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Life on the Deckle Edge

Poetry Friday - Sunshine, Daisies, and Emily Dickinson

Yay Images


Feel those rays? There’s been a lot of sunshine in the blogosphere in past weeks. Folks have been bestowing “The Sunshine Award” on fellow bloggers whose posts brighten their days.


The Rules go something like this:
Acknowledge the nominating blogger. Share 11 random facts about yourself. Answer the 11 questions the nominating blogger has created for you. List 11 bloggers. They should be bloggers you believe deserve some recognition and a little blogging love! Post 11 questions for the bloggers you nominate to answer and let all the bloggers know they have been nominated. (You cannot nominate the blogger who nominated you.)


As usual, I’m late to the party, but thankful to these three folks who nominated me (with links to their Sunshine Award posts) – Betsy at Teaching Young Writers , Michelle at Today’s Little Ditty, and Keri at Keri Recommends .

And, as usual, I’m not playing by the rules. So many wonderful Poetry Friday bloggers (and others) have been nominated, I’m already behind on visiting those posts! Also, I’m in the midst of this big move and pretty stretched these few weeks. So I will end this post with my 11 random facts and answer some of the questions from each of the three posts above. Then I’d like YOU to either share a random personal fact in the comments, or answer one of the questions yourself. :0) (I stole this idea from Jama’s comments on other Sunshine posts…!)


But first, let’s enjoy some sunshine with Emily D, shall we?

The daisy follows soft the sun

by Emily Dickinson

The daisy follows soft the sun,
And when his golden walk is done,
Sits shyly at his feet.
He, waking, finds the flower near.
"Wherefore, marauder, art thou here?"
"Because, sir, love is sweet!"

We are the flower, Thou the sun!
Forgive us, if as days decline,
We nearer steal to Thee, —
Enamoured of the parting west,
The peace, the flight, the amethyst,
Night's possibility!


You can hear Garrison Keillor read the poem here.

I learned a thing or two about Emily from the Academy of American Poets site while exploring this poem. For one, “one-third of her brilliantly idiosyncratic poems have wildflowers or other flowers as their subject.” And, at 14, our Emily created “a herbarium, a popular pastime for girls in the mid-1800s.” Click here for more. Also, this daisy poem is most likely romantic – though I think I had that figured out on my own.


Now, turning the daylight on my random facts:


1. In elementary school, I was a background person in an Eastern Airlines commercial at Walt Disney World.

2. I once made up a song about my pet lizard (a green anole, really) with the oh-so-creative-title, “Little Bobby Lizard.” I’ll sing it for you if you like…

3. Like Michelle, I’m an INFJ. And an Aquarius. (Guess that was two facts, so we’ll skip to #5.)

5. I’m not great at math.

6. Willie Nelson once jammed in my living room when I was little. (My dad managed a country radio station way back when.)

7. I learned to take care of and haul horses in my 30s. (We moved back toward town from our farm, though, several years ago.)

8. I hung out with captive wolves in my 40s.

9. Just over a year ago, I rescued a tiny Chihuahua from the middle of what’s technically a highway through town. (I have since learned it’s not terribly smart or legal to stop your car in the middle of a highway. We both must have nine lives. I mean, eight….)

10. I could pretty much live on granola and Greek yogurt.

11. Daisies were the flowers at my wedding, 30 years ago this coming June!


Here are the questions, hand-picked because I’m making up my own rules. (Hey - Mary Lee did it!)


--from Betsy:

Who was the most influential teacher in your life?


Doris Jarvis. Sixth grade and also Junior High English. She believed I could write, so I did, too.

What is the best thing you've ever written? What was it about?

Probably a very short haiku! And probably about my late father.

Where would you love to vacation?

Italy. ( Renée, are you listening? One of these days, I’m showing up at your doorstep!)

Do you collect anything? What?

Well, with my artsyletters adventure, I collect old typewriter keys, teetering stacks of vintage books, little rusty pieces of twisted metal I find on the side of the road….

--from Michelle:

What is your secret snack or guilty pleasure?


Dark chocolate in the door of the fridge. I break off pieces as needed.

Favorite music?

'70s rock. The soundtrack to my mid-teenage years that’s now considered “classic” (as in “old”!).

What are you reading now?

David G. Lanoue’s Haiku Guy series. Except, where did I put the one I was just reading? Have you seen it? It’s here somewhere….

What was the best advice ever given to you?

It will look different in the morning.

--from Keri:

A book you wish you had written?


Because of Winn Dixie by Kate diCamillo.

Unusual skill you possess?

I can wiggle my eyes.

Early bird or night owl?

Hooooot! hooot!

Something you loathe?

Brussels sprouts.

Something you love?

Reading with dogs (or cats) on the couch in front of a fire. The call of a red-shouldered hawk. Poetry Friday. Vulture silhouettes. The smell of ink. (Okay, okay - I’ll stop, but I love a lot of stuff…!) Puppy breath….

Now, speaking of Keri, go see what all she’s rounded up for Poetry Friday at Keri Recommends!

And leave some random fact or delicious tidbit about yourself below…. :0)
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Poetry Friday -Student Haiku Poet of the Month, Stuart Duffield

Stuart Duffield


This new year brings a continuing treat – the second in our series featuring a Haiku Student Poet of the Month from among Tom Painting’s students at The Paideia School in Atlanta. (You can read more about this award-winning poet and teacher here and meet our first featured student poet, Emma Jones, here.)


