poet, friend, and Poetry Friday regular Irene Latham with you today. Her first poetry collection, What Came Before (Negative Capability Press, 2007), was named Alabama State Poetry Society’s Book of the Year and earned a 2008 Independent Publisher’s (IPPY) Award. Irene was 2006 Alabama Poet of the Year, and that was just the beginning. She’s been busy scooping up a lot of (really) good news lately.

Before we get to that, let’s start with one of her poems, perfect for this last weekend in October:

Staffelsee in Autumn

© Irene Latham, all rights reserved
- after the painting by Gabriele Munter (Click here to see the painting.)

When the trees kindle
their fires, when the sky

dissolves the lake and all
the small mysteries

are magnified: the scar
on your elbow, freckled

left earlobe, each line
and hollow accounted for

and made sacred.
We cannot hold onto

these days. A sharp wind
cuts the water into sheets

of ice, leaves crinkle
and curl, the easy gifts

of acorn and walnut
are buried, devoured.

Our fingerprints no
longer visible as breath.



Ah, so beautiful! This is from Irene’s latest volume of poetry, the lovely and evocative The Color of Lost Rooms, which just won the 2011 Writer’s Digest Self-published Book Award for Poetry. Congratulations! How did this particular collection come to be?

Thank you, Robyn, for sharing in my joy. This particular collection has enjoyed quite the evolution. It started as a series of persona poems in the voices of historical women. When I began to submit the manuscript to publishers, I was informed that 1. the spectrum of women I found compelling enough to write about was too broad or 2. the women I chose to feature were not diverse enough to find a readership. Talk about conflicting feedback! So I decided to choose the strongest of the historical women poems and allow them one section of a manuscript.

Meanwhile I was writing a series of poems inspired by a book of postcards featuring art on display at The National Museum of Women in the Arts. And I was, of course, writing more personal poems about my role as a wife, mother, daughter, sister. Long story short: women’s experiences with love and loss and longing became my manuscript’s theme.

Tell us a little bit about your adventures in publishing your own collections.

Poetry is a tough market. I decided to self-publish after attending Colrain Poetry Manuscript conference in 2010. What I learned from Jeffery Levine at Tupelo Press was that “success” in terms of sales is marked by selling 1,000 books in 3 years. And that’s on a national level! I thought, well, I can do that myself.

What was it like to learn about the Writer’s Digest award?

Wow, it’s just so validating. Those Writer’s Digest contests are so competitive… awards can really give a book new life. I feel like I’ve been out on the ocean with sharks circling the boat and now, all of sudden, the sails are billowing again.

Many writers feel that having another arts outlet helps their creativity. You’ve posted pictures of some gorgeous quilts on your blog. How did you get into quilting?

I’m the daughter of a seamstress. I went to sleep many nights to the hum of a sewing machine. And while my mother didn’t quilt, she did create beautiful things out of mere scraps. As soon as I learned from my husband’s grandmother (a quilter) that there really are no rules when it comes to quilting, I knew I had found my sewing home. And then I met the Gee’s Bend quilters… this year I took on the Quilt a Month Challenge, and I’m happy to say I’ve completed it!

Good for you! Speaking of quilting, tell us a little bit about your novels. LEAVING GEE’S BEND (Putnam, 2010) explores an isolated town in Alabama in 1932 through the one good eye of young Ludelphia Bennett, desperate to get her mother the medical care she needs. It’s a terrific read and has garnered the Alabama Library Association 2011 Children's Book Award. It was nominated as a 2011 ALA Notable Children’s Book and for the 2010 Cybils, among other accolades. Booklist called it “authentic and memorable.” How did you come to write Ludelphia’s story?

When I saw the Quilts of Gee’s Bend exhibit at the Whitney Museum, I fell in love with the quilters and their stories and their quilts. I spent the next two years following them around without a thought of writing a book – just as a Gee’s Bend groupie. I listened to hours and hours of audio interviews of the women talking about their lives, and I read voraciously. Then one day, this voice emerged. It was Ludelphia. I knew had to write her story.

Perhaps interesting to the Poetry Friday readers, the novel actually started out as a novel-in-verse. But when I submitted to my now-agent, she said she couldn’t sell it as a novel-in-verse. So I rewrote it in traditional prose. And she sold it right away.

You have another novel slated for release from Roaring Brook next fall (2012). This one is obviously one which will be on my nightstand as soon as it comes out, because it’s about a boy living at a zoo?? Do tell.

I’m so excited about this book! I remember the moment I got the idea: I was in a bookstore with my father (an avid reader – he reads a book a day!) over the Christmas holidays. I had been thinking about how we adults have these passions, but what happens when our children don’t share them? So I said out loud to my father, “how 'bout a story about a boy whose parents are zoo people, and he feels like he was born the wrong species, and he wants to escape the zoo?” My dad laughed, which was a very encouraging sign!

Soon after, Whit was born. The book is really about finding the place where you belong in the world, finding your very own passion and being strong and brave enough to go after that thing, whatever it may be.

