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Life on the Deckle Edge

Poetry Friday - Seth & Holy Chaos

Seth blessing the animals at Haywood Street Congregation, October 2022.

 

Greetings, Poetry Lovers - I've missed you! The past several weeks have found me criss-crossing South Carolina as we've just moved from Beaufort on the coast to Travelers Rest in the mountains. My husband Jeff moved on ahead to start a new job, while I stayed on in a temporary apartment getting our house there sold and waiting for a basement renovation here to finish up.  To the usual moving stresses, and my sadness at saying goodbye to a place I dearly loved, we had an awful shock last week.  Our wee doggie Rita fell suddenly and critically ill, and she spent a week in and out of the emergency vet near Beaufort. On last Tuesday afternoon, the day before I moved on Wednesday, I had to have her put down in my arms.  My heart is still shattered. 

 

But life brings us joys as well as sorrows.  Now we are closer to our kids and are celebrating Seth's birthday this weekend. Since today (Friday) is his actual birthday, I'm offering up something a little different.  Seth is one of the pastors at Haywood Street Congregation, a church ministry in downtown Asheville, NC.  He was their first intern in 2017-18.  After graduating from seminary at Candler (Emory), he joined the Haywood Street staff in the fall of 2021.  It's unique place - self-described as "holy chaos." With a heart for those experiencing homelessness and anyone who feels they have no place at the table, Haywood offers a place at the table.  Literally.  Whether it's a dining table with nice linens and homecooked meals, or the Communion table during a service, everyone is welcome.  

 

Since Jeff and I are now less than an hour away from Asheville, we'll be able to visit Seth and girlfriend Ginnie more often.  [And we're just two hours away from Morgan and Matt and Baby Sawyer in North Georgia. ] A few weeks ago we got to hear Seth preach - always special for us - and I felt compelled to write about the service, for no particular reason.  No two services are ever the same at Haywood Street! I'm sharing that reflection below, if you are interested.  If you're just here for poetry, that's fine too!

 

Here are two haiku I wrote when visiting Seth during his internship year years ago, followed by my recent thoughts.

 

 

 

bus stop
the hard places
where she sleeps

 

 

bottle rockets, No. 38, Feb. 2018

 

-------------------------------------------------

 

 

 

empty street -
she stoops to pocket
a half-cigarette


Acorn, No. 39, Fall 2017

 

 

poems ©Robyn Hood Black

 

--------------------------------------------------

 

To Holy Chaos

 

by Robyn Hood Black – reflections on Feb. 26, 2023

 

It's a crisp February Sunday morning, no rain, in downtown Asheville.

 

Outside the sanctuary of Haywood Street Congregation, people do congregate. Many have come for Sunday's Welcome Table breakfast downstairs, delicious food prepared with love and served on real plates, on real tablecloths, with real meal-time conversations.  Fresh flowers, too.

 

Around the grounds and in the garden, small groups huddle. Some people have bedrolls and backpacks; most have lines in their faces belying their age. There is quiet talk, and colorful language, and the jolt of a glass jar breaking on concrete. Always, a few folks sleep here and there and everywhere.

 

This morning, a table is set up offering immunizations for pets.  Dogs are regulars at Haywood Street, and today they receive some extra TLC.

 

Inside, a few dozen people await the start of the service. The magnificent fresco is a call to worship, its colors echoed in tall stained glass windows - and in the diversity of the congregation. The space is not overly large but big enough, simple but with handcrafted touches whispering, All Are Welcome Here.

 

Jody invites anyone interested to come up to be "the choir" and help lead the opening songs.  A few people join without hesitation.  At the piano is a beautiful young trans woman, playing with heart and flourish and abundant talent.

 

Later in the service, that piano will feel the touch of a diminutive fair-skinned, white-haired 85-year-old woman, as she shares one of her favorite traditional hymns. That music, too, moves everyone hearing it.

 

Today's announcements include one about the award-winning 2021 documentary on the fresco, Theirs is the Kingdom, and about a new group to meet weekly in support of anyone at any stage in their addiction journey.

 

To say that Haywood Street's services are interactive would be an understatement.  In the "Blessings and Testimonials" time, anyone is invited to share – a spontaneous song, a personal story, some quiet yearning in a heart that needs expression. Today a young woman sings a contemporary Christian song, followed by a man who often shares his vocal talents. Microphones aren't needed here.