Today’s featured poet wowed the adult attendees at our recent Haiku Society of America Southeast Region ginko haikufest in Atlanta in October. Please welcome Stuart Duffield.

Stuart was born in Charlottesville, Virginia, and was raised in
Atlanta Georgia, where he currently attends The Paideia School. He was
first introduced to haiku by his 7th and 8th grade literature teacher,Tom
Painting, and has loved it ever since. Stuart’s other hobbies and
interests include general fitness, swimming, hiking, computer hardware,
and fashion.


Stuart shares a few of his thoughts about the genre:


It is often the most ordinary and common moments in my life that
haiku captures with its full breadth. These moments, many times ignored in
my fast paced life, are often most worthy of my attention, not because of
the immediate satisfaction of capturing the intricacies of nature in a
single breath, but rather the comfort it provides when I am most removed
from the things I love. Through this perspective, beauty is no longer
bound by the spindling webs of social structures and culture, but freed by
the feel of warm, moist sand underneath your feet, the warm breath blown
over the tip of your nose, the winds whipping at your cheeks and the
syncopated beats of crickets at dusk.





Now, please enjoy some of Stuart’s poems:



desert road
a javelina hides
behind a prickly pear



lazy afternoon
the cat
watches the bird feeder



desert sunrise
a cactus wren calls
from the ocotillo



sunlight through the garage window
the first chords
kick up dust



train whistle
ravens burden
a leafless tree



All poems ©Stuart Duffield. All rights reserved.

Many thanks to Stuart for sharing his fine work here this week!

Thanks as well to the Delightful Donna, hosting the Poetry Friday Roundup today at Mainely Write.
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Poetry Friday: Happy New Year with a Treasure from the (Victorian) Past...

CROWN JEWELS - And, as the steel engravings suggest, "Looking into the Future," I wish you a year of "Health and Beauty."

I went for a brisk walk New Year's Day morning, only to discover a package in the carport - evidently left by the postal carrier the afternoon before. Let's just say a holiday of opening presents continued... .

You've heard me gush before about my author friend and resident Etsy "expert" Kim Siegelson, who always keeps an eye out for perfectly imperfect vintage treasures. She has a wonderful Etsy shop, Perfect Patina. The last time we met for lunch and antiquing (is there a more perfect way to spend an afternoon?) she'd mentioned having an old book to send me, but I couldn't have imagined. Well, the title speaks for itself:

Crown Jewels
OR
Gems of Literature, Art, and Music
BEING
Choice Selections from the Writings and Musical Productions of the Most Celebrated Authors, From the Earliest Times:



(I'll omit the list of genres here, but "The Whole" does indeed form "A Vast Treasury of the Gems of Poetry, Prose, and Song"!) Its 632 pages, compiled by Henry Davenport Northrop, D. D., were published in 1888.

Here are some opening and closing lines from the Publisher's Announcement printed inside:

"This magnificent work, which comprises many books in one volume, is a vast treasury of the Choicest Gems of English Literature, in prose and poetry. It contains those resplendent jewels of thought, feeling and sentiment which fascinate, instruct and entertain the reader....
The Prospectus is very attractive, and shows at a glance the great superiority of this book over other similar works that are illustrated with cheap woodcuts. ..."


Gotta love those Victorians! Well, let's just say this collection will fuel some artsyletters inspiration for years to come. Thank you, Kim!

The poem I've chosen to share is from the first section, "The Home Circle." I suppose it's because we've been between homes lately - making this move from north Georgia to coastal South Carolina, with kids in colleges several hours away. Transitions are never easy, but I look forward to this adventure in our new home town, greeting each day from our new front porch. With afternoon tea out there, too, of course!

THE DEAREST SPOT OF EARTH IS HOME

by W. T. Wrighton

The dearest spot of earth to me
      is home, sweet home!
    The fairy land I long to see
      is home, sweet home!
There, how charmed the sense of hearing!
There, where love is so endearing!
All the world is not so cheering
    as home, sweet home!

      The dearest spot of earth to me
      is home, sweet home!
    The fairy land I long to see
      is home, sweet home!

I've taught my heart the way to prize
   My home, sweet home!
I've learned to look with lovers' eyes
On home, sweet home!

There, where vows are truly plighted!
There, where hearts are so united!
All the world besides I've slighted
    For home, sweet home!

      The dearest spot of earth to me
      is home, sweet home!
    The fairy land I long to see
      is home, sweet home!


Wishing a happy 2014 to your home, sweet home! Poetry Friday is at home today at I Think in Poems, where the Bedazzling Betsy has this week's Roundup.
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Poetry Friday - Here's the Buzz! Winter Poem Swap with Keri Collins Lewis



Happy Holidays! I hope yours are brimming with magic and poetry. I had the pleasure of participating once again in the "Winter Poem Swap" whipped up by our own sparkling and generous Tabatha Yeatts. I was paired with the delightful Keri Collins Lewis, who sent me the poem below.

I felt like the Universe was smiling, because Keri's family has a beekeeping farm, and she also sent me a box of goodies from it (wish you could smell the candle and taste the honey!), in addition to this marvelously educational poem. I had, just a few weeks before, met a beekeeping family at a holiday market - their booth was across from my artsyletters booth. I ended up buying jars of honey and little beeswax candles and such for Christmas presents for friends and family. And, as I told Keri, I'm the kind that buys something for others that I really want myself - ;0) - so I was more than thrilled to be on the receiving end of all the honey goodness from her Prairie Blossom Bee Farm. And just what are her bees up to this time of year...?


