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Life on the Deckle Edge

Poetry Friday: Haiku Continues with Student Poet of the Month, Emma Jones

Emma Jones


Greetings, Poetry Friends! Thank you for joining me lately to meet haiku poets from my neck of the woods – speakers from our recent Haiku Society of America (HSA) Southeast Region ginko haikufest in Atlanta, Georgia. Next week we’ll wind up our “We Haiku Here” series with HSE SE regional coordinator, poet, and editor Terri L. French. Remember meeting award-winning poet and teacher Tom Painting last month?

Several of Tom’s students wowed us at the conference with readings of their work, and with their statements about haiku. Since 2000, Tom’s junior high and high school students have had winning haiku in the Nicholas Virgilio Memorial Haiku Contest. His students have also been recognized in the United Nations International School Haiku Competition.Tom currently teaches at The Paideia School in Atlanta.

Friday the 13th is a lucky day for us today, because with Tom’s help, I’m kicking off a monthly feature spotlighting the work of these talented students. Today I’m delighted to introduce you to Emma Jones, an 8th grade student at Paideia.

In addition to writing haiku, Emma enjoys dance and soccer. She is an avid reader. Emma lives with her mom, dad, and older sister, Camille.

Emma shares these thoughts about haiku:

I like watching a haiku form. The original idea may change throughout the revision process. After chipping away unnecessary words and switching around the lines I often find myself with a new version that may or may not look how I originally intended it to be. Since haiku are written with so few words it has made me think about each word in all of my writing. Sometimes haiku is written about the smallest and seemingly unimportant moments in life. Writing and reading haiku has made me seek out these moments and grasp their importance and elegance, to write about or just appreciate.


Emma has also kindly agreed to share some of her poems. Enjoy!



kneading my thigh
in an easy chair
the old grey cat


lazy afternoon
a soft spring breeze
combs the grass


summer drizzle
the sidewalk slowly
colors-in


city lights steal the stars


dead bird
the cat’s eyes sparkle
a confession


family breakfast
grape jelly sliding
down the jar


Nam Memorial
no need
for quiet signs



All poems ©Emma Jones. All rights reserved.


Hearty thanks to Emma for joining us today!

If Emma’s exceptional writing has whet your appetite for more great poetry, please go visit the ever creative, ever thoughtful Tabatha at The Opposite of Indifference for this week’s Poetry Friday Roundup.
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Poetry Friday is HERE with Haiku Society of America President David G. Lanoue

David G. Lanoue shares some of his favorite poems by Issa at the 2013 HSA SE Ginko Haikufest in Atlanta
photo by Raymond French


Greetings, Poetry Friday Friends! I'm hosting today from my soon-to-be home of Beaufort, SC, where we're slated for sunshine and highs in the 70s today. I send this freely to those of you whose windows are caked in ice and snow.

It's my great honor to continue our "We Haiku Here" series today with Haiku Society of America (HSA) president David G. Lanoue. He delivered a reading of Issa's work at our recent HSA Southeast Region's"ginko haikufest" in Atlanta. I've been featuring our speakers and their poetry the last few weeks. We'll welcome a special student guest next week, and then regional coordinator Terri L. French will round out the series.

Our gathering was called "gazing at flowers," in honor of haiku master Issa's 250th birthday, and it was a special treat to have our HSA president participate!

David G. Lanoue is a professor of English at Xavier University of Louisiana. He is a co-founder of the New Orleans Haiku Society, an associate member of the Haiku Foundation, and the president of the Haiku Society of America. His books include Pure Land Haiku: The Art of Priest Issa, Haiku Guy, Laughing Buddha, Haiku Wars, Frog Poet, Dewdrop World and Issa’s Best: A Translator’s Selection of Master Haiku. He maintains The Haiku of Kobayashi Issa website, for which he has translated 10,000 of Issa’s haiku.


I asked David to please tell us a little bit about Issa and share a few of his favorite Issa haiku.

Issa, which literally means "One Tea," is one of the great haiku poets of Japanese tradition. He lived from 1763 to 1828 (even though most sources still make the mistake of assigning 1827 as his death year). He was brilliantly prolific, writing over 20,000 haiku in his lifetime. Down to earth, human, sympathetic to all life--from noble horses down to tiny fleas; Issa is loved by readers all over the world. Despite many hardships--losing his mother when he was a child, enduring the abuse of a hateful stepmother, having to go into exile at a young age, and, later in life, mourning the deaths of four children and his first wife--Issa remarkably retained his sense of humor and love for life throughout his poetry. As for sharing some of my favorite Issa haiku, I've culled 1,210 of them from my online archive of 10,000 and put them into a book (Issa's Best—available from Amazon as a paperback and as e-books for Kindle and Nook, hint, hint), so it’s terribly hard for me to narrow it down further. So, I’ll just flip through the book and pick five random ones that catch my eye. Enjoy...

chin-deep
in the fallen blossoms . . .
a frog

on the high priest’s
head . . .
flies making love

lightning flash –
no way to hide
the wrinkles

blooming
with butterflies
the dead tree

resting
on the big dog’s head
dragonfly


I also asked David to share a few of his own...

