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Life on the Deckle Edge

Smiles all around for the New Year

Paula B. Puckett and her alpaca photo essay in the Feb. 2012 Highlights! (In our critique group, we celebrate publications with "the crown of success" - a pic with a tiara and cape, of course!)
This week has been one with lots of smiles in the writing realm.

On Monday, I presented writing workshops to three groups of fifth graders and one group of fourth graders at Dyer Elementary School in Dacula, Georgia. The kids were enthusiastic and creative. (So were the teachers! I love it when the teachers have fun with the writing activities, too.)

Special thanks to Media Specialist Paula Flageolle and also to Teresa Ellis for taking care of every possible detail. (Not just bottled water, folks, but little bite-sized donut holes – perfect to pop in your mouth between sessions!)

Last night, at a critique group meeting, we got to Snoopy-dance with my extra-special writing/art buddy and friend Paula B. Puckett. Her nonfiction feature, “Cutting Cowboy’s Hair” is smack-dab in the middle of the February issue of Highlights .

Way to go, Paula! She is not only the author of the piece, but she provided photo illustrations as well.

Cowboy, by the way, is one of Paula’s very own alpacas. He thinks he runs the farm. Click here for my post last spring about Paula and her 'pacas.

You know, Paula and I have traveled to so many SCBWI conferences together I figure we’ve shared more hotel rooms than my hubby and I have. It’s so great to also share successes with folks who have persisted a long time to make their dreams come true.

What an enriching way to start off a new year – celebrating creative endeavors from kids and adults alike. I love this job.
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Picture Book Month

Today begins Picture Book Month! My friend and critique group buddy Elizabeth Dulemba was one of the founding folks for this worthy endeavor.

Here's the press release:
Authors and Illustrators Team to Create Picture Book Month
FOR IMMEDIATE RELEASE

"I have always believed that literature begins in the cradle -- the poems we say to the babies, the stories
we tell them -- prepare them to become part of the great human storytelling community. We humans are
the only creatures in the known universe who make and remake our world with story."
- Jane Yolen from
her Picture Book Month essay

The New York Times declared, “Picture Books No Longer A Staple for Children” in an article
published in October 2010. The controversial article incited a barrage of responses from the children’s
book industry, many in defense of the venerable picture book. In addition, the digital age has ushered in
an unprecedented amount of ebooks and, with devices like the iPad, the color Nook, and the Kindle Fire,
picture books are being converted to the digital format.

Thus, Picture Book Month was born. Founder Dianne de Las Casas decided it was time to
celebrate picture books in their printed format so she created an initiative to designate November as
“Picture Book Month.” Katie Davis, Elizabeth Dulemba, Tara Lazar, and Wendy Martin came on board
to champion the cause and spread the word. A logo was designed by Joyce Wan. A website
(www.picturebookmonth.com) was created to feature essays from “Picture Book Champions,”
thought leaders in the children’s literature community. Each day in November, a new essay will be posted
from such notable contributors as Suzanne Bloom, Denise Fleming, Leslie Helakoski, Eric A. Kimmel, Tammi Sauer, Dan Yaccarino, and Jane Yolen.

Better World Books and organizations like Scholastic Book Fairs Philippines are lending their support. The website
will also feature links to picture book resources, authors, illustrators, and kidlit book bloggers. In addition, parents, educators,
and librarians can download the theme calendar to help them plan their picture book celebrations and access picture book activities.

Join the celebration! Visit www.picturebookmonth.com. The website officially opens on
November 1, 2011.

“Picture books are important because they are with us for life. They are the most important books we'll
ever read because they're our first. No matter how many books we've read since, they will always have a
place in our hearts.” – Dan Yaccarino from his Picture Book Month Essay.
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Eric Rohmann's BONE DOG - more than a Halloween treat...

I've had the pleasure of hearing Caldecott medalist Eric Rohmann speak a couple of times, most recently at the fantastic Advanced Illustrators Highlights Foundation workshop last month. (See Sept. posts.)

In Honesdale, in addition to enjoying the incredibly fun relief printing workshop he offered, I chatted with him for a few moments about his new book, Bone Dog (Roaring Brook Press, 2011). The Highlights folks were gracious to provide a copy of the book for attendees, but I'd already brought one in my suitcase.

I don't have an official interview to offer, but I do have to keep shouting out about how much I LOVE this book. Eric joked during that weekend about how it was standard procedure, when writing a picture book, to kill off a main character by the second or third spread. That's actually what he did in this touching (but not sentimental), humorous, heartfelt story about a boy and his dog.