T'was the Day Before Solstice


T’was the day before Solstice and far from the hive
The beekeeper worried if her bees were alive.

She’d left supers full of fine honey, pure gold
in hopes that her bees would survive winter’s cold.

When out in the bee yard there ‘rose such a buzz,
The beekeeper dashed to see what the fuss was.

The sun shone so brightly the temperature soared
And out of the hive all the worker bees roared.

They dipped and they swooped as they stretched their cramped wings
They explored the bare landscape and longed for warm Spring.

As afternoon passed, sun and temperature dropped,
The bees’ winter waltzing slowed down and then stopped.

And she thought that they hummed, racing home for the night,
“A sweet season to all, may your new year be bright!”


©Keri Collins Lewis. All rights reserved.


By Keri Collins Lewis
For Robyn Hood Black
December 2013
Winter Poem Swap

Author’s Note:

The Winter Solstice, the longest night of the year, marks a turning point in the bees’ season. Once the days begin to get longer, the queen gears up for her egg-laying season to begin. To read more, visit http://romancingthebee.com/2012/12/21/the-winter-solstice-and-the-bees/.


Now, bet you learned something too, eh?

[If you'd like to see the poem I wrote for Keri, buzz on over to her blog, Keri Recommends. I had to work a bee into my poem as well.]

And then catch all the poetry buzz over at A Year of Reading, where Fearless Poetry Friday Leader Mary Lee has our Roundup today. (I'll try to catch up later - on the road doing a bit of holiday hive-hopping on our side of the world!)
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Poetry Friday - WE HAIKU HERE winds up with Terri French

HSA President David G. Lanoue and Regional Coordinator Terri L. French at the 2013 HSA SE Ginko Haikufest in Atlanta
photo by Curtis Dunlap


Thanks to everyone who's been tagging along for the adventure in our WE HAIKU HERE series, featuring speakers from our recent Haiku Society of America (HSA) Southeast Region's"ginko haikufest" in Atlanta. Today I'm thrilled to introduce Terri L. French, our hard-working, organized, and oh-so-talented regional coordinator.

Shortly after I stumbled into the HSA, and started looking around for a tribe in my area, magical emails appeared from this go-getter poet in Alabama. Terri had volunteered to take the reins in this part of the country with a history of terrific poets. She coordinated a regional meeting/weekend retreat in the Alabama mountains in 2012 (I couldn't make that one), and another this year in Atlanta (I did make this one!). What a special treat to meet people in person whom I'd only known by their bylines in journals, and a few by email. We are all grateful for Terri's vision and follow-through!

First, let's meet Terri:

Terri L. French referred to herself as a Massage Therapist who writes, but she has come to realize that she is truly a Writer who does massage therapy. Terri’s degree in journalism helps her to appreciate the short, concise elements in haiku and other haikai forms.

Her work has appeared in various journals, such as Frogpond, Modern Haiku, Daily Haiku, Contemporary Haibun Online, A Hundred Gourds and Moonbathing. She serves as the Southeast Coordinator of the Haiku Society of America and is editor of the online senryu and kyoka journal, Prune Juice. Terri and her husband, Ray, have four grown children and reside in Huntsville, Alabama.




Now, please enjoy some of Terri's poetry:



waiting room—
a fly climbs the stairs
on an Escher print


3rd Prize 2012 HSA Gerald C. Brady Memorial Contest




first freeze—
brushing frost
from the pansies' faces


Feb. 18, 2011 DailyHaiku




evening meditation
on the tao of the next wave
everything rests


haiga online, Issue 12-2, 2011




he brings flowers
the same shade—
bruises


Frogpond 34:3 and
2011 The Haiku Foundation Touchstone Award




distant thunder
the sound of an ellipsis


commendation The Haiku Foundation HaikuNow! Contest, 2013



smothered in face cream
grandmother reads
A Wrinkle in Time


A Hundred Gourds, 2:4, September, 2013



catching tadpoles
this summer he wades

d

e

e

p

e

r



from Terri's book, A Ladybug on My Words, available on Amazon. [Bought and recommended by yours truly!]

All poems ©Terri L. French. All rights reserved.



Finally, I asked Terri, "Why haiku?"

I tend to be a planner and often find my thoughts centered on the future. Haiku, much like my yoga practice, or performing massage, helps me to stay focused and to pay attention to what is happening in my current environment.

Thank you, Terri, for joining us today, and for all you do to promote haikai arts. And thank you for sharing your fine work here this week!

For more wonderful poetry, visit the wonderful Buffy at Buffy's Blog for this week's Roundup.

Wishing everyone a Merry Christmas! Next week I'll be sharing my special treasures received, poetic and otherwise, during the Winter Poem Swap.
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Poetry Friday is HERE with Haiku Society of America President David G. Lanoue

David G. Lanoue shares some of his favorite poems by Issa at the 2013 HSA SE Ginko Haikufest in Atlanta
photo by Raymond French


Greetings, Poetry Friday Friends! I'm hosting today from my soon-to-be home of Beaufort, SC, where we're slated for sunshine and highs in the 70s today. I send this freely to those of you whose windows are caked in ice and snow.