Which YOU obviously are. A peek into your writing habits? Are you very structured, or do you pull all-nighters, or both?

I believe strongly that the most important thing I can do for my writing is go out and live a life worth writing about. Which means I don’t necessarily sit at my computer every day. For me, the most important part of the writing is happening all the time, as I engage myself with the world. And then when I do sit down to write, it all burbles out. (I should also say here that when I do write, I WRITE. I like to write a first draft of a novel within a month. It’s pretty intense.)

And now back to poetry. You’ve just sold your first poem in the children’s market. Tell us about it!

Thanks to YOU, and to the lovely Rebecca Kai Dotlich whom you brought to Georgia last June, I discovered some really important things about myself as a poet AND about children’s poetry. I was completely on fire to write after I left that retreat – and did write, incessantly, as the above answer would indicate. My first focus was a series of ocean poems. And the poem Lauren Tarshis at Scholastic’s Storyworks magazine selected was one from that series. It’s a persona poem in the voice of a shipwreck. (Persona poems. I love 'em!)

And I love hearing success stories from our SCBWI Southern Breeze events! - :0) Now, how did you get involved with the Birmingham Arts Journal, which features writing and art from all over the world, and what are your duties as poetry editor? Do any particular types of poetry submissions hold special appeal?

I’ve served as poetry editor for BAJ for eight years now. Basically it involves reading submissions and selecting the poems for inclusion in our quarterly magazine. I’m especially excited about poems that are raw and teeming with emotion. These poems may not be as polished as some that you see in slick-er literary magazines, but I do love working with poets (those who are willing to do so) to help improve the poems. If I see that nugget, I let the poet know and invite him or her to chip away a bit more. Most of the time these poems end up in a future issue.

Finally, do share one tidbit blog readers and even loyal fans might not know about you – pretty please with fat quarters on top?

Mmmmm… anything for fat quarters. ;0) “Irene” is actually my middle name. So when I buy plane tickets or check into hotels, I use my first name (the one on my driver’s license). Which means, from time to time, I say the wrong name and it causes all sorts of confusion. (Parents-to-be: don’t do this to your children!)

Ha! And I see you're still holding out on us about your first name. Well, I'm sure you'll be back... Thanks so much for visiting, Irene!

Thank you, Robyn, for sharing your warm, generous spirit, and for all you do to support writers. (Readers, if Robyn is hosting an event, you do NOT want to miss it! Springmingle is coming in February…)

(Thanks for the plug!) To learn more about Irene, click here. And for more great poetry, take your trick-or-treat bag over to Diane at Random Noodling for the Poetry Friday Roundup.  Read More 
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Have You Hugged Your Wolf Today?

To celebrate Wolf Awareness Week (Oct. 16-22), I thought I’d celebrate with some pack-related poetry. I have the privilege of volunteering with a couple of wolves at the Chestatee Wildlife Preserve in Dahlonega, Ga. In light of the news this week, I’m sure I’m not the only one with a heavy heart for the senseless loss of animal life in Ohio, and also for the law enforcement officers who had a terrible but unavoidable task to protect the public. Surely laws in that state regarding the keeping of exotic animals will be strengthened now.

If you happen to be in north Georgia, I'll be presenting a session for kids featuring wolf information next month on Sat., Nov. 12, at 3 p.m. at the Dahlonega Literary Festival.

Here are a couple of poems I wrote a while back about the captive wolves I’ve been honored to know.


The Bottom Line


Sit, Luna.

I hold a piece of cheese above her nose.
Her back end hits the ground.

But she knows and I know:

A wolf only sits if she wants to.


© Robyn Hood Black, all rights reserved


Butterfly Dance


Yellow butterfly
flits and floats outside the pen.

Gray wolf leaps and prances inside -
matching movements,
up and down,
following buttery wings.

La Mariposa.

Musky, muscular,
magnificent
she-wolf
dances

the

Butterfly Dance.


© Robyn Hood Black, all rights reserved

Note: In Women Who Run With the Wolves, Clarissa Pinkola Estes describes a solo tribal dance in New Mexico called the “Butterfly Dance.” Traditionally, Hopi youth perform a social dance called “The Butterfly Dance” in late summer.

Attempts are ongoing in the Southwestern United States to reintroduce the Mexican Wolf, the most genetically distinct type of gray wolf. Efforts have not met with the same success as the reintroduction of wolves in the greater Rockies. For updated USFWS Mexican wolf information, click here and here.

And for wonderful poetry, go see what Jama’s got cookin’ for the
Poetry Friday Roundup.
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waving hi from SCBWI conference

Just a late Poetry Friday wave from Birmingham, where we're enjoying the 20th anniversary SCBWI Southern Breeze fall conference. I'll be back here with bells on next week.

Today, Lola Schaefer led a wonderful all-day intensive on picture book writing. Tomorrow I'm presenting a workshop on haiku - :0)
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