 

Speakers are open and vulnerable, sharing raw hardships as well as sublime blessings.  There are health concerns mentioned in addition to gratitude that a trailer has become available for one of the singers. A lively discussion bubbles up as well, with a few women sharing how they personally hear God.  Differing views are respected in an invisible web of trust. 

 

Sermons are dialogical, too, and are called "conversational homilies." Today, after our older piano player volunteers to read verses from Matthew following the church calendar, Seth preaches about Jesus's need to be by himself.  For starters, his baptism was followed by 40 days in the wilderness.  Quiet time alone is not always easy, as the temptation narratives illustrate.

 

Jesus sought out solitude amidst the demands of his unfolding calling, his heavy understanding of who he was and was becoming.  Seth preaches about the necessity of self-care, which can take many forms. His words resonate with many in the pews in the form of nods and words of agreement. 

 

True to Haywood Street's motto of "Holy Chaos," the service is peppered with an occasional surprise.  A couple of times, a smiling young man with flapping clothes walks at a fast clip up the center aisle, and out the back of the sanctuary toward the offices.  He is high on something, and waves to a few folks each time, and even to the fresco.

 

At another moment, Jody opens the door to the narthex for someone.  This happens to occur at the exact time that a cat from the animal table, brought inside because it kept trying to get away, receives its shot – and a hearty, screechy yowl permeates the service.

 

After the sermon, needs are shared and updates given on situations calling for prayer.  Anyone who wants to speak is heard and affirmed by the lovely and spunky woman guiding this response time.  After every contribution, folks shake a little ring of bells left on the pews or their car keys or otherwise join in to support each need.

 

The offering comes in the form of music and a volunteer holding a basket up front.  Attendees are welcome to give but also appreciated if they would like to give but aren't in a position to. Communion follows, with one volunteer holding a bowl of pieces of homemade bread, and another holding a cup of juice to dip it in.  Anyone may partake.

 

Today the service closes with a song, "Blessed Quietness," reflecting the morning's theme. During this last hymn, a man who was stretched out on a pew wakes up and looks around.  Even though the elements of this service and the homily will be repeated on Wednesday, it will not be the same.  This is Haywood Street, and no two days are ever alike.

 

This holy chaos might not be for everyone, but it's absolutely for anyone.

 

###

 

HAPPY BIRTHDAY, Seth!

 

If you've made it this far in my post and need to find the Poetry Friday Roundup, go "Imagine the Possibilities" with our lovely Rose. And to learn more about Haywood Street Congregation, click here

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Poetry Friday - Haiku in bottle rockets and a big birthday...

 

Greetings, Poetry Lovers! Happy February...

 

Last Friday I was on the road back and forth (again!) to our Upstate SC house, where we are moving permanently in coming weeks. Though life has been chaos for many weeks (Okay, months...) somehow my hubby pulled off a surprise party on Saturday for my 60th birthday (on Monday).  I knew my kids would be visiting, but I didn't know that several dear friends who live in that general region - plus our contactors who are making our basement into a magical living/working space there - would be showing up for lunch & cake! What a treat, and getting to share the surprise and celebration with the  Baby Grand - who enjoyed my gift of a wonderful old Remington typewriter - made it even more special. 

 

Another fun surprise was the new issue of bottle rockets which came a little early, ahead of upcoming postal rate hikes.  Honored to have a poem in it, which kinda relates to this whole getting older thing.  [I'm grateful for every birthday, and I loved what one friend commented on Facebook:  "Welcome to the next level." Ha!]  

 

Also, I suppose this haiku relates to moving as well, as I remember composing it during a gentle rain here in the Lowcountry.  I will miss this place.

 

just beyond

memory's reach

soft rain in the woods

 

 

©Robyn Hood Black

bottle rockets, #48, February 2023

 

 

Many thanks to the oh-so-talented Laura for hosting us all this week, and for filling February with poetry all month long....

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Poetry Friday - Recent Haiku

 

Greetings, Poetry Lovers!  I've missed everyone the last week or two as I was traveling for my annual (completely crazy) week of author school visits as part of Cobb EMC and Gas South Literacy Week north of Atlanta.  Always great to catch up with folks there, and the dozen or more of us authors end up seeing between 20,000 and 30,000 kids in those five days.  I had 22 presentations between Monday and Friday.  Whew! But thrilled to share the poetry love. 