It's my great honor to continue our "We Haiku Here" series today with Haiku Society of America (HSA) president David G. Lanoue. He delivered a reading of Issa's work at our recent HSA Southeast Region's"ginko haikufest" in Atlanta. I've been featuring our speakers and their poetry the last few weeks. We'll welcome a special student guest next week, and then regional coordinator Terri L. French will round out the series.

Our gathering was called "gazing at flowers," in honor of haiku master Issa's 250th birthday, and it was a special treat to have our HSA president participate!

David G. Lanoue is a professor of English at Xavier University of Louisiana. He is a co-founder of the New Orleans Haiku Society, an associate member of the Haiku Foundation, and the president of the Haiku Society of America. His books include Pure Land Haiku: The Art of Priest Issa, Haiku Guy, Laughing Buddha, Haiku Wars, Frog Poet, Dewdrop World and Issa’s Best: A Translator’s Selection of Master Haiku. He maintains The Haiku of Kobayashi Issa website, for which he has translated 10,000 of Issa’s haiku.


I asked David to please tell us a little bit about Issa and share a few of his favorite Issa haiku.

Issa, which literally means "One Tea," is one of the great haiku poets of Japanese tradition. He lived from 1763 to 1828 (even though most sources still make the mistake of assigning 1827 as his death year). He was brilliantly prolific, writing over 20,000 haiku in his lifetime. Down to earth, human, sympathetic to all life--from noble horses down to tiny fleas; Issa is loved by readers all over the world. Despite many hardships--losing his mother when he was a child, enduring the abuse of a hateful stepmother, having to go into exile at a young age, and, later in life, mourning the deaths of four children and his first wife--Issa remarkably retained his sense of humor and love for life throughout his poetry. As for sharing some of my favorite Issa haiku, I've culled 1,210 of them from my online archive of 10,000 and put them into a book (Issa's Best—available from Amazon as a paperback and as e-books for Kindle and Nook, hint, hint), so it’s terribly hard for me to narrow it down further. So, I’ll just flip through the book and pick five random ones that catch my eye. Enjoy...

chin-deep
in the fallen blossoms . . .
a frog

on the high priest’s
head . . .
flies making love

lightning flash –
no way to hide
the wrinkles

blooming
with butterflies
the dead tree

resting
on the big dog’s head
dragonfly


I also asked David to share a few of his own...

Translating Issa for 26 years inspired me to try my hand at writing original haiku. Here’s a sampling of five:

the old priest dines
his wine
just wine

a "Lost Dog" sign
nailed deep
into the oak

one star
over the airport
another Beatle has died

pizza parlor
after the murders
help wanted

when he reaches the square
the beggar
becomes lame


Poems ©David G. Lanoue. All rights reserved.

The above were first published in Modern Haiku 30.1 (1999); Frogpond27.2 (2004); Frogpond 31.1(2008); Haiku Wars(2009); and Senryu Therapy: American-Romanian Anthology(2012).

Of course, I asked David my "Why haiku?" question:

Here's something I wrote recently for the Haiku Foundation blog about where my haiku come from:

My haiku always begin with some sort of stimulus—a glimpse, a scent, a memory—about which I suddenly have a strong feeling that “There’s a haiku in this.” I’m curious to find out what I will say about this “this.” When I take out pen and paper, or more recently, the iPhone, I’m trying to catch the momentum of an impulse to discover. The first image is always easy; it’s the spark that ignited the curiosity. The second image or, perhaps, thought, will be the discovery which, if I’m lucky, will make the quick journey from part A to part B a haiku. For this step I rely on everything I know and have felt, my deep intuitions, my lifelong love affair with the English language, and, trusting in all this, nine out of ten times the second part comes even as I am writing it down—and I have a haiku. Whether or not it’s a good haiku is a matter to be decided later, but for the time being I’m content to add it to the computer file titled “MyKu” that contains over 3,000 similar bursts of discovery, from 1983 to yesterday.



AND, I asked David who should join the HSA...

Who should join the HSA ? Anyone who'd like to cultivate an interest in haiku, as a reader of it, a writer of it, or both. The HSA provides a great opportunity for the English-speaking haiku community in North America to stay in touch and share their love of haiku. Workshops, conferences, an annual members' anthology, a subscription to our journal Frogpond (published three times a year) and one-on-one mentoring opportunties are all available to HSA members. I've been a member since forever, and I've always felt that I've gotten more out of the HSA than the annual membership fee ($35 these days for US citizens) could ever pay for. In fact, as I write this note I'm reminded that I haven't rejoined for 2014, so I'll do so today!

To learn more about David or Issa, please visit his Haiku Guy website. You can even sign up in Yahoo groups for an Issa poem to be sent to you each day! Also, this week I blogged about Haiku Guy, the first in David's series of haiku novels, at Janice Hardy's writer blog, The Other Side of the Story.

Now, what are you offering up today? Please leave your link in the comments, and I'll round them all up between sunshine breaks.

Good Poetry Friday Morning!

If you have a pulse and an inbox, you will relate to Michelle’s hilarious original “Cyber Seduction” poem about ringing in the online holiday spending season over at Today’s Little Ditty

At Bald Ego, Charles combines two of my personal favorites: Van Gogh and the villanelle! He also has Couplets for Picasso if that’s your couplet of tea. (Wonderful art by son Chip, too.)

Laura brings us another of Joyce Sidman’s poems from WHAT THE HEART KNOWS – “Song of Bravery” at
Writing the World for Kids. (This one seems especially appropriate today, as the world mourns the loss of Nelson Mandela.)