Translating Issa for 26 years inspired me to try my hand at writing original haiku. Here’s a sampling of five:

the old priest dines
his wine
just wine

a "Lost Dog" sign
nailed deep
into the oak

one star
over the airport
another Beatle has died

pizza parlor
after the murders
help wanted

when he reaches the square
the beggar
becomes lame


Poems ©David G. Lanoue. All rights reserved.

The above were first published in Modern Haiku 30.1 (1999); Frogpond27.2 (2004); Frogpond 31.1(2008); Haiku Wars(2009); and Senryu Therapy: American-Romanian Anthology(2012).

Of course, I asked David my "Why haiku?" question:

Here's something I wrote recently for the Haiku Foundation blog about where my haiku come from:

My haiku always begin with some sort of stimulus—a glimpse, a scent, a memory—about which I suddenly have a strong feeling that “There’s a haiku in this.” I’m curious to find out what I will say about this “this.” When I take out pen and paper, or more recently, the iPhone, I’m trying to catch the momentum of an impulse to discover. The first image is always easy; it’s the spark that ignited the curiosity. The second image or, perhaps, thought, will be the discovery which, if I’m lucky, will make the quick journey from part A to part B a haiku. For this step I rely on everything I know and have felt, my deep intuitions, my lifelong love affair with the English language, and, trusting in all this, nine out of ten times the second part comes even as I am writing it down—and I have a haiku. Whether or not it’s a good haiku is a matter to be decided later, but for the time being I’m content to add it to the computer file titled “MyKu” that contains over 3,000 similar bursts of discovery, from 1983 to yesterday.



AND, I asked David who should join the HSA...

Who should join the HSA ? Anyone who'd like to cultivate an interest in haiku, as a reader of it, a writer of it, or both. The HSA provides a great opportunity for the English-speaking haiku community in North America to stay in touch and share their love of haiku. Workshops, conferences, an annual members' anthology, a subscription to our journal Frogpond (published three times a year) and one-on-one mentoring opportunties are all available to HSA members. I've been a member since forever, and I've always felt that I've gotten more out of the HSA than the annual membership fee ($35 these days for US citizens) could ever pay for. In fact, as I write this note I'm reminded that I haven't rejoined for 2014, so I'll do so today!

To learn more about David or Issa, please visit his Haiku Guy website. You can even sign up in Yahoo groups for an Issa poem to be sent to you each day! Also, this week I blogged about Haiku Guy, the first in David's series of haiku novels, at Janice Hardy's writer blog, The Other Side of the Story.

Now, what are you offering up today? Please leave your link in the comments, and I'll round them all up between sunshine breaks.

Good Poetry Friday Morning!

If you have a pulse and an inbox, you will relate to Michelle’s hilarious original “Cyber Seduction” poem about ringing in the online holiday spending season over at Today’s Little Ditty

At Bald Ego, Charles combines two of my personal favorites: Van Gogh and the villanelle! He also has Couplets for Picasso if that’s your couplet of tea. (Wonderful art by son Chip, too.)

Laura brings us another of Joyce Sidman’s poems from WHAT THE HEART KNOWS – “Song of Bravery” at
Writing the World for Kids. (This one seems especially appropriate today, as the world mourns the loss of Nelson Mandela.)

Along the theme of world leaders, Linda at Teacher Dance marks the recent 50th anniversary of the assassination of John F. Kennedy with a post about Robert Frost and Kennedy – how Frost wrote the first presidential inauguration poem yet read another at the ceremony, and links to more about all that.

Catherine at Reading to the Core has a poem by Minnesota Poet Laureate Joyce Sutphen, “What the Heart Cannot Forget” – made me sigh out loud.

Who wants pie? Get over to Gottabook and have an original slice with Greg! It’s pre-fib pie. (You’ll have to click to see what I mean.)

If your hunger is of a more serious vein, be sure to read Myra’s offering at Gathering Books - a striking poem called “Hunger” by Nerisa Guevara (& check out previous posts featuring her work, too).

Dear Tabatha at The Opposite of Indifference brings us a terzanelle by Lewis Turco, and an ornament made by yours truly. (I didn’t pay her, I promise!) Don’t you just love the word, “terzanelle?”? And in the featured poem, don’t you just love the word, “hourdust”?

At Carol’s Corner, Carol features a powerful new poetry picture book by Daniel Beaty, KNOCK KNOCK, illustrated by Bryan Collier. (I couldn’t make it dry-eyed through the video either, Carol.) Carol comments that she has shared the picture book about Issa, COOL MELONS TURN TO FROGS (on my shelf too, of course!) for years. “In some sense,” Carol writes, “Beaty and Issa have a lot in common--both men have had really difficult lives and have used poetry to create meaning.”