Gus's beloved old dog, Ella, dies. He goes through the motions of daily activities but is grieving this loss.

"And when Halloween came around, Gus didn't feel like trick-or-treating. But he pulled on his costume and trudged out the door."

He's dressed as a skeleton, he is, and let's just say that as he makes his way home later, some real skeletons appear and they are up to no good. The text and illustrations cause just enough tension that a young reader will be wide-eyed and worried, but not terrified.

The skeleton characters are goofy and wicked and full of themselves, and the reader can sense that they might just be too big for their nonexistent britches.

I won't spoil the story by revealing how things are resolved, but Ella appears in a new form and helps to set things right, with a brilliant idea from Gus. (The book is called Bone Dog, after all - not really a spoiler there, is it?)

Some hilarious spreads ensue, followed by a satisfying ending. Not a "happily ever after," mind you, or something tidy and sweet - but something very rich and honest. Death is a heavy subject, and this book looks it straight in the eye - but with such fun, expressive illustrations and a wacky sense of humor that readers young and old will enjoy the tale.

To learn more about the book, click here for Eric's interview with Vicky Smith posted a few days ago on the Kirkus Reviews blog.

And to learn more about Eric, check out his brand new website.

With all the starred reviews for this one-of-a-kind book, my two cents' might not amount to much - but it's Halloween and I couldn't resist sharing my favorite recent picture book treat. Go dig it up! Read More 
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Welcome, Steven Withrow!

Steven Withrow pictured with his lovely daughter
I’m delighted to feature Steven Withrow as our special guest today. This poet, storyteller, and author is a passionate advocate for young people’s literature and serves as an advisor to the Keene State Children’s Literature Festival.

He holds a bachelor’s degree from Roger Williams University and a master’s degree from Emerson College. With director Edward J. Delaney, he produced the documentary, Library of the Early Mind.

Steven has taught at Rhode Island School of Design and Suffolk University and has spoken to audiences across North America. He’s authored six books for visual artists and storytellers, including Illustrating Children’s Picture Books (written with his talented wife, Lesley Breen Withrow). It’s a terrific book, and I will feature it soon on this blog.

But today…Poetry!

Welcome, Steven! You have so many talents and interests. Where to start?! How about telling us when and how you first fell in love with poetry.


I don’t remember a single moment of my life when I wasn’t in love with words—and all the syllables and sound clusters that make up words. I’m still more interested in how words touch the ears and how they taste on the tongue than in what they mean. The first poem I memorized, in second grade, was Karla Kuskin’s “Write About a Radish” from Dogs & Dragons, Trees & Dreams. I still know it by heart. I’ve been reveling in poetry and story ever since.

You recently released your first collection of poems for adults as a digital book, Crackles of Speech, available to readers who contact you through your website. What a breadth of subjects, forms, and treatments! Here’s a very small (and insufficient) sampling:

From many nods to the natural world, these lines from “Rooting” –

Hooray hurrah huzzah - for tap, sap, font, and source,
For fingertips of gymnosperms planting gymnastic handstands,
For bending straws of sycamores slurping the groundwater,
For xylem and phloem fixed in daylong flux…,

and an example of a historical reference, with these lines from “Cost of Battle, 48 B. C.” –

His helmet lost - a boy no more than twelve
Conscripted from the town by Pompey’s men -
I hesitate, but only for a flash,
Before I bring the spearhead down. …

and several touching musings on love and family, such as these closing lines of
“Lessons Fathers Only Learn at Home”

I look over at my burbling girl,
once the white and flattened face
of the moon in a sonogram photo,
the now-calm eye at the center
of this maelstrom’s crushing path,
this aftermath, and I start to laugh
at all my wild and cataclysmic joys.

I can’t tell you how much I love “all my wild and cataclysmic joys”! Speaking of children, you are especially interested in and committed to poetry for young readers. And your poem “Cornered” appears in the just-released p*tag, the second digital collection (this one featuring poetry for teens) from Sylvia Vardell and Janet Wong. What was it like writing for that project?


Thank you for your kind words about my poems in Crackles of Speech, which is a real miscellany of my work for adults written over a six-year period.

Regarding p*tag, I’ll say first what a stupendous honor it is to be included among such stellar poets as Naomi Shihab Nye and J. Patrick Lewis. Choosing a single photograph for inspiration, from a batch of dozens, was a matter of instinct.