Along the theme of world leaders, Linda at Teacher Dance marks the recent 50th anniversary of the assassination of John F. Kennedy with a post about Robert Frost and Kennedy – how Frost wrote the first presidential inauguration poem yet read another at the ceremony, and links to more about all that.

Catherine at Reading to the Core has a poem by Minnesota Poet Laureate Joyce Sutphen, “What the Heart Cannot Forget” – made me sigh out loud.

Who wants pie? Get over to Gottabook and have an original slice with Greg! It’s pre-fib pie. (You’ll have to click to see what I mean.)

If your hunger is of a more serious vein, be sure to read Myra’s offering at Gathering Books - a striking poem called “Hunger” by Nerisa Guevara (& check out previous posts featuring her work, too).

Dear Tabatha at The Opposite of Indifference brings us a terzanelle by Lewis Turco, and an ornament made by yours truly. (I didn’t pay her, I promise!) Don’t you just love the word, “terzanelle?”? And in the featured poem, don’t you just love the word, “hourdust”?

At Carol’s Corner, Carol features a powerful new poetry picture book by Daniel Beaty, KNOCK KNOCK, illustrated by Bryan Collier. (I couldn’t make it dry-eyed through the video either, Carol.) Carol comments that she has shared the picture book about Issa, COOL MELONS TURN TO FROGS (on my shelf too, of course!) for years. “In some sense,” Carol writes, “Beaty and Issa have a lot in common--both men have had really difficult lives and have used poetry to create meaning.”

Mary Lee at A Year of Reading is in with an ode to – her big toe?! (Please do check out the bandage art. And, heal fast, Mary Lee!)

**ALSO** – Mary Lee is issuing a call for Poetry Friday Roundup hosts for Jan. – June , so get thee hence and claim a date! (I’m off to go do that right now. Back in a minute….)

At The Drift Record, Julie has William Ernest Henley’s (1849–1903) poem, “Invictus,” honoring the man who will always be associated with it, Nelson Mandela.

Greg had pie, Laura has cookies… Go visit Author Amok for Myra Cohn Livingston’s “Christmas Cookies,” PLUS directions on how to make “Paintbrush Cookies” (now that’s right up my artist’s alley) PLUS other poetically tasty links.

Do you hear some jingling? Well, then you must be near Betsy’s I Think in Poems blog, where she shares some “Jingling Chatter” today. Drop in with one of Laura’s cookies.

Tara at A Teaching Life honors Nelson Mandela today with two poems, “Invictus” by William Ernest Henley and John Matshikiza’s 1974 poem, “And I Watch it in Mandela.”

Caw! Caw! Maragret at Reflections on the Teche shares her poetic observances of a murder of crows which came to play at their school playground this week.

If tiny mice are more your thing, skitter – rather, sail – on over to Alphabet Soup, where Jama’s serving them up. Well, she’s not REALLY serving up REAL mice – Jama would never do that – but she has Janis Ian's adorable new picture book, THE TINY MOUSE, delightfully illustrated by Ingrid and Dieter Schubert. And, of course, there’s food.

Thanks to Becky for the warm SC welcome! Becky’s ringing in St. Nicholas Day today at Tapestry of Words with “A Song for St. Nicholas” by Mary Mapes Dodge (1831-1905).

Katya is trying to make the best of a frigid situation with Emily Dickinson’s “Snow flakes” atWrite, Sketch, Repeat. (And I’m hoping Mary Lee’s toes will soon be up to this kind of jig.)

Collette brings us former US Poet Laureate Robert Pinsky and “The Favorite Poem Project,” along with a powerful video – a 20-year-old student’s reading of Gwendolyn Brooks’s “We Real Cool” at Used Books in Class.

At Enjoy and Embrace Learning, Mandy offers some words of encouragement for Mary Lee and her poor toe.

Diane (one of David’s “Daily Issa” subscribers, BTW) brings her usual Triple Threat of poetic goodness:

At Random Noodling, she offers an original ekphrastic poem, “Interior.”

St. Nicholas Day gets some more love at Kurious Kitty, with “The Festival of St. Nicholas” by Mary Mapes Dodge from Hans Brinker, or, the Silver Skates.

And a quote for creatives by Mollie Hunter is yours for the pondering at KK’s Kwotes.

At The Blog with the Shockingly Clever Title, Karen shares Mark Jarman’s “Prayer for our Daughters” (touching to me as I’m waiting on my college daughter to come visit this afternoon!). She also added links to haiku-related posts on her blog.

Donna’s in with a poem for the “musicfully inclined” over at Mainely Write. Dare you to read it without tapping your toes.

Lovely Cathy brings us a timely poem and post today with “A Wish is a Start” at Merely Day by Day (Our second post featuring coins – good luck, I’m thinking. No, wishing….)

Jone checks in from Check it Out with a Mary Oliver poem, “In Blackwater Woods” – and some lovely thoughts about how poetry can help heal in times of loss.

Garrison Keillor fans? (Raises hand wildly…) Keri is giving away a signed copy of his latest book, O, WHAT A LUXURY – VERSES LYRICAL, VULGAR, PATHETIC and PROFOUND at Keri Recommends. (Hmmm… Maybe I’ll leave TWO comments over there….)

Violet takes up Laurie Purdie Salas’s great 15-words-or-less challenge this week with an original response, “Katniss’s Dilemma,” at Violet Nesdoly Poems. (There – you "hunger" to know more, I can tell – my work here is done.)