Mary Lee at A Year of Reading is in with an ode to – her big toe?! (Please do check out the bandage art. And, heal fast, Mary Lee!)

**ALSO** – Mary Lee is issuing a call for Poetry Friday Roundup hosts for Jan. – June , so get thee hence and claim a date! (I’m off to go do that right now. Back in a minute….)

At The Drift Record, Julie has William Ernest Henley’s (1849–1903) poem, “Invictus,” honoring the man who will always be associated with it, Nelson Mandela.

Greg had pie, Laura has cookies… Go visit Author Amok for Myra Cohn Livingston’s “Christmas Cookies,” PLUS directions on how to make “Paintbrush Cookies” (now that’s right up my artist’s alley) PLUS other poetically tasty links.

Do you hear some jingling? Well, then you must be near Betsy’s I Think in Poems blog, where she shares some “Jingling Chatter” today. Drop in with one of Laura’s cookies.

Tara at A Teaching Life honors Nelson Mandela today with two poems, “Invictus” by William Ernest Henley and John Matshikiza’s 1974 poem, “And I Watch it in Mandela.”

Caw! Caw! Maragret at Reflections on the Teche shares her poetic observances of a murder of crows which came to play at their school playground this week.

If tiny mice are more your thing, skitter – rather, sail – on over to Alphabet Soup, where Jama’s serving them up. Well, she’s not REALLY serving up REAL mice – Jama would never do that – but she has Janis Ian's adorable new picture book, THE TINY MOUSE, delightfully illustrated by Ingrid and Dieter Schubert. And, of course, there’s food.

Thanks to Becky for the warm SC welcome! Becky’s ringing in St. Nicholas Day today at Tapestry of Words with “A Song for St. Nicholas” by Mary Mapes Dodge (1831-1905).

Katya is trying to make the best of a frigid situation with Emily Dickinson’s “Snow flakes” atWrite, Sketch, Repeat. (And I’m hoping Mary Lee’s toes will soon be up to this kind of jig.)

Collette brings us former US Poet Laureate Robert Pinsky and “The Favorite Poem Project,” along with a powerful video – a 20-year-old student’s reading of Gwendolyn Brooks’s “We Real Cool” at Used Books in Class.

At Enjoy and Embrace Learning, Mandy offers some words of encouragement for Mary Lee and her poor toe.

Diane (one of David’s “Daily Issa” subscribers, BTW) brings her usual Triple Threat of poetic goodness:

At Random Noodling, she offers an original ekphrastic poem, “Interior.”

St. Nicholas Day gets some more love at Kurious Kitty, with “The Festival of St. Nicholas” by Mary Mapes Dodge from Hans Brinker, or, the Silver Skates.

And a quote for creatives by Mollie Hunter is yours for the pondering at KK’s Kwotes.

At The Blog with the Shockingly Clever Title, Karen shares Mark Jarman’s “Prayer for our Daughters” (touching to me as I’m waiting on my college daughter to come visit this afternoon!). She also added links to haiku-related posts on her blog.

Donna’s in with a poem for the “musicfully inclined” over at Mainely Write. Dare you to read it without tapping your toes.

Lovely Cathy brings us a timely poem and post today with “A Wish is a Start” at Merely Day by Day (Our second post featuring coins – good luck, I’m thinking. No, wishing….)

Jone checks in from Check it Out with a Mary Oliver poem, “In Blackwater Woods” – and some lovely thoughts about how poetry can help heal in times of loss.

Garrison Keillor fans? (Raises hand wildly…) Keri is giving away a signed copy of his latest book, O, WHAT A LUXURY – VERSES LYRICAL, VULGAR, PATHETIC and PROFOUND at Keri Recommends. (Hmmm… Maybe I’ll leave TWO comments over there….)

Violet takes up Laurie Purdie Salas’s great 15-words-or-less challenge this week with an original response, “Katniss’s Dilemma,” at Violet Nesdoly Poems. (There – you "hunger" to know more, I can tell – my work here is done.)

(Must take a wee break - back in just a bit.)


I'm back!...


Anastasia sparkles with the magic of icicles today at a Poet! Poet!

Little Willow chimes in at Bildungsroman with “The Singer” by Anna Wickham. (To me, it seems an especially appropriate choice for today in light of Mandela’s passing.)

Janet lightens things up for us with I’VE LOST MY HIPPOPOTAMUS: MORE THAN 100 POEMS by Jack Prelutsky, illustrated by Jackie Urbanovic, at
All About the Books. (Now, that looks like fun.)

JoAnn over at Teaching Authors serves up some terrific book recommendations, and links to others, that should go straight to your gift list (or maybe on your own letter to Santa?) She also shares a most delicious love poem from Joyce Sidman’s new WHAT THE HEART KNOWS: CHANTS, CHARMS & BLESSINGS.