 

Today I'm sharing a couple of recently published haiku.  I couldn't help featuring the adorable picture of my daughter, Morgan, and their precious little one, Sawyer. He made an awfully cute pumpkin for Halloween. The first poem was written when I was with them this summer, helping out during his first month.

 

 

 

new mother's whisper

the strength

of spidersilk

 

Frogpond, Vol. 45:3, Autumn 2022

 

 

 

And this one, well - I guess it speaks for itself. 

 

 

resurrection fern

my long list

of shortcomings

 

bottle rockets #47, Vol. 20, No. 1 (August 2022)

 

 

Poems ©Robyn Hood Black.  All rights reserved.

 

 

I hope your November is off to a good start.  The ever-amazing Heidi at My Juicy Little Universe is hosting Poetry Friday this week. Thank you, Heidi!

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Poetry Friday - Haiku Stones in an Alabama Japanese Garden

 

Greetings, Poetry Lovers! A fun way to enjoy haiku today....

 

Over at Monte Sano State Park in Huntsville, Alabama, visitors to the Japanese Garden can now meander down a haiku path consisting of 24 haiku stones.  These feature poems mostly by contemporary haiku poets, with a couple of Basho stones and an Issa offering in the collection. The new path was launched at the Autumn Japan celebration at the beginning of this month.

 

The creative force behind the Haiku Path is Terri L. French, award-winning haiku poet extraordinaire who has also shared her leadership skills in the Haiku Society of America and The Haiku Foundation, as well as editorially in journals and in her own varied publishing endeavors.  (Learn more about Terri here.)  Also sharing time and talents for this beautiful adventure has been fellow fine poet Peggy Bilbro. (Click here for a lovely haibun of Peggy's and a brief bio.)

 

"The haiku were chosen to fit the aesthetics of the garden and the area," explains Terri. "They were placed in the ground on a path that goes behind and around the tea house."

 

Terri and Peggy chose the haiku.

 

"Redstone Federal Credit Union sponsored us and paid for all of the stones to be made by local artist, Zan Edmonds,"  Terri says.  "If we get more money, we may add more stones later."

 

You can click the photo above to see the Facebook post Terri shared, with more pictures of the festival and a few more of the stones.  

 

I'm thrilled that one of my poems was accepted for the path.

 

 

open gate

the way

my mind wanders

 

 

©Robyn Hood Black

First published in Frogpond, Vol. 41:3, Fall 2018

 

If your mind wants to wander myriad poetry paths today, head on over to see Matt Forrest Essenwine, who always has lots going on and has our Roundup this week!  Also, remember to check in on Bridget's "10.10 Poetry Anthology First Anniversary Poet Palooza" at Wee Words for Wee Ones, where you can enjoy daily bite-size introductions to many of the poets!  I'm honored to be included next week.  [NOTE: My blog will be taking a mini-Fall-break as I soon travel to North Georgia for my annual week of school author visits as part of Cobb County EMC-Gas South's Literacy Week, and as I get artsyletters geared up for the holiday craziness that usually ensues right after October!  See you back here in a couple of weeks.)

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Poetry Friday - Hooray for Pens!

 

Greetings, Poetry Lovers!

 

Last week in a comment, Amy Ludwig VanDerwater asked about the glass pen in the picture with my little journals, and if I wrote with it.  Actually, that pen was an exquisite gift brought back for me from Italy from my very dear friend and fellow kidlit-folk, Paula Puckett. I have written with it, but mostly use it for Etsy photos.  It has a metal nib. 

 

I did, however, purchase an all-glass pen not very long ago.  I hadn't tried it, but since Amy asked, I finally gave it a wee scribble. I think I'm in love! It's fun to hold and terribly smooth.  The line is a bit wider than I'm used to writing or drawing with, as I usually use smaller nibs (especially the metal hawks quill or crow quill for drawing).  But I'm envisioning a lovely future with this pen, especially if I can keep from breaking it. 

 

The one I have is from Herbin; you can see a demonstration at their website here.  The side of the box explains, "Glass pens were very trendy in 17th century Venice." Because the nib has grooves, you can write several words before having to take the pen for a dip in the inkwell. 

 

I've always loved the physical act of writing.  As a kid, I took to cursive like a bee to nectar.  I have a vague memory of my second grade teacher letting me "teach" writing on the chalk board one day.