(Must take a wee break - back in just a bit.)


I'm back!...


Anastasia sparkles with the magic of icicles today at a Poet! Poet!

Little Willow chimes in at Bildungsroman with “The Singer” by Anna Wickham. (To me, it seems an especially appropriate choice for today in light of Mandela’s passing.)

Janet lightens things up for us with I’VE LOST MY HIPPOPOTAMUS: MORE THAN 100 POEMS by Jack Prelutsky, illustrated by Jackie Urbanovic, at
All About the Books. (Now, that looks like fun.)

JoAnn over at Teaching Authors serves up some terrific book recommendations, and links to others, that should go straight to your gift list (or maybe on your own letter to Santa?) She also shares a most delicious love poem from Joyce Sidman’s new WHAT THE HEART KNOWS: CHANTS, CHARMS & BLESSINGS.

MM Socks opensThe Drawer to share an original poem, “Nobody Wants to Hold My Hand.” (Well, I'm sure after folks visit his blog he'll get some offers... ;0) )

Ruth also has an original poem this week, “Sounds from this House,” at There is no Such Thing as a Godforsaken Town. It was published in their school’s brand-new online literary journal and will transport you immediately to life in Haiti. (That last stanza is gorgeous, gorgeous.)

Okay – you’ve been working hard all day. Now it’s time to play! Amy has just the thing at The Poem Farm, with a poem inspired by a young teacher-in-training and her dolls and stuffed animals – and from Amy’s own memories, as well.

Joy lives up her name today with an acrostic poem she wrote for Kwanzaa at Poetry for Kids Joy. Terrific sentiment! She invites us to check out her haiku from earlier this week, too.

Well, the sun is setting here, and we're about to head out for a little while. Hope you can cozy up with some of this great poetry, and I'll check back in later.
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Poetry Friday: WE HAIKU HERE with Dave Russo

Dave Russo speaks at the 2013 HSA SE Ginko Haikufest in Atlanta
photo by Raymond French


Happy Thanksgiving weekend! I hope you're settling into some time for reflection after the big day - or at least moments of noticing between all the Black Friday sales.



In our WE HAIKU HERE series, speakers from our recent HSA (Haiku Society of America) Southeast Regional “Ginko Haikufest” in Atlanta have graced my blog. We've gotten to know poets Curtis Dunlap, Tom Painting and Laurence Stacey.



Today's guest hails from North Carolina, and if you've enjoyed the great resources on The Haiku Foundation website, you have him to thank.



At our weekend gathering, Dave and Bob Moyer led a fun and lively interactive session on "Haiku from Scratch."



Dave Russo’s haiku have appeared in Frogpond, Modern Haiku, Acorn, and other journals. He is included in the New Resonance 5 anthology from Red
Moon Press. Dave organizes events for the North Carolina Haiku Society and is the web administrator for the NCHS and The Haiku Foundation.




Now, I know you saved some room for haiku. Please enjoy these examples of Dave's poetry. (Those haiku poets among you might appreciate the progression from the "5-7-5" structure of his earliest published poems to the shorter, more condensed recent works.)



All through the meeting,
your calm face by the window.
Bright, darkening trees


Frogpond, xx:2 1997



It's late, the office
almost empty. Your bare feet
whisper by my door


Modern Haiku, xxvii:3, 1997



ice melting the shape of the branch it fell from

The Heron’s Nest, June 2013



    olive blossoms . . .
the sound of a hive
    in the abbey wall


Snapshot Press Haiku Calendar for 2013, Runner Up for August


All poems ©Dave Russo. All rights reserved.


In response to the question, "Why haiku?" - Dave's words are likewise concise and meaningful:

"Because haiku can express a depth of feeling with an economy of means that is not often found elsewhere."

Amen! Many thanks, Dave, for joining us today and sharing your work.

Next week the Poetry Friday Round Up is HERE with poet, author, Issa scholar and Haiku Society of America president David Lanoue.

For today's poetic feast, please take your plate over to Carol's Corner.
[AND (blatant commercial warning): should you want to do any Black Friday/Small Business Saturday/Cyber Monday shopping between poetry stops, feel free to use Coupon Code PFPEEPS13 in my artsyletters Etsy shop for 15 percent off now through Monday! Poet Gift Packs, notecards, altered vintage books, typewriter key jewelry, bookmarks, and more!] :0)
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Poetry Friday: WE HAIKU HERE - Class in Session with Laurence Stacey

Top: Laurence delivers a talk at our recent HSA SE regional haikufest. Below: I appreciated a nice long walk and talk with Laurence; we discussed poetry, animal rights, and education – among other things!
photos by Raymond French




Welcome back! I’m glad so many folks are enjoying our end-of-the-year haiku journey, led by some of the speakers at our recent HSA (Haiku Society of America) Southeast Regional “haikufest” in Atlanta.

Have you missed the introduction to the series, or any of the fun so far? Please click here to get to know poet Curtis Dunlap and click here to meet Tom Painting, poet and teacher extraordinaire.


Today we have a special treat. And, continuing along an educational theme, we have a poet who is also a teacher.


Laurence Stacey lives in Marietta, Georgia, and is an English Instructor and tutor at Reinhardt University. In his spare time, Laurence enjoys hiking and is an avid student of the martial arts. His educational background includes an MA in Professional Writing, with an emphasis on poetry. He is interested in incorporating haikai into the high school and university curriculum. (RHB note – “haikai” generally refers to haiku and related arts, including senryu, haiga, and haibun.)


