Also, the spring issues of several haiku journals are out, and I’m honored to have my work in a few of them. In addition to the Modern Haiku link I shared week before last, I’ve got a poem each in The Heron's Nest, and A Hundred Gourds. (Click to read.)
The work of my terrifically talented friend and Berry Blue Haiku editor Gisele LeBlanc is featured in these issues as well. Unbeknownst to each other, we both just received acceptances for the April issues of Acorn as well as for Prune Juice.
Gisele’s work also appears in Shamrock this month, and I just received an acceptance from Chrysanthemum for the April issue.
I’m humbled and thrilled about all of these. One thing I love about the English-language haiku journals is that they are published in so many different countries and the works of poets from all over the world can appear on the same page.
If you don’t have time to click and enjoy the haiku on the pages above, I’ll leave you with Gisele’s and my poems from the new issue of The Heron’s Nest:
the big dipper
my dog keeps searching
for the right spot
Spanish moss dipped
Robyn Hood Black
My haiku formed itself as I walked in my folks’ Orlando neighborhood last year during a trip to my hometown. While I love the beauty of the north Georgia mountains, there’s something so singular about the nature of light in Florida that always seizes me when I visit. I grew up there and didn’t really notice this difference in the quality of the sky, the brightness of those tropical colors, until I moved away. The landscapes here near the Appalachians are lovely, but the colors are generally more subtle, the light less intense. And unless you head to southern and coastal parts of Georgia, we don’t have all that dramatic Spanish moss dripping from the trees.
For lots of great poetry to light up your day, visit the Poetry Friday Roundup hosted by the delightful and insightful Myra at Gathering Books . Be sure to wish her Happy Birthday!