 

I've shared this haiku before, but I did write a poem about writing with a dip pen, before my daughter's marriage in 2016:

 

 

wedding invitations
the press and release
of the nib

 

©Robyn Hood Black

 
Third Honorable Mention, Harold G. Henderson Haiku Awards, Frogpond, Volume 39 Number 3, Autumn 2016

 

dust devils - THE RED MOON ANTHOLOGY OF ENGLISH-LANGUAGE HAIKU 2016, edited by Jim Kacian & The Red Moon Editorial Staff, Red Moon Press, 2017

 

For a longer poem with a pen reference, rich in imagery and family dynamics, here's a link to a treasure from Seamus Heaney's Death of a Naturalist (Oxford University Press, 1966):

 

 

Digging

 

by Seamus Heaney


Between my finger and my thumb
The squat pen rests; snug as a gun.

...

 

Click here for the poem. 

 

 

If you're a fountain pen fan, you might enjoy this 2016 article by Elizabeth Vogdes that I stumbled upon.  It's from the Swarthmore College Bulletin, "The Poetry of Pen and Ink."

 

What's your favorite way to commit poetic inspirations to paper - or, are you all electronic?  Or is a vintage typewriter your mode of literary record? My aforementioned friend Paula loves itty bitty ends of pencils! I'll grab whatever is handy, but I do love real pens.  Dip pens are best, but  Pigma Microns come in handy if I need a narrow line in a jiffy, or a way to write tiny text on little stained price tags for my items in local shops.

 

Do you like bold color? India ink? Do you end up with all the pens in the universe in the bottom of your purse (for those who carry purses)? Would you be caught without a pen?

 

Thanks for visiting, and be sure to check out all the luscious lines rounded up by Matt this week at Radio, Rhythm & Rhyme. (He's got an interview with Leslie Bulion, and a giveaway!)  Thanks, Matt. Also, follow along with our annual Kidlit Progressive Poem - here's a link to it from Jama's Alphabet Soup, and while you're there, check out Jama's roundup of Kidlit Poetry Month goodness! 

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Poetry Friday - Thought for Food.... and a Haiku

 

Greetings, Poetry Lovers!

 

Our ever-effervescent hosts for Poetry Friday this week are Sylvia Vardell and Janet Wong, over at Poetry for Children.

 

They have some tasty poetic fare today - a brand new anthology called WHAT WE EAT, full of poem-dishes by both new and familiar poets.  I look forward to partaking of these wonderful new poems!

 

I've got a haiku today that, on the surface, is about food as well -  albeit with a more adult and somber tone.  It's in the current issue of MODERN HAIKU

 

 

estate sale

soup cans still

on the shelf

 

 

©Robyn Hood Black.  All rights reserved.

Modern Haiku, Vol 53:1

 

 

As an all-things-vintage lover, I do enjoy perusing antique stores, thrift shops, and the occasional estate sale.  This poem was written after visiting such an in-home sale last year, from which I emerged with a perfect heavy old straight chair for our new (second) home on the other side of the state in the SC hills. 

 

But walking through the close rooms last summer, I was struck by someone's life (I don't know whose) preserved in the moment by a few details on display for the roaming bargain hunters.  A dog leash still dangling from its hook by the back door, and soup cans standing at attention in the small, open pantry.

 

Thanks for coming by, and enjoy all the flavors of poems rounded up by Janet and Sylvia this week. 

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Poetry Friday - Squirrel Update, Morning Glories, and Haikupedia...

 

Greetings, Poetry Lovers!

Just a couple of nice surprises this week, and another recent one.  I'm finding I appreciate those more and more….

 

First, the pictures.

 

Out of the blue I received an update on that baby squirrel I rescued a few weeks back.  (I blogged about that here.)  The wildlife rehabilitator who took the wee one on for the long term texted me this adorable picture.  And though I initially thought it was a 'he' – I was evidently wrong.  It's a SHE.  Here's what the rehabilitator wrote:

 

She is doing really well, no injuries - she just needs to be bigger.  Maybe a month and she will be released if it's warm out, but she is sweet.  I named her Robin.  It's funny because her adopted brothers are Pooh, Tigger, Piglet, Owl, and Roo, so Christopher "Robin" just worked.  Thanks for saving her.

 

Her unexpected update made my heart happy.