I selected one titled “Corner” that shows the meeting of two walls inside an elaborately decorated church. I thought of how two people meet and fall in love. Borrowing four words from the Jeannine Atkins’s poem that precedes mine—ancient, saved, heart, corner—helped me to solidify my poem’s basic imagery. It was challenging to write and revise a poem within 48 hours—I usually draft poems quickly and often revise over the course of several weeks—but it was the best sort of challenge.

I’m always curious about creative work habits. Do you keep a set writing schedule, or write in fits and flurries, or both?

Given all that I’ve got going on, I write whenever and wherever I can. I’m trying to be more systematic about it, to make it a genuine practice, but it’s often catch-as-catch-can. I always write stories on paper or on the computer, but with poems, I’ll often “compose” silently in my mind while I’m taking a walk or washing dishes, or I’ll speak them aloud while I’m driving alone. As I noted before, I write for the ears and for the tongue. I revise on the computer—but the true test is whether I enjoy saying a poem out loud.

Are your collections born from a theme first or strung together from existing poems?

I’ve written several, as-yet-unpublished children’s collections, and all but one (my first) started with a central theme. I’m told it helps collections sell to editors and book buyers, though I’ve always preferred a grab bag of poems in a single book.

You have just started a grassroots, nonprofit organization, Poetry Advocates for Children & Young Adults, “celebrating poetry as a living thing.” Tell us about it! Who can join, and how do folks get involved?

All that I might say about PACYA can be found at http://poetryadvocates.wordpress.com, especially in this short essay. I invite everyone to get involved and help spread the word.

Finally, are there a few more lines you’d like to leave us with?

Releasing Butterflies
By Steven Withrow

Something seamy and unseemly in the name
they carry, painted ladies, pins a sordid shame

in fore- and hindwing, but its sting recedes in flight,
for they are dazzlers as they grab the air, these brightly

spotted Cynthias of a genus called Vanessa:
you laugh to draw the last, and dub her Iridessa.


[©2011 Steven Withrow, all rights reserved]

Ahh... - delgihtful! Many thanks for visiting, Steven, and I can’t wait to see what you come up with next.

To learn more, visit Steven at his poetry blog, Crackles of Speech, and at the Poetry at Play blog. For more great poetry, click over to the Poetry Friday Roundup at Great Kid Books!

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Highlights Founders Illustrators Workshop

Eric, Suzanne, Lindsay, Melanie, Floyd, and the new "barn" inside and out
As promised, a few more words about the recent Highlights Founders workshop for Advanced Illustrators. In short, amazing!

I can't possibly recapture all of it for you, so let me serve something like the appetizers we were treated to while mingling each afternoon.

With the largest Founders Workshop group thus far (29 of us, I think), we broke in the new "barn" - a lovely, functional structure which sprouted from the imagination and planning of executive director Kent L. Brown Jr. Alison Myers kept the weekend running smoothly, and always with a smile. (And no doubt you've heard about the food! Hospitality Manager and chef Marcia Dunsmore completely spoiled us.)

We got to meet several folks from Boyds Mills and Highlights - and did I mention Highlights Senior Art Director Cynthia Smith posed for us as a model Sunday afternoon? In her gorgeous belly-dancing ensemble? What an amazing surprise!

Dinner speakers included the wonderful Alix Kennedy, executive director of the Eric Carle Museum of Picture Book Art, and the ever-dazzling Vera B. Williams. - "In my mind, you need joy to make colors."

Each of us had a personal critique with a faculty member. I was fortunate to have a one-on-one meeting with the incredible Lindsay Barrett George (link below).

Also, each faculty member led a hands-on demonstration and workshop for the group, spotlighting a particular medium. (Check out my home page for one of my efforts!) Some great photos are up on the Highlights Foundation facebook page. Oh, and methinks a couple of our fearless leaders, Eric and Suzanne?, can always use stand-up comedy as a back-up career....

From my notes, here is a gem of wisdom from each award-winning faculty member:

Eric Rohman: "I want to live an interesting life, so I want to try a lot of different things."

Melanie Hall: "Infuse your work with your personality."

Suzanne Bloom: "What we do is magic."

Lindsay Barrett George: "Make your reader care about and love your character... connect with kids on an emotional level."

Floyd Cooper: "I'm opposed to lines in my work." He also shared a few quotes, including this one by Henry James: "The best things come, as a general thing, from the talents that are members of a group...."

