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Life on the Deckle Edge

Poetry Friday - a Taste of the 1920s with Amy Lowell



Greetings, Friends! Happy Poetry Friday. Not exactly sure how last week slipped sand-like through my fingers, but summer sometimes has that effect...

Speaking of such, I'm all about time today. Over at my art blog I have a short post about 1920s accents found on Etsy in our daughter's wedding a few weeks ago. So, time as in periods of time. That got me thinking about a book I recently bought, published in the '20s. I actually bought this one to read rather than to repurpose!

It's an edition of Amy Lowell's Pulitzer Prize-winning What's O'Clock (Houghton Mifflin Company). Isn't that a splendid title? It's from Shakespeare's King Richard III.

I'm a fan of Amy Lowell's - well, all those early 20th-Century imagists. She died in 1925, the year What's O'Clock was published, along with her biography of Keats.

I'm still exploring the poems, but because of my Lowcountry locale must share these two from the collection, as Charleston and Middleton Place (where my hubby and I stayed one weekend last fall) are just a bit up the road.


CHARLESTON, SOUTH CAROLINA


Fifteen years is not a long time,

but long enough to build a city over and destroy it.

Long enough to clean a forty-year growth of grass

            from between cobblestones,

And run street-car lines straight across the heart of

            romance.

Commerce, are you worth this?

I should like to bring a case to trial:

Prosperity versus Beauty,

Cash registers teetering in a balance against the com-

            fort of the soul.

then, to-night, i stood looking through a grilled gate

At an old, dark garden.

Live-oak trees dripped branchfuls of leaves over the

            wall,

Acacias waved dimly beyond the gate, and the smell

            of their blossoms

Puffed intermittently through the wrought-iron scroll-

            work.

Challenge and solution -

O loveliness of old, decaying, haunted things!

Little streets untouched, shamefully paved,

Full of mist and fragrance on this rainy evening.

"You should come at dawn," said my friend,

"And see the orioles, and thrushes, and mocking-

            birds

In the garden."

"Yes," I said absent-mindedly,

And remarked the sharp touch of ivy upon my hand

            which rested against the wall.

But I thought to myself,

There is no dawn here, only sunset,

And an evening rain scented with flowers.




[**NOTE/UPDATE: The Middleton Place poem below contains French references as well as words of sadness and of death. When I posted this on Thursday, it was before seeing reports of the extensive horror that occurred in Nice. Our hearts are, once again and much too soon, with the people of France.**]



THE MIDDLETON PLACE

Charleston, S. C.


What would Francis Jammes, lover of dear, dead

            elegancies,

Say to this place?

France, stately, formal, stepping in red-heeled shoes

Along a river shore.

France walking a minuet between live-oaks waving

            ghostly fans of Spanish moss.

La Caroline, indeed, my dear Jammes,

With Monsieur Michaux engaged to teach her de-

            portment.

Faint as a whiff of flutes and hautbois,

the great circle of the approach lies beneath the

            sweeping grasses.

Step lightly down these terraces, they are records of

            a dream.

Magnolias, pyrus japonicas, azaleas,

Flaunting their scattered blossoms with the same bra-

            vura

That lords and ladies used in the prison of the Con-

            ciergerie.

You were meant to be so gay, so sophisticated, and

            you are so sad,

Sad as the tomb crouched amid your tangled growth,

Sad as the pale plumes of the Spanish moss

Slowly strangling the live oak trees.


Sunset wanes along the quiet river.

the afterglow is haunted and nostalgic,

Over the yellow woodland it hangs like the dying

            chord of a funeral chant;

And evenly, satirically, the mosses move to its inef-

            fable rhythm,

Like the ostrich fans of palsied dowagers

Telling one another contendedly of the deaths they

            have lived to see.




And, finally, of course I must share a few gems from

TWENTY-FOUR HOKKU ON A MODERN THEME

(Hokku technically refers to the first verses of a renga. We would say "haiku" now, and it could be argued some of these are more "haiku-like." The imagists were influenced by Japanese poetic forms.)


            I

Again the lakspur,

Heavenly blue in my garden.

They, at least, unchanged.



            XIX

Love is a game - yes?

I think it is a drowning:

Black willows and stars.



            XXIV

Staying in my room,

I thought of the new Spring leaves.

That day was happy.




Thanks for spending YOUR time meandering through Amy Lowell poems over here today.

Please visit our Chief Rounder-Upper and wonderful poet and teacher herself, Mary Lee at A Year of Reading for today's Roundup.

[--& HUGE congrats this week to our own Irene Latham, who was just awarded the International Literacy Association (ILA) Lee Bennett Hopkins Promising Poet Award! Also - still celebrating our own Amy Ludwig Vanderwater, recipient of the first Lee Bennett Hopkins SCBWI Poetry Award this spring. So much talent throughout these Poetry Friday rounds....] Read More 
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