 

Another more subtle surprise recently is that the  rambling morning glory vine that used to confine itself to the back fence has journeyed to the side deck stairs and covered the wonky gate as well.  When we had two beautiful red hibiscus blooms this week, I decided to take a phone picture and also discovered the gentle purple flowers photobombing the larger plant.   If a plant can be effusive, that describes the morning glory vine here lately.

 

Finally, a surprise from a couple of months ago.  I was thrilled to open an email and discover an invitation to submit a bio and picture for The Haikupedia project over at The Haiku Foundation.

 

Haiku poet and editor Tzetzka Ilieva has been helping with this massive undertaking and explains it this way:  "The objective of this enormous project, initiated by Charles Trumbull and other members of The Haiku Foundation, is to create an online encyclopedia of everything about haiku." 

 

I had heard about it and knew that noted poet, editor, publisher, and haiku historian Charles Trumbull was at the helm.  I was thrilled years ago when he was still editor at Modern Haiku and he accepted some of my work, along with offering an encouraging word or two, which I greatly appreciated.

 

Here's a one-line haiku of mine from Modern Haiku just a few years back:

 

 

one door closes morning glories

 

 

 ©Robyn Hood Black.  Modern Haiku, Vol. 49.1, Winter-Spring 2018

 

 

You can learn more about Haikupedia here.

And here's my page there; I'm thrilled to be included.  [Also, very grateful to the wicked camera skills of Ginnie Hinkle, my son's girlfriend, for the new head shots!]

 

 

Here's hoping any surprises coming your way this week are pleasant ones. For inspiring poetic surprises, be sure to visit our amazing Irene, rounding up Poetry Friday for us at Live Your Poem.  Thanks, Irene!

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Poetry Friday - Featured in Local Life Magazine!

 

Greetings, Poetry Lovers!  Oh, I've missed you so.  I've been out of town and out of pocket much of the last couple of months.  This time last year, I was quarantined and caring for family members with Covid, right after the death of my father-in-law. What a difference a year makes.  

 

Since May, we've celebrated my sister's wedding in Florida; our son's graduation from grad school at Candler/Emory in Atlanta; a postponed-from-the-holidays family gathering on my husband's side in Georgia; and the wedding of a dear friend's daughter last weekend in Georgia. Also, on Mother's Day weekend, I made a crazy solo trip to the Upstate (the foothills and mountain-y part of South Carolina) to be the first person to see a house that was coming on the market, as we've been hunting a second home/retreat-type place closer to our kids for weekends and holidays and such.  We bought it!  And, yes, it was a crazy experience in a crazy market. 

 

Then another trip over so my hubby Jeff could see what we were buying.... Then out of the blue I learned that rent for my downtown studio/shop space was going up by 70 percent(!). So I packed up seven years worth of artistic hoarding and clunkily moved it all to my house - still sorting it out here. Shhh.  That was right after said son took much of his stuff out of the house post-graduation, to move with his girlfriend to the North Carolina high country.  (His closet is now full of art and framing supplies and such.)  Then came our house closing and moving a bunch of stuff there, and taking a week to set it up and take care of repairs and lots of little necessary things.  [Jone, if you're reading this, you'll like that I've decorated it all with Celtic/Scottish, British, and Irish themes!]

 

And in the midst of all of this wonderful activity, I was invited to submit work to the Local Life Magazine here to be the featured poet for July, and the kind editors and staff chose several summer-friendly haiku to publish this month!  The poems are accompanied by a stunning photograph from the month's featured photographer, Joan Edkhardt. What a treat and what an honor.  

 

You've probably seen most of these before, but here are the poems included, followed by names of the journals in which they first appeared:

 

 

my small insights

a hummingbird

at the trumpet flower

 

 

night thunder

shaking the house

and the dog

 

 

hatchlings - 

beyond orange tape

the sea

 

 

telling it slant

a ghost crab

slips into a hole

 

 

between 

rounds of rain

rounds of treefrogs

 

 

(Haiku originally published in Modern Haiku, Prune Juice, Frogpond, Acorn, and bottle rockets. Poems ©Robyn Hood Black.)

 

 

Click here to peruse the entire issue of our local Local Life Magazine - my poems are almost at the end, and there is a lot of fun sizzle between the covers of the "hot" July issue! 

 

For lots more summer and lots more poetry, visit our wonderful Molly at Nix the Comfort Zone! Thanks for hosting the Roundup, Molly, and Stay Cool, All. 

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Poetry Friday - Issa's Dewdrops, Continued... and, Cicadas!