What a privilege it was to be a part of THIS group for a few days - the experience will forever enrich my life and my sketchbooks. Read More 
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Every Second Something Happens with Melanie Hall

Robyn with Melanie Hall, illustrator of Every Second Something Happens and much more...
I'm still relishing my Highlights Founders Workshop in Advanced Illustration last weekend, and praying for the folks in that region facing floods this week. I'll conjure up a recap soon.

One highlight was meeting award-winning Melanie Hall, who has illustrated several volumes of poetry. I cornered her for some tips and she kindly offered insights and encouragement. Her exuberant illustrations reflect her joyous, infectious spirit. She uses a variety of media to create her colorful illustrations, which are often full of movement.

We took a close look at Every Second Something Happens - Poems for the Mind and Senses, selected by Christine San Jose and Bill Johnson (Wordsong, 2009). I particularly love the variety of pictures and the generous amounts of white space giving the poems room to breathe. Melanie designed the book with Boyds Mills's Tim Gillner.

The book offers a multiple intelligences approach to organizing the poems. From the Note to Parents: "We've organized the verse in a way that follows the natural human approaches to making sense of the world: through language, senses (eyes, ears, movement), rational thinking, dealing with others, and knowledge of ourselves. ...So this book might quite rightly be reckoned as poetry in the service of children's intellectual development. But we confess that for us it's the other way around: helping children use all their native wits and sensitivities to discover the myriad delights of poetry."

Poems by children, with names and ages listed, appear alongside works by David L. Harrison, Lucille Clifton, Dawn Watkins, and Shakespeare - just to name a few. (The book's title comes from a poem by six-year-old Sam.)

Rebecca Kai Dotlich's "A Circle of Sun" is included in the "Wiggle, Waggle, Shimmy, Shake" section. (Melanie also illustrated Rebecca's collection, Over in the Pink House.) I've used "A Circle of Sun" with very young students in school visits, and they love acting it out. Here are a few lines from the middle - for the complete poem, see Lemonade Sun or this anthology!

Excerpt from "A Circle of Sun"
by Rebecca Kai Dotlich

I gallop.
I grin.
I giggle.
I shout.
I'm Earth's many colors.
I'm morning and night.
I'm honey on toast.
I'm funny.
I'm bright.


Bright is the perfect word to describe Melanie Hall's contribution to poetry collections, including this one.

Katie has this week's Poetry Friday roundup at Secrets & Sharing Soda. Read More 
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Happy Birthday to Paul Fleischman from Honesdale, Pa.

Robyn at the Highlights offices in 2009
Greetings from Honesdale, Pennsylvania, this morning, where I’ll attempt to find an internet connection and connect to Poetry Friday! I’m attending my second Highlights Founders Workshop up in the beautiful mountains here. My first was a poetry workshop; this time around is an illustrators’ workshop with an amazing faculty (and attendees, for that matter!).

Perusing Lee Bennett Hopkins’s DAYS TO CELEBRATE this past week, I discovered that Monday (Sept. 5) is the birthday of the one and only Paul Fleischman. We SCBWI Southern Breezers had the honor of hosting Paul for our 2008 fall conference. (This is all related, really.)

I appreciated Paul’s keynote address on “found sculpture,” in which he described his own creative pursuits outside of writing. He shared that creative energy put into something “non-writing” will “flow into your writing,” noting that: “Art is problem-solving. Art is difficult.”

I for one am thrilled he’s let his own creative energy flow into so many wonderful works. HAPPY BIRTHDAY, Paul Fleischman!

Let’s celebrate with a few lines from the 1989 Newbery Medal-winning JOYFUL NOISE – Poems for Two Voices (illustrated by Eric Beddows).

Fireflies

Light    Light

        is the ink we use

Night     Night

is our parchment

        We’re

        fireflies

fireflies      flickering

flirting

        flashing


For the rest of the poem (and proper formatting!), click over to the excerpt on Paul’s website .

The scope of Paul’s work is dizzying, and he has been named by The U.S. Board on Books for Young People as the United States' Author Award nominee for the 2012 Hans Christian Andersen Award , given every other year to “an author and illustrator for a body of work judged to have made lasting contributions to children's literature.” (Back to art – the amazing Chris Raschka is the U.S. nominee for the Illustration Award!) Winners are announced at the Bologna Book Fair.

Let me close with a quote from that 2008 keynote just for Jama, in case she drops by: “Serendipity is one of your four food groups, you know? Enjoy it!”