MM Socks opensThe Drawer to share an original poem, “Nobody Wants to Hold My Hand.” (Well, I'm sure after folks visit his blog he'll get some offers... ;0) )

Ruth also has an original poem this week, “Sounds from this House,” at There is no Such Thing as a Godforsaken Town. It was published in their school’s brand-new online literary journal and will transport you immediately to life in Haiti. (That last stanza is gorgeous, gorgeous.)

Okay – you’ve been working hard all day. Now it’s time to play! Amy has just the thing at The Poem Farm, with a poem inspired by a young teacher-in-training and her dolls and stuffed animals – and from Amy’s own memories, as well.

Joy lives up her name today with an acrostic poem she wrote for Kwanzaa at Poetry for Kids Joy. Terrific sentiment! She invites us to check out her haiku from earlier this week, too.

Well, the sun is setting here, and we're about to head out for a little while. Hope you can cozy up with some of this great poetry, and I'll check back in later.
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Poetry Friday: WE HAIKU HERE with Dave Russo

Dave Russo speaks at the 2013 HSA SE Ginko Haikufest in Atlanta
photo by Raymond French


Happy Thanksgiving weekend! I hope you're settling into some time for reflection after the big day - or at least moments of noticing between all the Black Friday sales.



In our WE HAIKU HERE series, speakers from our recent HSA (Haiku Society of America) Southeast Regional “Ginko Haikufest” in Atlanta have graced my blog. We've gotten to know poets Curtis Dunlap, Tom Painting and Laurence Stacey.



Today's guest hails from North Carolina, and if you've enjoyed the great resources on The Haiku Foundation website, you have him to thank.



At our weekend gathering, Dave and Bob Moyer led a fun and lively interactive session on "Haiku from Scratch."



Dave Russo’s haiku have appeared in Frogpond, Modern Haiku, Acorn, and other journals. He is included in the New Resonance 5 anthology from Red
Moon Press. Dave organizes events for the North Carolina Haiku Society and is the web administrator for the NCHS and The Haiku Foundation.




Now, I know you saved some room for haiku. Please enjoy these examples of Dave's poetry. (Those haiku poets among you might appreciate the progression from the "5-7-5" structure of his earliest published poems to the shorter, more condensed recent works.)



All through the meeting,
your calm face by the window.
Bright, darkening trees


Frogpond, xx:2 1997



It's late, the office
almost empty. Your bare feet
whisper by my door


Modern Haiku, xxvii:3, 1997



ice melting the shape of the branch it fell from

The Heron’s Nest, June 2013



    olive blossoms . . .
the sound of a hive
    in the abbey wall


Snapshot Press Haiku Calendar for 2013, Runner Up for August


All poems ©Dave Russo. All rights reserved.


In response to the question, "Why haiku?" - Dave's words are likewise concise and meaningful:

"Because haiku can express a depth of feeling with an economy of means that is not often found elsewhere."

Amen! Many thanks, Dave, for joining us today and sharing your work.

Next week the Poetry Friday Round Up is HERE with poet, author, Issa scholar and Haiku Society of America president David Lanoue.

For today's poetic feast, please take your plate over to Carol's Corner.
[AND (blatant commercial warning): should you want to do any Black Friday/Small Business Saturday/Cyber Monday shopping between poetry stops, feel free to use Coupon Code PFPEEPS13 in my artsyletters Etsy shop for 15 percent off now through Monday! Poet Gift Packs, notecards, altered vintage books, typewriter key jewelry, bookmarks, and more!] :0)
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Poetry Friday: WE HAIKU HERE - Class in Session with Laurence Stacey

Top: Laurence delivers a talk at our recent HSA SE regional haikufest. Below: I appreciated a nice long walk and talk with Laurence; we discussed poetry, animal rights, and education – among other things!
photos by Raymond French




Welcome back! I’m glad so many folks are enjoying our end-of-the-year haiku journey, led by some of the speakers at our recent HSA (Haiku Society of America) Southeast Regional “haikufest” in Atlanta.

Have you missed the introduction to the series, or any of the fun so far? Please click here to get to know poet Curtis Dunlap and click here to meet Tom Painting, poet and teacher extraordinaire.


Today we have a special treat. And, continuing along an educational theme, we have a poet who is also a teacher.


Laurence Stacey lives in Marietta, Georgia, and is an English Instructor and tutor at Reinhardt University. In his spare time, Laurence enjoys hiking and is an avid student of the martial arts. His educational background includes an MA in Professional Writing, with an emphasis on poetry. He is interested in incorporating haikai into the high school and university curriculum. (RHB note – “haikai” generally refers to haiku and related arts, including senryu, haiga, and haibun.)


Laurence’s poetry has been featured in Prune Juice, Simply Haiku, Tinywords, The Heron’s Nest, and several other journals. He is also the coeditor of Haiku News, a journal dedicated to engaging sociopolitical events through haiku, tanka, and senryu poetry.


