Okay – my posts are usually pretty tame; but today young children and eighth-grade boys should probably leave the room. ;0)
Wednesday night I caught the “Europe” episode of a PBS Nature series, “Earthflight.”
Fascinating stuff: cameras literally capture a bird’s eye view of our planet as birds migrate across the continents. I was rather charmed with the way male cranes and storks go ahead of their mates to spiff up the nest and put their best avian foot forward to impress their ladies for breeding season.
I thought of that again today (bear with me) when I was playing around with some cool 1950s metal letters I’ve been framing for this weekend’s Art in the Square
here in north Georgia. Why? Well, I made the above “Carpe d’ M” picture, which got me pondering the concept (I’m a seize-the-day kind of gal), which led me to looking at a “carpe diem” poem I probably haven’t read since college.
You, know, English poet Andrew Marvell’s “To His Coy Mistress.” Marvell (1621-1678) penned these lines toward the end of his “invitation” to a certain young lass:
“Now let us sport us while we may,
And now, like amorous birds of prey… .”
The PBS birds weren’t birds of prey (though there was some amazing footage of a Peregrine falcon trying and failing to nab a starling in a murmuration), but they were certainly amorous. How odd to read this poem again when I’m not quite crone (though that is not terribly far away), but I’m w-a-y past maiden. I find myself chuckling at the 300-year-old pick-up lines.
Here they are:To His Coy Mistress
By Andrew MarvellHad we but world enough, and time,
This coyness, Lady, were no crime.
We would sit down and think which way
To walk and pass our long love's day.
Thou by the Indian Ganges' side
Shouldst rubies find: I by the tide
Of Humber would complain. I would
Love you ten years before the Flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow;
An hundred years should go to praise
Thine eyes and on thy forehead gaze;
Two hundred to adore each breast;
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart;
For, Lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time's wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song: then worms shall try
That long preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust:
The grave's a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapt power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Thorough the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.
I mean, “The grave's a fine and private place/
But none, I think, do there embrace” – that’s better quipped than late night TV monologues, don’t you think?
Please click here
to learn more.
This poem also brought to mind a piece of the soundtrack of my teenage years – anybody else remember? – “Only the Good Die Young” by Billy Joel. Of course, this song got the young Joel in a heap of trouble with Catholics, though its banning only resulted in skyrocketing sales. Click here
for a little more on that.
I suppose if we banned all carefully crafted entreaties of lusty young men from our literature, our books would weigh far less. And then, if we found ourselves missing all that strutting and preening, we could just look to the birds.
Now, flap your way over to The Opposite of Indifference
to enjoy today's Roundup with Tabatha, who keeps a bird's eye view of just about everything. Read More