To enjoy more great poetry, head over to the Poetry Friday Roundup hosted today by Tricia at The Miss Rumphius Effect .
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Celebrating Randolph Caldecott

© Robyn Hood BlackRandolph Caldecott's grave in Evergreen Cemetery, St. Augustine, Florida, and my quick sketch of it.
A couple of weeks ago, my family had a long weekend vacation in one of our favorite spots, and a place I remember fondly from growing up in Florida, St. Augustine.

Last time we were there, I met a delightful young children’s writer working at the Spanish Quarter (a living history complex) who shared this gem with me: Randolph Caldecott (1846-1886) is buried there. He had traveled to the climate in an attempt to improve his ailing health, but died soon after arriving, a month shy of his 40th birthday. The Caldecott Medal , given to “the artist of the most distinguished American picture book for children” was first awarded in 1938.

On our previous trip, and again this time, I went to pay my respects at his grave. [This year I was particularly keen to go, since next weekend I’m heading up to a Highlights Founders Workshop
for illustrators. Yee-hi! I’ve been to one other – on poetry.]

Evergreen Cemetery is unassuming and off the beaten path, but peaceful and well maintained. My only real company both times included birds (woodpeckers, a hawk, and others) and squirrels and some lively Florida bugs.

The grave is maintained by the Friends of the Library of St. Johns County, Inc., and the Randolph Caldecott Society of America . A 2005 plaque on the grave reads: “…As a tribute to his life and art, this burial site is designated a Literary Landmark by Friends of Libraries USA.”

One of my favorite books is Randolph Caldecott’s Picture Books (Huntington Library Classics, 2007), which includes copies of nine of the works in the Library’s collection (songs and rhymes made into books), including The Three Jovial Huntsmen and The Diverting History of John Gilpin. I particularly like the note in the introduction that in Sing a Song for Sixpence, Caldecott “ didn’t want children to think that the maid had permanently lost her nose to the blackbird…,” and therefore he added a verse:

The Maid was in the Garden
Hanging out the Clothes-;
There came a little Blackbird,
And snapped off her Nose.
But there came a Jenny Wren
And popped it on again.


The book is beautifully bound with thick, creamy pages perfectly setting off the sepia line drawings and colored wood engravings which still seem fresh today.

Quoting from the Randolph Caldecott Society of America website:

A friend of Mr. Caldecott, Fredrick Locker-Lampson, summed up Randolph Caldecott's work with these words: "It seems to me that Caldecott's art was of a quality that appears about once in a century. It had delightful characteristics most happily blended. He had a delicate fancy, and humor was as racy as it was refined. He had a keen sense of beauty and to sum up all, he had charm."

For more delightful, racy, charming poetry, visit Irene for the Poetry Friday Roundup Read More 
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She picked a pack of 'pacas....

1.) Paula Puckett 2.) some of her fiber creations........... 3.) Riley, 5, shares some carrots
Who did? Paula B. Puckett: my dear friend, SCBWI conference travelling buddy, fellow writer and illustrator and critique group member. I know today is Poetry Friday (click here for Roundup), but I'm interrupting strictly poetic posts to share something fun.

Today, Paula's family hosted what's becoming an annual "alpaca shearing and pot luck lunch" for family and friends at their beautiful farm nestled in the North Georgia mountains.

I've always had a thing for alpacas and have enjoyed getting to visit hers. Today's shearing was interesting. The animals are laid out one at a time on special mats, and then the shearers go to work, removing the gorgeous, thick fleece with skilled hands. The process only takes a few minutes, and then the animal is trotting off to rejoin the herd. I'm thinking Paula's alpacas are going to be thankful come Sunday they're in short coats - we're supposed to have temps in the 80s! Read More 
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Second Grade Authors Rock!

THE THREE LITTLE PIGS VISIT WEST VIRGINIA
I just received in the mail something worth celebrating. In November, I had the great privilege to (drive through an early snow! and) visit several schools in and near Charleston, West Virginia. The West Virginia Symphony Orchestra brings arts to the schools with more innovative programs than I could possibly list. Betty King, Vice President of Education/Operations, invited me up as part of an initiative culminating in a "Song of the Wolf" performance for the students.

Students participated in all kinds of Three-Little-Piggy-themed projects. Ms. Adkins's second grade class from Flinn Elementary School wrote and illustrated their own original story, THE THREE LITTLE PIGS VISIT WEST VIRGINIA. I was honored to get to read it when I spent some time in their classroom - what a dedicated teacher and creative students!

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