Please visit Haiku News at http://www.wayfarergallery.net/haikunews/
. (another RHB note: Poetry Friday regulars, you can find several poems by Diane Mayr in the Haiku News archives.)


At our weekend conference, which celebrated the 250th birthday of haiku master Issa, Laurence delivered a lecture that was enthusiastically received Saturday morning. His talk, “Issa and the African American Perspective in Haiku,” invited us to explore poetry by African American writers as well as to think about ecology , and to consider these subjects in the context of haiku. An enlightening and inspiring morning!


I look forward to more of Laurence’s work on these themes in the future.
In the meantime, let’s enjoy some of his poetry, shall we?




deep in debt…
I answer the phone
as my son


Tinywords, issue 13.2, August 2013



election day
choosing the devil
I know


Haiku News, Vol 1 No. 22



her illness
beyond our care
winter birds


The Heron’s Nest, September 2011, Vol XIII



spreading my cards
the gypsy covers
a yawn


Simply Haiku, Autumn 2009, Vol 7 No 3



AM jazz
the phone line rocking
with crows


3Lights, Winter 2010

All poems ©Laurence Stacey. All rights reserved.


In response to “Why haiku?”, Laurence shares the following:

My reasons for studying and writing haikai (haiku, senryu, and tanka) continue to evolve as I learn more about the art. However, the reason that most quickly comes to my mind is joy. For me, haikai is a way of connecting to the people around me and recording the stories that make us unique. In addition, haikai encourages what I believe is a true respect for the natural world and the creatures that live in it.

What more could you ask for as a reason to pursue a discipline? We are very grateful to have Laurence in our region, and I’m grateful he took the time to visit us here today! Thanks, Laurence.

And hearty thanks to hearty Katya, hosting our Roundup for Poetry Friday this week. Go unpack all the great poetry over at Write. Sketch. Repeat.

(And be sure to return here next week, as our series continues...!)
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Poetry Friday: WE HAIKU HERE welcomes Tom Painting

Welcome back, Poetry Friday Friends! Our haiku series continues today. In late October, The Southeast Chapter of The Haiku Society of America met in Atlanta for the 2nd Annual Ginko Haikufest: “gazing at flowers” in celebration of Koboyashi Issa’s 250th birthday. (We’ll revisit Issa in a later post with HSA President and Issa scholar David G. Lanoue.) I’m shining a spotlight on our speakers here, week by week.

Last week, we kicked off the series with North Carolina poet Curtis Dunlap, who kindly provided some thoughts on haiku and several fine poems. This week, I’m thrilled to introduce Tom Painting. (If you already hang in the haiku world, Tom needs no introduction.)

One of the highlights of our recent weekend was welcoming Tom’s current and former students from The Paideia School in Atlanta, where Tom teaches junior high. (He taught my niece Olivia in fact, and she has penned some award-winning haiku, which I’ve featured here the last two years.)

These eighth and ninth graders each shared a few thoughts on haiku and then some of their own poems. I cannot adequately describe how articulate, thoughtful and talented each student was – or the tangible impact they had on us grown-up listeners! There were many moist eyes in the room during the readings. Beyond impressive.

Since 2000, Tom’s junior high and high school students have had winning haiku in the Nicholas Virgilio Memorial Haiku Contest. His students have also been recognized in the United Nations International School Haiku Competition.Tom is obviously an amazing teacher, and he is eager to share his students’ work.

For today, I convinced him to let us meet him first! This teacher, husband and father is one of our best haiku poets writing today.

In addition to regular inclusion in the top haiku journals,Tom’s haiku have appeared annually since 1998 in The Red Moon Anthology of English Language Haiku, published by Red Moon Press. He was the 2012 winner of the Haiku Society of America haibun contest. One of his poems is included in Haiku in English: The First Hundred Years recently published by W.W. Norton and Company (see last week’s post for my aside raves).

Here are some examples of his work:



crickets
the pulse in a hollow
of her neck


Acorn #10, 2004



spring plowing
a flock of blackbirds
turns inside out


Frogpond XXV:2



detour
she returns my hand
to the wheel


Frogpond XXVI:3



year's end
the weight of pennies
in the mason jar


Modern Haiku 39:2



Indian summer
bison graze the shadow
of the Bitterroots


Modern Haiku 43:1



summer stars
my children ask me
to name a favorite


The Heron’s Nest, June 2011


All poems ©Tom Painting. All rights reserved.


Now, to the question, “Why Haiku?” – Tom’s insightful answers runneth over. In fact, I’ll feature just a few of his helpful thoughts about haiku here today and try to work in more in future posts.

“In haiku circles you’ll often hear reference to the haiku moment,” Tom explains. “In so short a form as haiku the poet must get right to the point and show the particular thing that captures her or his attention- the one among the many, the close-up in the general scene, the last, the first, the opposite.