Laurence’s poetry has been featured in Prune Juice, Simply Haiku, Tinywords, The Heron’s Nest, and several other journals. He is also the coeditor of Haiku News, a journal dedicated to engaging sociopolitical events through haiku, tanka, and senryu poetry.


Please visit Haiku News at http://www.wayfarergallery.net/haikunews/
. (another RHB note: Poetry Friday regulars, you can find several poems by Diane Mayr in the Haiku News archives.)


At our weekend conference, which celebrated the 250th birthday of haiku master Issa, Laurence delivered a lecture that was enthusiastically received Saturday morning. His talk, “Issa and the African American Perspective in Haiku,” invited us to explore poetry by African American writers as well as to think about ecology , and to consider these subjects in the context of haiku. An enlightening and inspiring morning!


I look forward to more of Laurence’s work on these themes in the future.
In the meantime, let’s enjoy some of his poetry, shall we?




deep in debt…
I answer the phone
as my son


Tinywords, issue 13.2, August 2013



election day
choosing the devil
I know


Haiku News, Vol 1 No. 22



her illness
beyond our care
winter birds


The Heron’s Nest, September 2011, Vol XIII



spreading my cards
the gypsy covers
a yawn


Simply Haiku, Autumn 2009, Vol 7 No 3



AM jazz
the phone line rocking
with crows


3Lights, Winter 2010

All poems ©Laurence Stacey. All rights reserved.


In response to “Why haiku?”, Laurence shares the following:

My reasons for studying and writing haikai (haiku, senryu, and tanka) continue to evolve as I learn more about the art. However, the reason that most quickly comes to my mind is joy. For me, haikai is a way of connecting to the people around me and recording the stories that make us unique. In addition, haikai encourages what I believe is a true respect for the natural world and the creatures that live in it.

What more could you ask for as a reason to pursue a discipline? We are very grateful to have Laurence in our region, and I’m grateful he took the time to visit us here today! Thanks, Laurence.

And hearty thanks to hearty Katya, hosting our Roundup for Poetry Friday this week. Go unpack all the great poetry over at Write. Sketch. Repeat.

(And be sure to return here next week, as our series continues...!)
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Poetry Friday: WE HAIKU HERE welcomes Tom Painting

Welcome back, Poetry Friday Friends! Our haiku series continues today. In late October, The Southeast Chapter of The Haiku Society of America met in Atlanta for the 2nd Annual Ginko Haikufest: “gazing at flowers” in celebration of Koboyashi Issa’s 250th birthday. (We’ll revisit Issa in a later post with HSA President and Issa scholar David G. Lanoue.) I’m shining a spotlight on our speakers here, week by week.

Last week, we kicked off the series with North Carolina poet Curtis Dunlap, who kindly provided some thoughts on haiku and several fine poems. This week, I’m thrilled to introduce Tom Painting. (If you already hang in the haiku world, Tom needs no introduction.)

One of the highlights of our recent weekend was welcoming Tom’s current and former students from The Paideia School in Atlanta, where Tom teaches junior high. (He taught my niece Olivia in fact, and she has penned some award-winning haiku, which I’ve featured here the last two years.)

These eighth and ninth graders each shared a few thoughts on haiku and then some of their own poems. I cannot adequately describe how articulate, thoughtful and talented each student was – or the tangible impact they had on us grown-up listeners! There were many moist eyes in the room during the readings. Beyond impressive.

Since 2000, Tom’s junior high and high school students have had winning haiku in the Nicholas Virgilio Memorial Haiku Contest. His students have also been recognized in the United Nations International School Haiku Competition.Tom is obviously an amazing teacher, and he is eager to share his students’ work.

For today, I convinced him to let us meet him first! This teacher, husband and father is one of our best haiku poets writing today.

In addition to regular inclusion in the top haiku journals,Tom’s haiku have appeared annually since 1998 in The Red Moon Anthology of English Language Haiku, published by Red Moon Press. He was the 2012 winner of the Haiku Society of America haibun contest. One of his poems is included in Haiku in English: The First Hundred Years recently published by W.W. Norton and Company (see last week’s post for my aside raves).

Here are some examples of his work:



crickets
the pulse in a hollow
of her neck


Acorn #10, 2004



spring plowing
a flock of blackbirds
turns inside out


Frogpond XXV:2



detour
she returns my hand
to the wheel


Frogpond XXVI:3



year's end
the weight of pennies
in the mason jar


Modern Haiku 39:2



Indian summer
bison graze the shadow
of the Bitterroots


Modern Haiku 43:1



summer stars
my children ask me
to name a favorite


The Heron’s Nest, June 2011


All poems ©Tom Painting. All rights reserved.


Now, to the question, “Why Haiku?” – Tom’s insightful answers runneth over. In fact, I’ll feature just a few of his helpful thoughts about haiku here today and try to work in more in future posts.

“In haiku circles you’ll often hear reference to the haiku moment,” Tom explains. “In so short a form as haiku the poet must get right to the point and show the particular thing that captures her or his attention- the one among the many, the close-up in the general scene, the last, the first, the opposite.