"dewdrop" by noahg. is licensed with CC BY 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by/2.0/

 

Greetings, Poetry Lovers!  We are continuing the "Issa's Dewdrops" journey over here, every Friday in National Poetry Month.  Many thanks to Dr. David G. Lanoue, professor, author, poet, and Issa scholar, among other things, for sharing some recent translations of the poetry of Kobayashi Issa (1763-1828), along with his own commentary.  David has translated more than 10,000 of Issa's poems in the last 30 years, and several hundred new ones while in quarantine over the last year.  Here is David's website, and if you'd like to catch up with the series here, feel free to peruse week one's post here, week two, here, and last week's, here.

 

"The dewdrop haiku, I believe, represent Issa's most important image--at the core of his philosophy," David says.  

 

We'll look more at a bit of the spiritual component of Issa's dewdrop haiku next week.  This week, just enjoy some more of the transient beauty, and David's comments!

 

 

1808

 

.夏山や目にもろもろの草の露

 

natsu yama ya me ni moro-moro no kusa no tsuyu

 

summer mountain--

dewdrops in the grass

all shapes and sizes

 

 

A haiku of keen perception with just a hint of a social and religious message.

 

 

 

1808

 

.おく露やおのおの翌の御用心

oku tsuyu ya ono-ono asu no o-yôjin

 

dewdrops forming--

each by each no worry

till tomorrow

 

 

Issa is being playfully ironic. Since dewdrops don't last past noon, they never see tomorrow.

 

 

 

And, because many of us are nature lovers, and lots of Poetry Friday regulars live in the following states:  

Delaware, the District of Columbia, Georgia, Illinois, Indiana, Kentucky, Maryland, Michigan, New Jersey, New York, North Carolina, Ohio, Pennsylvania, Tennessee and Virginia...

I thought we should look to Issa to pay homage to an amazing event that is set to "emerge" in these next couple-few weeks:  the Brood X, 17-year cicadas! 

 

Here's a CNN article about them. Billions (with a 'b') will be making themselves known very soon; I'm sure their calls and images will be filling up backyards and news outlets. Watch your step! Seventeen years ago, I had a child in middle school, another in elementary school, a couple of part-time middle school English classes to teach, and a farm-full of animals in North Georgia. What were you up to then?

 

Maybe these unusual large, loud insects will inspire you to write some haiku about them (traditionally, a popular subject). You can do a search for Issa's cicada haiku at David's archive here.  You'll find several dozen, such as these:

 

 

 1804

 

.大雨や大ナ月や松の蝉

ôame ya ôkina tsuki ya matsu no semi

 

big rain

big moon

cicada in the pine

 

A wonderful minimalistic scene.

 

 

 

1822

 

.そよ風は蝉の声より起る哉

soyo kaze wa semi no koe yori okoru kana

 

the soft breeze

from the cicada's voice

wafts

 

Literally, the voice of the cicada is the soft wind's origin, as if its rasping song has stirred the air to gentle movement--one of Issa's more fanciful images.

 

 

If you'd like some tips on how to "write like Issa," well, David has a book for that!  I'm thrilled to have a poem in it.  You can learn more about Write Like Issa just below the search box on David's Issa page, here

 

One last cicada haiku for now, because it's also a dewdrop haiku: 

 

 

1811

 

.露の世の露を鳴也夏の蝉

tsuyu no yo no tsuyu wo naku nari natsu no semi

 

in a dewdrop world

singing of dewdrops...

summer cicada

 

Sakuo Nakamura notes the religious (Buddhist) feeling in this haiku. 'Dewdrop world' suggests fragile life: how all living beings die so quickly. The phrase, "singing at dewdrops," means "singing for a very short time." He adds, "The dewdrop will soon disappear when the sun rises, and yet the summer cicada is alive and singing with pleasure, like a human being. He is not aware of his short life."

 

Shinji Ogawa notes that tsuyu wo naku means "singing of dewdrops." He adds, "Of course, what the cicadas are singing about depends upon who is hearing it. At least to Issa, the cicadas are singing of the dewdrops, of the fragile life."

 

 

All poem translations and commentary ©David G. Lanoue.  Rights reserved. (Many thanks to David for his generosity.)

 

Here's to a continued, wonderful Poetry Month....  I was delighted to share a video on Thursday as part of Michelle Schaub's Poetry Month project at PoetryBoost.com, a different poet featured each day.  (My offerings were a few spring-related haiku, shared from my back yard.) My daughter Morgan and her third graders in Georgia have been tuning in all month!