"Haiku work with the ordinary facts of life. One of the great surprises of this form of poetry is that in the ordinary, the every day, one can find the sublime. Haiku poets write in present tense to help the reader feel as if the haiku moment were happening now. Simple, uncomplicated images, common language, objective presentation and musical sensitivity to language are additional hallmarks of a successful haiku."


Told you he was a teacher. As to why he teaches haiku:

“I teach haiku because I love it. I teach haiku because kids of all ages generally like it and some love it. I teach haiku because I feel it provides a cornerstone to literacy.”

Tom even makes his students a promise: “ If you commit yourself to the practice, you’ll learn more about the world, about writing and especially about yourself.”

If you scan the 7th through 12th grade winning entries in the Nicholas A. Virgilio Memorial Haiku Contest at the Haiku Society of America website, you’ll see how Tom has inspired many of the winners.

But wait! There’s more! I will be featuring one of Tom’s students each month beginning one month from today! That’s right, a student haiku poet of the month. You will be blown away, I guarantee it.

The accolades of placing in a contest are all well and good, but beyond that - when a young writer is able to engage in the world in an authentic way and express his or her experience in just a few profound words… I told you you’d be blown away, right? So stay tuned in coming weeks for more haiku from our featured speakers, and then keep circling back for our bright and shining student of the month.

As for today’s Round Up, please go see what the ever-surprising and insightful Jama is cooking up over at Alphabet Soup . It’s always Mmm-mmm good.
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Poetry Friday: WE HAIKU HERE series kicks off with Curtis Dunlap

Curtis Dunlap leads a critique panel at the 2013 HSA SE Ginko Haikufest in Atlanta
photo by Raymond French
Welcome, Poetry Friday Friends! I’m excited to kick off a series today which will feature several notable haiku poets – the speakers from a recent regional celebration of haiku. In late October, The Southeast Chapter of The Haiku Society of America met in Atlanta for the 2nd Annual Ginko Haikufest: “gazing at flowers” in celebration of Koboyashi Issa’s 250th birthday. (We’ll revisit Issa in a later post with HSA President and Issa scholar David G. Lanoue.)

The event was organized by our amazing and talented regional coordinator, Terri L. French. (More on her later, too.) This region includes Alabama, Florida, Georgia, Puerto Rico, South Carolina, and the United States Virgin Islands. Our wonderful weekend included a handful of terrific poets from North Carolina as well. As you can imagine, I’m thrilled I’ll stay in this region after moving from Georgia to South Carolina!

At our conference, I had the good fortune to be on a panel with Curtis Dunlap. We read anonymously submitted haiku and then discussed/critiqued them as a large group. I was struck by 1.) the level of excellence of the drafts and 2.) the very insightful comments and suggestions from all in attendance. It was a great learning experience all around.

I asked Curtis if he would be willing to lead off with this end-of-the-year series, and he kindly obliged.



Curtis Dunlap lives near the confluence of the Mayo and Dan rivers in Mayodan, North Carolina. His poems have been published in a variety of journals and anthologies including The Christian Science Monitor, The Dead Mule School of Southern Literature, Frogpond, Haiku in English: The First Hundred Years, Magnapoets, Modern Haiku, Rusty Truck, and The Wild Goose Poetry Review. He was awarded the Museum of Haiku Literature Award in 2008. Click here for his tobaccoroadpoet.com website.

[Note from RHB: Haiku in English: The First Hundred Years came out in August from W.W. Norton & Company. Edited by Jim Kacian, it features an introduction by Billy Collins and more than 800 poems guiding the reader through the form’s development in English. I bought a copy and am enjoying it tremendously.]

Here is a sampling of Curtis’s fine haiku:



after the burial . . .
my father’s smile
on so many faces


The Heron's Nest, Volume VIII:4 - 12, 2006



tobacco market
the auctioneer pauses
to catch his breath


Chasing the Sun: selected haiku from Haiku North America 2007



a rusty still
by the dry creek bed –
blood moon rising


The Heron's Nest, Volume X:1 - 3, 2008



school closings —
the snowmen arrive
flake by flake


The Heron's Nest, Volume XII, Number 2: June, 2010



robbing the bees
she speaks of
lip balm


The Heron's Nest, Volume XII, Number 4: December, 2010



afternoon lull...
a mercy bullet
for the rabid dog


The Heron's Nest, Volume XV, Number 2: June 2013

All poems ©Curtis Dunlap. All rights reserved.


To the question, Why Haiku? – Curtis responds:

To preserve, share, and savor snapshot moments that are as fleeting as the small poems used to convey the experience to the reader. Time goes by at an incredible pace, especially now that I've passed the half century mark. To me, writing haiku is akin to taking the finger off of life's fast forward button, slowing the pace down, and revisiting events that struck a chord with my artistic soul. …

You can follow the rest of this discussion here at Curtis’s blog. While there, please peruse the “Three Questions” interviews with links in the right-hand column– a treasure-trove of interviews in recent years with contemporary haiku poets. Some of these poets, including William J. Higginson and Peggy Lyles, are no longer with us; it’s a privilege to read their thoughts from just a few years ago.