"Haiku work with the ordinary facts of life. One of the great surprises of this form of poetry is that in the ordinary, the every day, one can find the sublime. Haiku poets write in present tense to help the reader feel as if the haiku moment were happening now. Simple, uncomplicated images, common language, objective presentation and musical sensitivity to language are additional hallmarks of a successful haiku."


Told you he was a teacher. As to why he teaches haiku:

“I teach haiku because I love it. I teach haiku because kids of all ages generally like it and some love it. I teach haiku because I feel it provides a cornerstone to literacy.”

Tom even makes his students a promise: “ If you commit yourself to the practice, you’ll learn more about the world, about writing and especially about yourself.”

If you scan the 7th through 12th grade winning entries in the Nicholas A. Virgilio Memorial Haiku Contest at the Haiku Society of America website, you’ll see how Tom has inspired many of the winners.

But wait! There’s more! I will be featuring one of Tom’s students each month beginning one month from today! That’s right, a student haiku poet of the month. You will be blown away, I guarantee it.

The accolades of placing in a contest are all well and good, but beyond that - when a young writer is able to engage in the world in an authentic way and express his or her experience in just a few profound words… I told you you’d be blown away, right? So stay tuned in coming weeks for more haiku from our featured speakers, and then keep circling back for our bright and shining student of the month.

As for today’s Round Up, please go see what the ever-surprising and insightful Jama is cooking up over at Alphabet Soup . It’s always Mmm-mmm good.
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Poetry Friday: WE HAIKU HERE series kicks off with Curtis Dunlap

Curtis Dunlap leads a critique panel at the 2013 HSA SE Ginko Haikufest in Atlanta
photo by Raymond French
Welcome, Poetry Friday Friends! I’m excited to kick off a series today which will feature several notable haiku poets – the speakers from a recent regional celebration of haiku. In late October, The Southeast Chapter of The Haiku Society of America met in Atlanta for the 2nd Annual Ginko Haikufest: “gazing at flowers” in celebration of Koboyashi Issa’s 250th birthday. (We’ll revisit Issa in a later post with HSA President and Issa scholar David G. Lanoue.)

The event was organized by our amazing and talented regional coordinator, Terri L. French. (More on her later, too.) This region includes Alabama, Florida, Georgia, Puerto Rico, South Carolina, and the United States Virgin Islands. Our wonderful weekend included a handful of terrific poets from North Carolina as well. As you can imagine, I’m thrilled I’ll stay in this region after moving from Georgia to South Carolina!

At our conference, I had the good fortune to be on a panel with Curtis Dunlap. We read anonymously submitted haiku and then discussed/critiqued them as a large group. I was struck by 1.) the level of excellence of the drafts and 2.) the very insightful comments and suggestions from all in attendance. It was a great learning experience all around.

I asked Curtis if he would be willing to lead off with this end-of-the-year series, and he kindly obliged.



Curtis Dunlap lives near the confluence of the Mayo and Dan rivers in Mayodan, North Carolina. His poems have been published in a variety of journals and anthologies including The Christian Science Monitor, The Dead Mule School of Southern Literature, Frogpond, Haiku in English: The First Hundred Years, Magnapoets, Modern Haiku, Rusty Truck, and The Wild Goose Poetry Review. He was awarded the Museum of Haiku Literature Award in 2008. Click here for his tobaccoroadpoet.com website.

[Note from RHB: Haiku in English: The First Hundred Years came out in August from W.W. Norton & Company. Edited by Jim Kacian, it features an introduction by Billy Collins and more than 800 poems guiding the reader through the form’s development in English. I bought a copy and am enjoying it tremendously.]

Here is a sampling of Curtis’s fine haiku:



after the burial . . .
my father’s smile
on so many faces


The Heron's Nest, Volume VIII:4 - 12, 2006



tobacco market
the auctioneer pauses
to catch his breath


Chasing the Sun: selected haiku from Haiku North America 2007



a rusty still
by the dry creek bed –
blood moon rising


The Heron's Nest, Volume X:1 - 3, 2008



school closings —
the snowmen arrive
flake by flake


The Heron's Nest, Volume XII, Number 2: June, 2010



robbing the bees
she speaks of
lip balm


The Heron's Nest, Volume XII, Number 4: December, 2010



afternoon lull...
a mercy bullet
for the rabid dog


The Heron's Nest, Volume XV, Number 2: June 2013

All poems ©Curtis Dunlap. All rights reserved.


To the question, Why Haiku? – Curtis responds:

To preserve, share, and savor snapshot moments that are as fleeting as the small poems used to convey the experience to the reader. Time goes by at an incredible pace, especially now that I've passed the half century mark. To me, writing haiku is akin to taking the finger off of life's fast forward button, slowing the pace down, and revisiting events that struck a chord with my artistic soul. …

You can follow the rest of this discussion here at Curtis’s blog. While there, please peruse the “Three Questions” interviews with links in the right-hand column– a treasure-trove of interviews in recent years with contemporary haiku poets. Some of these poets, including William J. Higginson and Peggy Lyles, are no longer with us; it’s a privilege to read their thoughts from just a few years ago.

Many thanks to Curtis Dunlap for joining us today! Stay tuned – we’ll enjoy a different poet from the HSA SE Haikufest speaker’s circle each week through the end of the year.

Now, I think it only appropriate that today’s Poetry Friday host is also an accomplished (and prolific!) haiku poet, among many other things. Please go see the amazing Diane at Random Noodling. (Oh, and let me know if you catch her napping. My theory is she doesn’t sleep.)
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