 

And, I had fun contributing a line to the Kidlit Progressive Poem, which lands at Janice's Salt City Verse  today. 

 

Catch more Poetry Month magic at today's Poetry Friday Roundup, graciously hosted by Catherine at Reading to the Core.  (She has a gorgeous dewdrop photo at the top of her blog, by the way....)

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Poetry Friday - Some Humorous Issa Dewdrops...

©David G. Lanoue. Rights reserved.

 

Greetings, Poetry Lovers!

 

Thank you for continuing on this Poetry Month dewdrop journey with Kobayashi Issa (1763-1828), courtesy of the work of author, poet, and professor David G. Lanoue. (Not sure what I'm talking about?  Here are links to my intro post for April 2  and last week's post for April 9 .)

 

We'll be delving into Issa's dewdrop symbolism more deeply next week, and in the final post for this year's "bonus" Friday in April the week after that. But now that you've gotten a taste of these glorious dewdrops – shining gems of transience that they are – I thought you might enjoy a little break for humor here in the middle.

 

As you might recall, Issa's life was full of tragedy and hardship and loss.  His respectful sensitivity to small, vulnerable creatures, disenfranchised people, and even to drifting plants and tiny dewdrops has made his work endearing to generation after generation of readers. BUT, Issa embraced and expressed not just the melancholy or poignant moments of life; his poetry offers up plenty of gladness and humor - often ironic - as well.

 

The poem pictured above could have been penned this year, right?  Especially in light of the pandemic. 

 

young folk

just don't get it...

evening dew

 

Of this haiku, David writes:

 

Young people don't understand the Buddhist lesson of impermanence that the dewdrops teach.  In Issa's time as in our time, they assume that they'll live forever.  Maybe that's a good thing?

 

 

Here are a few more of David's dewdrop haiku translations that I hope bring a smile:

 

 

1810

.ひきの顔露のけしきになりもせよ

hiki no kao tsuyu no keshiki ni nari mo seyo

 

 

face of a toad--

adopt the mood

of dewdrops!

 

 

In Issa's poetic vision the faces of toads always appear grumpy. Here, he encourages the scowling toad to adopt the (calm? peaceful?) attitude of the dewdrops.

 

 

And another address to a wee creature:

 

 

1816

.白露の玉ふみかくなきりぎりす

shira tsuyu no tama fumika[ku] na kirigirisu

 

don't crush

the dewdrop pearls!

katydid

 

 

A katydid (kirigirisu) is a green or light brown insect, a cousin of crickets and grasshoppers. The males possess special organs on the wings with which they produce shrill calls. Although katydid is the closest English equivalent, many translators (such as R. H. Blyth) use the more familiar "grasshopper" and "cricket." See Haiku (Tokyo: Hokuseido, 1949-1952; rpt. 1981-1982/reset paperback edition) 4.1068-69.

 

And, speaking of insects:

 

 

1821

.朝露や虫に貰ふて面あらふ

asa tsuyu ya mushi [ni] moraute tsura arau

 

morning dew--

washing my face

adding a bug

 

 

Issa uses the dew (from grass, presumably) to wash his face. He ends up with a visitor. Issa is the most humorous of the great masters of haiku, but his humor often seems to evoke a deeper level of meaning--as (I believe) it does here.

 

 

And last but not least today:

 

 

1821

.ばか蔓に露もかまふなかまふなよ

baka tsuru ni tsuyu mo kamau-na kamau-na yo

 

 

hey dewdrops--

don't tease

the foolish vine!

 

 

Issa imagines that the "foolish" vine is thinking that the droplets on its leaves signify rain (hence badly-needed moisture for its roots), but instead they are only tantalizing dewdrops that will soon evaporate.

 

All haiku translations and comments ©David G. Lanoue.  Rights reserved.

 

Many thanks to David for permission to share!

 

AND:  Wishing everyone a **HAPPY International Haiku Poetry Day** tomorrow, Saturday, April 17! :0)

 

Be sure to visit the always-fabulous Jama's Alphabet Soup for this week's Roundup.  Are you following the Kidlit 2021 Progressive Poem?  If, like me, you've gotten behind – no worries!  You can jump in any time and get caught up.  Margaret has a list of all the links here.

 

Keep smiling!

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