Many thanks to Curtis Dunlap for joining us today! Stay tuned – we’ll enjoy a different poet from the HSA SE Haikufest speaker’s circle each week through the end of the year.

Now, I think it only appropriate that today’s Poetry Friday host is also an accomplished (and prolific!) haiku poet, among many other things. Please go see the amazing Diane at Random Noodling. (Oh, and let me know if you catch her napping. My theory is she doesn’t sleep.)
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Poetry Friday: Seaside Haiku and a Haiku Blog Series, Coming Up!

photo by Morgan Black
Last weekend I had the lovely good fortune to participate in our Haiku Society of America- Southeast Region's haikufest - a weekend conference titled, "Gazing at Flowers" and celebrating the 250th anniversary of the birthdate of beloved haiku master, Issa. Actually meeting so many talented folks I previousy knew just by bylines was beyond wonderful. SOOO... please come back next Friday as I kick off a blog series featuring our fine speakers. But wait - there's more! We will also soon begin celebrating a student "poet of the month" from among Tom Painting's classes at The Paideia School in Atlanta. A group of these young people read original poems for us at the conference, and the phrase "blown away" drifted from the mouths of many seasoned haiku poets..

When life gets too crazy-busy, I find I don't write as much haiku, though of course that's the time I need to s-l-o-w down the most. We're in the midst of some major -- good, but major -- life transitions. In August we sent our youngest off to college, and now my husband and I are moving. He was offered a great job opportunity in Beaufort, SC - so we'll be packing away the winter coats needed here in the north Georgia mountains, and heading for the coast.

Beaufort was voted "The Happiest Seaside Town" by Coastal Living magazine this past spring. And it has a reputation for friendliness - we've already found that to be the case while visiting. The pace is noticeably slower, the scenery breathtaking. It feels very familiar to me, as I grew up romping under the Spanish moss in central Florida with frequent trips to the beach. The quality of light is different near the coast, more brilliant. I've already rented a space in an old historic building downtown to use as a studio for my art business. {Happy sigh.}

So, today, I offer up a couple of haiku published this fall. They were written while visiting Harbor Island, just 15 miles from downtown Beaufort. (And each happens to have a literary, as well as a seaside, reference!) Here they are:


lapping waves finding a you or a me

©Robyn Hood Black
Modern Haiku, Vol. 44.3, Fall 2013


telling it slant
a ghost crab slips into
a hole


©Robyn Hood Black
Acorn, No. 31, Fall 2013

Thanks for reading! Let the ocean tides carry you over to Lovely Linda at TeacherDance, where the catch of the day is lots of great poetry. (And, calling all haiku lovers - please plan to circle back for our end-of-the-year special series starting next week!)
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Poetry Friday: Mortimer Minute Stops Here. (Really, but I hope someone will jump in...)

Greetings, Friends!

Ever since I first heard about the Children's Poetry Blog Hop from my wonderful, talented buddy April Halprin Wayland, I've been delighted to see "The Mortimer Minute" hopping around the Poetry Friday blogosphere. I've been dodging Kind Mortimer (and invitations from fellow poetry bloggers) for weeks, however, because of a crazy travel schedule and crazy life in general this fall.

I came up for a wee bit of air last week to find a tag invite from the wonderful, talented Tricia Stohr-Hunt, whose Mortimer Minute blog post is here on her terrific Miss Rumphius Effect blog (definitely worth hopping around there). You feel bonded with a person after sharing a few moments of white-knuckled airplane-seat-gripping on a little plane taking off from Scranton, PA, following a Highlights Founders poetry workshop, into uncertain skies.... Thanks, Tricia, for thinking of me years later!

Here's how the Mortimer Minute works:

• Answer 3 questions. Pick one question from the previous Hopper. Add two of your own. Keep it short, please! This is a Blog Hop, not a Blog Long Jump. This is The Mortimer Minute—not The Mortimer Millennium!
• Invite friends. Invite 1-3 bloggers who love children’s poetry to follow you. They can be writers, teachers, librarians, or just plain old poetry lovers.
• Say thank you. In your own post, link to The Previous Hopper. Then keep The Mortimer Minute going — let us know who your Hoppers are and when they plan to post their own Mortimer Minute.


Okay, methinks, I can do that. Answer 3 questions, check. Thank you to previous Hopper, check. Invite friends.... well, that's where the hopping didn't go so well this past week. I did invite poetry blogger friends - several - but they'd all been previously Mortimer-ed and were already posting soon, or their schedules wouldn't allow them to participate, or memes in general just weren't their thing. Now, I don't particularly want Mortimer to stop at my place - really, I have a houseful of rescued animals already. (No offense, Mortimer.) They don't always play nicely with others, at least not the 16-pound somewhat demon-possessed kitty in the basement.

If you are reading this and would like a tag-after-the-fact, please by all means consider this an invitation to play along! I'll try to post a link to your site as soon as my car rolls to a stop again (traveling again this weekend and next week - author visits in schools.)

In the meantime, here's my Minute:

Mortimer: Do you have a favorite poetry book from childhood?

I can’t place my memory on one particular book, though I remember loving poems as a child, and reading was a favorite pastime in our house growing up. (I do remember thinking “Eletelephony” by Laura Richards was hilarious.)

But, spurred on by Tricia’s “well-worn and much beloved book” she shared from 1968, I dug one out of the shelves which technically belonged to my older brother, Mike, published in 1966. It is a big Western Publishing collection with photos and illustrations, My Dog, My Friend in Pictures and Rhyme. (Guess I'm continuing last week's canine theme.) Its opening poem pretty much describes the attitude both Mike and I have had since we were babes. (And congrats, Bro, on the newest doggie rescue in your house this week!)

Birthday Present
by Aileen Fisher

White?
Oh yes, a woolly white one.

Black?
Oh yes, a black-as-night one.

Tan?
I think a tan or brown one
perfect for a farm or town one.

Sleek?
Oh yes, a sleek and trim one.

Shaggy?
Any her or him one.
Tousled, frowzled,
big or small,
I’d like any kind at all –
just so it’s a dog.


Please scroll up one post for a picture of the book. And don’t miss Renée LaTulippe’s ongoing series with the incomparable Lee Bennett Hopkins on NCTE Poetry Award winners – click here for the video posted this month featuring Lee’s interview about Aileen Fisher.

Mortimer: Do you write several drafts of a poem or dash off publishable gems the first time around?

I find most writing, especially poetry, needs to "cure" - at least overnight, usually many overnights, and sometimes over a month or year or more. That is just part of the process. It would be rare that something needing fixin' doesn't jump out upon a second or twentieth reading.

Mortimer: Do you have a favorite poetic genre?

Many kinds of poetry make me swoon. Blake (1757–1827) wrote, in the opening lines of "Auguries of Innocence":

To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour....


Click here for more.

Good poetry allows me that magic. The way poetry crystallizes a moment, an experience - that's probably why I'm so drawn to haiku. Speaking of which, I need to go pack. I'm participating in a Haiku Society of America regional "haikufest" this weekend in Atlanta.

So if you'll excuse me, and if any Poetry Friday bloggers want to take Mortimer...

Now, jump on over to see the wonderful, talented Irene at Live Your Poem , where she's hosting this week's Roundup AND celebrating her 1000th post. Woo-hoooo! That's enough to make you want to twitch your whiskers.
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(book pic)

My Dog, My Friend - Western Publishing, 1966
(This pic goes with the post below - please leave comments there. Thanks!)

Poetry Friday: Mary Oliver's Dog Songs




Greetings, Poetry Packmates! It's the tail end of Wolf Awareness Week, so I thought a canine post might be in order.

A very dear friend (and high school teacher - one of the main reasons we shelled out private school tuition for both of our kids if truth be told) surprised me with a special gift this month: Mary Oliver's new book, Dog Songs (The Penguin Press, 2013). Michael has quite a soft spot for dogs himself and is regularly seen romping around town with their two soft and lively cinnamon pups.

My family's own pack includes two male 14-year-old dachshund mixes (littermates) who think they're still puppies and a year-old dainty, feisty, utterly charming female Chihuahua, all three and-a-half pounds of her, that I rescued from a busy road last year. (That's another story.) I can't imagine life without dogs as part of the family.

Apparently neither can Mary Oliver, whose unassuming and accessible poems in this collection at turns imagine what our canine companions are thinking, feeling and saying, celebrate their unique and wild qualities, and mourn the brevity of their time with us.

A phrase Michael pointed out, from "School," asks:

How many summers does a little dog have?

If you journey through these poems you'll meet Percy, and Bear, and Ricky, and Benjamin, to name a few - all dogs with something to say.

Here are the opening lines from "The Sweetness of Dogs" - because I'm actually at the beach right now myself, and tonight is a full moon.

What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. It's full tonight.

So we go

....


Click here to read a review of this new collection in The New York Times.

And because it's almost Halloween, and I would hate for any picture book loving friend of dogs (and children) to miss it, please continue to celebrate with me one of my favorite works ever, Bone Dog (Roaring Brook, 2011), by the amazing Eric Rohman. Here's my my 2011 blog post featuring Bone Dog - the difficult topic of grief handled in such a brilliant way.

Now, romp as fast as you can without a leash over to this week's Roundup hosted by Cathy at Merely Day by Day. Woof!
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